This Respiratory Examination Explained - Clinical Skills Deep Dive video looks at the details of the examination of a respiratory patient, highlighting what is being checked for during special tests and examination findings
In this video, we demonstrate how to perform a clinical examination of the RESPIRATORY SYSTEM for your medical school Clinical Skills OSCE. As the resp exam is sure a core skill when it comes to examining patients, students should assume that a respiratory assessment is a high yield station for any clinical exams or clinical assessments.
For a passing grade in your Clinical Skills OSCE, for resp examination follow the approach of:
- Inspection
- Palpation
- Percussion
- Auscultation
HOWEVER, a respiratory examination OSCE station does not just involve auscultating the lungs, this video also demonstrates some of the specialised examination techniques required in examining patients such as tactile vocal resonance, and checking the JVP which may be seen to be elevated in pulmonary hypertension. There are many parts of the respiratory exam, that overlap with the cardiac exam, thus these shared parts could be considered essential for any chest examination and always included as core medical school revision for clinical skills or OSCE prep
Coughs, colds and general concerns about the chest are a common reason for patients to see a doctor, and in any speciality is probably the most commonly performed patient examination
This video has two other respiratory system focused videos associated with it:
https://youtu.be/-Pm1SZyke-M - How to take a respiratory history
https://youtu.be/KFcXXn2aBPg - Understanding the techniques of the respiratory examination
Performed by Dr James Gill
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Please note that there is no ABSOLUTE way to perform a clinical examination. Different institutions and even clinicians will have differing degrees of variations - the aim is the effectively identify medically relevant signs.
However during OSCE assessments. Different medical schools, nursing colleges and other health professional courses will have their own preferred approach to a clinical assessment - you should concentrate on THEIR marks schemes for your assessments.
The examination demonstrated here is derived from Macleods Clinical Examination - a recognised standard textbook for clinical skills.
#clinicalskills #respiratoryexamination #DrJamesGill
You can now consult via video or in person with Dr Gill at Dr Finlay’s Private Practice - https://www.drfinlays.co.uk/services/video-consultation/
hello and welcome to this video on
explaining um how we do the respiratory
examination
thank you very hairy examination the
intention for this one is to build upon
that and is to provide students with an
understanding not only of what they're
doing when examining a patient but why
they're doing it and what no particular
signs that come forward might indicate
however before we get onto that in the
respiratory video we mentioned that you
have a chance to win this the copy of
McLeod's essentials of examinations and
don't want it we haven't forgotten about
that so we've done a random draw from
everybody who commented on the previous
video and we'll give you the name of the
lucky winner of that at the end of the
video so stay tuned okay with that out
of the way let's start are discussing
the respira examination so your
examination actually starts well before
you get your patient sat down in your
clinic or in your examination room my
examinations that patient start and
they're walking toward me down the
corridor after I've called them into the
room the reason for this being is I get
an opportunity to see how the patient is
behaving how they're walking and what
their breathing is like before they
actually get into an environment where
they're expecting to be examined if you
try it with a relative or friend at home
just say I want to count your breathing
rate and then watch and see what happens
as soon as you say oh you know I'm
focusing on you the person's approach
changes they become very aware of their
body as a result that brief few seconds
where the patient's coming down the
corridor towards me I get an unvarnished
glimpse of how well they are or
the case maybe once the patient has come
into the room we get them sit down
uncomfortable again I want to assess the
person as a whole so in terms of that
short distance into the room it was a
difficult walk for them to do are they
now short of breath after having sat
down in my examination chair have they
brought in an oxygen cylinder with them
mean are they requiring supplementary
oxygen order to help them breathe as I
look at them can I see any evidence of
tar staining at all to their fingertips
and are they sitting upright engaging me
in conversation or are they in a posture
such as try potting where they haven't
