文藝復興queen平凡的一天從清晨穿衣開始！ P1-Dressing a Rennaissance Queen P4-Dressing up a Florentine Lady 1480-90s

Dressing up a Florentine Lady 1418-19 By Prior Attire Today, we are looking at the layers worn by a Florentine upper class the camicia, camorra and germera loosely translated as the shipped cattle and an overgown We are starting with the camicia, a shipped or a chemise It was usually made in soft linen, a fabric that breathes well and can be washed frequently It sported a new, very generous cut unlike more fitted chemises seen at that time in the north of the continent It was a fashion that would pick up and be seen in a variety of Renaissance styles across Europe The neckline and sleeves are gathered into narrow bands and the cuffs close to the hook and bar or buttons Gamorra, the kirtle The cut was not that different from the mainstream fashions but already indicated regional variations The waist was slowly gripping up a trend we see fully developed especially in the 1419 styles in Florence and Venice Gamorra could be plain and light wool or for a more affluent councilman and fancy silks Bodices were usually lined with linen whereas the skirt could be lined or unlined depending on personal preferences and season This one is in a very light silk, woven with square pattern The bodice is lined with plain linen but the voluminous skirts gathered to the bodice are unlined The sleeves are lined in plain silk, easier to slide them over the linen chemise Allegedly, that is The sleeves were usually fastened with points If you had help with dressing up, the sleeves could be put on separately, much easier Me? I need to make do with my own, so the sleeves are tied in already A bit trickier, especially with the huge sleeves of the camicia But I think we've just about done it Wahey! Success? Well, almost The chemise is pulled out through the openings in the sleeves and between the sleeves and the bodice It was a very clever design, allowing for more ventilation in hot climate But a very pretty one, too, that caught up with Northern Europe in the 16th century The bodice is interlined with stiff buckram to give me some support and control over the bosom I'm also sporting some breast binding under the chemise For that, see a closer, a bit risqué peek at the end of the video to that effect Just an additional precaution, not necessary if you didn't need it, obviously The bodice laces in front with one long tie Here all ties, points, were made in wool on the lucet with brass egglets Bodices could lace at the sides and back, too, but front was probably the most common I used brass rings set in the Gamora, but worked eyelets were used just as frequently The lacing is from the bottom up, helping to keep the assets up and well-supported The lucet cord has a bit of stretch in it This helps with both lacing and comfort Almost there At least it's faster than buttons A bit more Let us tighten it up a bit Although it seems like a long time when you watch It actually takes just a few minutes, especially if I'm doing it at full speed with nobody watching Final adjustments Pulling out the chemise nicely And all done Sort of Almost there Yay! Right Shoes next They are leather with gold braid decoration that matches the Gamora Stockings or hose, as shown, were already in place Obviously Let's buckle them up The shoes close with a buckled strap I'm trying to put them in a manner that would not involve too much leaning in No upskirt in either piece Next A belt next Not always necessary, but handy for hanging stuff from Stuff like eating implements, purses, keys, etc A little purse for some coins and a handkey Oh, not a bad size for a mobile phone either Bling choices Thunder beads Or jade and pendant The oracle hath spoken Awesome So green bling it is Were very fiddly fastening Just my luck A matching ring And all done A bit of a close up for you Gamora is enough to wear indoors or maybe for an informal outing to the market Or lounging on a patio with friends But for a more formal occasion, a gown is required A few types were in fashion Depending on status and occasion A joker, cotta or a journer Journer was a voluminous loose garment Falling in folds from the shoulders It could have been cinched with a belt all around Or just halfway, as shown A perfect example of a formal overgown That is light and suitable for a warmer climate Stilted blue This example is made out of silicone brocade And lined with lightweight silk It is decorated with a matching braid And very airtight Main versions, short and often almost circular, were also popular A posher version of simple heraldic tabard perhaps Obviously for men, not women Doll Many women in paintings sport translucent veils on their heads They may look great in the paintings But my silk veil is a real pain to keep on Thanks, Nibu As for hairstyle The front hair is short and curled The back caught in a bun and secured with a net One of those very few periods when head necklaces were actually okay Let's curl the ends a bit The ends of the veil were often seen twisted nicely Maybe we'll work better on linen That silk is one of its own But hey, let's see if it stays for close-ups It stays For long Batman That's it from me today Hope you enjoyed it Almost forgot The promised breast-painting In terms of the delicate constitution Leave now Ta-da!