embraced themselves on their legs in
order to engage their accessory muscles
in order to help them breathe with that
in mind it's going to give us a
suggestion as to what we may find when
we combine the information the patient
gives us in the history from the
information we begin to find during our
examination and I suppose that is a
effective point for us to begin talking
about the examination so we've discussed
broadly the end of bed examination but
we then need to focus to the hands now
the hands were a wonderful window into a
patient and their biological processes
there are so many signs that we can pick
up here that may give us hints and clues
to what might come later
to start off with we get the patient to
put my hands out stretch and we're going
to have a look over the back of the
hands and see what we can identify so
beginning with the nails we may see : e
Kia so spoon shaping the nails
indicating a patient with iron
deficiency anemia now that's obviously
going to be important in a respira Tory
patient but if a patient doesn't have
enough blood going around the body
they're not going to be able to carry
enough oxygen and that's going to impact
on them as a whole we want to see if
there's any signs of you yellow nails
now this is particularly rare but I
highlight it as a potential finding of
lymphoma and some connective tissue
diseases and possibly lung cancer
because it's different from the tar
staining that we might see with a
cigarette smoker although they do look
similar
the yellow nail will be focused purely
on the nail whereas tar staining will
affect the skin around the fingers where
the cigarette is held as well and I
think it's important to highlight that
we are dealing with Tarver or we get
that a yellow staining from cigarettes
not nicotine because nicotine is a clear
colorless substance and that's a common
error where students tend to drop marks
in written exams we're going to want to
have a look to see what the patient's
capillary refill is so pressing on that
fingertip and seeing how quickly it
takes the blood to return anything about
two seconds will be normal and at this
point we might notice a little bit of
power to the fingers so paleness and
color if there's also any evidence of
anemia but there is a several better
ways to assess anaemia on a patient
which we'll come to in a minute before
we get to turn the patients hands over
get them to stretch them out in front of
us
see if there's a tremor now there are
two types of tremors we may find with
respiratory patients the first a fine
tremor which we could exacerbate or make
clearer by placing a piece of paper on
their hands that would exacerbate any
tremor that's there the other is a
coarse tremor certain asterixis where
the hand is rhythmically beating when
cocked back the differentiation between
these two signs is what caused them so
fine tremor is normally due to
medication use particularly the beta
agonists sound beautiful blue inhaler
that most asthmatics are familiar with
or theophylline another respira
medication in terms of the asterixis
that course tremor that's a bad sign for
a respiratory patient because it
normally indicates co2 retention and
that they've got such a buildup of
carbon dioxide in the blood vessels that
it is affecting the brain specifically
those are involved in movement turning
our hands over we may see pale palmar
creases which again is going to provide
us with more suggestion that there may
be problems with anemia here we'd also
want to check to see if there's any
evidence of clubbing to the finger tips
in terms of checking for clubbing we'd
want to get the patient to put their
finger tips together like so to see if
there's evidence of sham roth's window
if we've got shamless window present
then we know that a patient doesn't have
clubbing whereas if it's absent and it
suggests that they have lost the
connection between the nail bed and the
actual skin over it causing this sort of
spoon shaping to the end of the finger
tips now there are many different course
of clubbing and it's definitely
worthwhile remembering those or learning
those for the Cardinal systems they were
spiritually kardea abdominal and
a little bit of endocrine systems as
well because they're very common
questions for both written and practical
examinations having examine the hands we
need to move upwards to have a look at
the patient's polis now personally I'd
like to show you both pulses at the same
time because it doubles my chance of
finding the radio world pulse which is
quite an important thing when you're in
the stress of an examination but also it
allows me to find another potential
cardiovascular sign with that of a
radial radial delay in a healthy patient
we should expect the pulse to come to
the wrist at the same time on both arms
but if there's a coarctation of the
aorta then we may get an irregularity
between the two beats coming down the
arm when we're checking the pulse here
we want to check for rate and rhythm so
simply how quickly is the pulse going
now this is to a regular pulse and a
regular pulse
are there any gaps or changes in the
pulse we have to check for the character
at a large-bore artery is the brachial
or the carotid because we need at that
large volume in order to be able to
determine is it thin pulse is it a
thready pulse is it a bounding pulse and
if we got any other variations in
character such as pulsus paradoxus
moving on up at this point it would be a
useful to check a patient's basic
observations so do their blood pressure
and also check their box from
saturations which can be particularly
useful in our respiratory patient now
normally a saturation of 92 percent is
considered to be normal
however I personally get a bit anxious
when I have a patient with a saturation
less than 95 I want to know why their
saturation is lower than I'd expect it
to be similarly once a patient's
saturations are down to 92% it's vitally
important we work out what
going on because that patient may need
admission to hospital unless they have
an existing respiratory condition such
as COPD where we change our boundaries
for concern so a patient with COPD would
be happy to have their SATs down as low
as 88 percent before getting seriously
concerned now when I do my examinations
I like to strive and stay in a straight
line so I'll go up the arm to the top of
the head down the neck and down the body
from there so after having assessed for
the blood pressure I want to move up to
have a look at the face to start off
around the eyes I'm going to be looking
for any signs of anemia which we'll find
by pulling the lower lids down and
looking at the conjunctiva there so so
far in terms of anemia we've been able
to look for : EQ the spoon-shaped nails
we've been able to check for poorer
creases and now we've also been able to
have a look at the conjunctiva of the
eye now there is a significant sign that
we can see on the face Horner's syndrome
which has three cardinal features
there's ptosis so the eyelid drooping
down along with an ophthalmoscope
eyeball will have meiosis so a shrunken
pupil on the affective side and
similarly anhidrosis an inability to
sweat on the side of the body where the
problem is in terms of that problem it's
off it's due to compression of the
sympathetic nerves in the neck often due
to a cancer preventing the normal
functioning on their face having locked
over the eyes we need to have a look at
the face around the mouth we may see
peripheral cyanosis so blue tinge into
the lips now such as with Raynard there
are potential external factors such as
cold which may cause blue tinge lips
however blue tinge lips
and central cyanosis so the changing
underside of the tongue to a blue color
will be highly concerning about a
patient's oxygenation now we've spoken
previously about levels of acceptable
options saturations if a patient has got
central cyanosis and we know this is
normally associated with an 85 to 95
percent oxygen saturation level to put
it in another phrase a patient must have
between three and five deciliters of
deoxygenated hemoglobin there so what we
mean by that is when oxygen is binding
to the hemoglobin molecule in the blood
the to bind together to provide a red
coloration when the option dissociates
though from the hemoglobin molecule it
takes on a cyanotic color instead and
that's partially why we have the classic
colors for arteries and veins with the
artery carrying the option negative
blood looking bright red and in
textbooks the vein carry the
deoxygenated blood blue because of the
lack of option binding to the heme
molecule changing the color one of the
key features to look at in the neck of
both there were spiritual passions and
the cardiovascular patient is the
jugular venous pressure the jvp in order
to assess this we must have the patient
lying back at 45 degrees with their head
relaxed on the bed behind the reason
being is the jvp from the internal
jugular vein runs underneath the
sternocleidomastoid muscles which help
us turn the head if a patient is holding
their own head and that will keep the
sternocleidomastoid muscles engaged I
don't mean that we will not be able to
see the jvp waveform with the patient
relaxed and lying back we can have them
turn their head to the left to examine
the neck in a healthy person the jvp may
be not visible visible just above the
clavicle up to three centimeters in
height
and we're measuring that three
centimeters in height from the Renewable
sternal angle up to where we're seeing
the actual jvp itself if there are
reasons for a patient to have increased
blood pressure or hypertension then
we'll see the jvp pulsation move up the
neck so things which might cause this
would be pulmonary hypertension COPD and
on the cardiovascular side of things
perhaps cardiac tamponade which can be
seen from respiratory courses such as a
tension pneumothorax the reason why
these changes in blood pressure affect
the jvp is but because the jvp sits
directly above the right atrium as a
result the jvp can considered as a
manometer of the atrial pressure there
so what this means is anything affecting
the atrial pressure will cause the jvp
to increase so for example if a patient
has an atrial myxoma so a tumor in the
heart then that will cause the pressure
to move upwards the patient has COPD
with a hyperinflation chest
compressing the heart that will push the
jvp up but what happens if you have a
patient for whom you would expect to
have a raise jvp but can't see it that
may be because the jvp has risen so high
it's gone up inside the skull and can't
be seen but in that situation how do you
determine whether the jbp is not visible
because it's gone up versus not visible
because actually the patient doesn't
have a hyper dynamic circulation we can
conform the hepatic jugular reflux
well we press on the patient's right
upper quadrant pushing blood up the
venous system into the heart and moving
the jvp up in a health individual if
they're jvp has not been visible because
clavicular head don't have to have
circular reflux well then move the jvp
up and have it visible in a patient for
whom we didn't think that jvp was
visible because it has gone too high
we will not see a change in the position
when we do her pattern jugular reflux
but there is always a way to work these
things out in medicine and if the jvp
has gone so high up it's within the
skull we may see the earlobe Weidling
with each pulse indicating where it is
now we've mentioned that the jvp lies
underneath the sternocleidomastoid heads
but we need to separate that pulse from
carotid pulse and that's very easily
done because the carotid pulse will be
palpable whereas the jvp will be visible
but won't place our fingers over it we
won't be able to feel it having checked
patients jvp we want to assess them for
any lymph nodes so for that we need to
stand behind the patient and then put
our hands on the patient's neck from
behind so it's very important to tell
the patient what it is you're about to
do and gain their consent to do so even
though you've gained that consent
already for your examination the reason
why we need to do this is otherwise you
get the patient to sit up you walk
around the back of the patient and
suddenly hands come from behind around
their neck which could be quite
startling and certainly not something we
want while placing your hands on the
neck we need to check for submental
submandibular cervical pre and post
auricular and also the lymph nodes at
the back of the skull the occipital
nodes to complete we get the patient
just shrug their shoulders up and then
press our fingers and deep into the
suprachoroidal ER fossa to see if we can
feel any lymph nodes there a lymph node
on the Left
supraclavicular fossa may be verk house
node now this is commonly seen in
stomach cancers but may rarely be
associated with the lung cancer - in
terms of checking the super Vicki laughs
ah sir it's
actually easier than you may think shrug
your shoulders forward now and just see
how far you can push behind your own
clavicle it doesn't hurt and you can
actually press much further down than
you may think
and that's the depth that we need to go
to when assessing our patients now our
standard Examination approach is
inspection palpation percussion and
auscultation and so far we've kind of
been inspecting and then a little bit of
palpation we need to go further on the
palpation now by checking for the
position of the trachea normally we
should find that assisting equally
between the heads of the clavicle but
there are various respiratory issues
which could result in the clavicle being
pushed away from a problem or conversely
pulled toward it so as an example if we
get a tension pneumothorax where the
lung collapses but actually with every
breath we get air leaking into the
pleural cavity causing that to expand
with every breath we're going to get
increased pressure on the affected side
pushing the trachea away if we have
something such as a lung cancer then
that may both push and pull the trachea
a fibrotic lung disease that can cause
the pulling of the trachea and similarly
in pneumothorax which doesn't go to a
tension pneumothorax that collapse will
cause such a care to be pulled toward
the effective side in terms of assessing
the trachea we want to pull those
fingers either side of the trachea just
by the clavicular heads and we should be
able to fill in the equal pressure on
both fingers be careful with this
because it can be a little bit
uncomfortable again try this on yourself
when you'll feel that it's not the
nicest thing to feel in the world if
there is a deviation of the trachea and
we're likely to feel increased pressure
one or the other fingertips as we
examine on that with the trachea
being cleared we then need to move on to
examining before examining the patient's
chest so we're getting to unstrap at
this point taking off their shirt so we
can have a look at their chest and I
like to perform an end of the bed
examination again looking for any
structural abnormalities on the chest
wall so we may see hyperinflation we may
see pectus carinatum where we get at a
very prominent sternum we may get a
pectus excavatum where we seem to have a
central sulcus to the chest in terms of
these deformities
but many people aren't too concerned
about the a hyper of latent chest
however people can be very
self-conscious when it comes to a pectus
carinatum or pectus excavatum I know a
friend who's particularly concerned
about theirs and as a result they're
never happy to take that t-shirt off
when even out in public with friends so
go into the pool and things like that
it's something to be cautious of during
our examination to make sure that you
don't make the patient feel
self-conscious
we may see dilation of blood vessels in
the chest if we've got a tumor
obstructing the superior vena cava
impacting on blood supply coming down
from the chest at this point I'd like to
get the patient to take a deep breath in
and out so I can watch for the movements
of their chest wall and see whether or
not we have equal movement assuming
everything is equal I'm not too worried
that I'm going to be finding a
unilateral Geshe however if we go to the
things we've already discussed
previously if we have a tension or a
straightforward pneumothorax that's
going to affect one side of the chest
moving less than the other
we similarly may see a reduction in
movement if we have an empyema on one
side or any evidence of fibrotic lung
disease which is impacting on
movement of the chess wall when the
patient does their deep inspiration it's
worth or paying attention to their face
as well to see if there's any evidence
of discomfort if we have caustic and
Rytas so inflammation at the chest wall
then that can be uncomfortable for a
patient
similarly the presence of pulmonary
embolism causing pleuritic chest pain
would result in the patient expressing
pain on that deep inspiration so even
these simple tests were more assessing
the patient can reveal a very useful
information I like to formally assess
the movement of the chest by placing my
hands around the base of the patient's
chest and ask him to breathe in once
more when checking the patient's chest
expansion we should expect our thumbs to
move apart by at least 5 centimeters
during the inhalation and then back
again during the exhalation and there
I'm assessing is the movement from the
thumbs equal on both hands so not only
have I visually assess the movement of
the chest but I formerly confirmed we've
got equilateral movement on both sides
once we've established that the patient
has a normal chest wall movement then we
can go on to check for the apex beat the
apex beat is the position of the heart
which is most inferiorly
and where the heart is impacting on the
chest wall it's normally found in the
midclavicular line fifth intercostal
space and we'd normally put our hand
just below the nipple on the left in
order to be able to feel it in thin
people such as myself I can actually see
my apex beat where the heart is
impacting on the chest wall if we've had
hyperinflation of the lungs if we've had
cardiomegaly or left ventricular
hypertrophy and all of these things will
result in the heart moving further down
and round so the shift in the apex beat
having assessed the chest wall we now
need to put cuffs over the chest
this is one of the areas that many
students find very difficult at the
start of medical school to perk us we're
going to take our index finger or middle
finger and we're going to strike over
the middle phalanx of our middle finger
one we're positioning the hand we want
to place it between the ribs to transmit
the force from our finger through so we
will get the sound reflected back to us
there is how about one place during the
examination where you can per cusp
directly on to the patient and that is
over the clavicle if we've got a
consolidation I collapse or a infusion
then when we put cuffs over this area of
the chest will hear a reduced so sound
coming through this may be described as
a dullness
conversely over normal lung spaces we'd
expect a resonant sound one percussing
and finally over a pneumothorax would
expect to find a hyper resonant sound
one percuss in the chest there are two
additional conditions a hemothorax and
the pleural effusion which can cause a
specific finding called stoney dullness
both of these are where there's a liquid
in the pleural cavity and as a result
for cussing directly over that will
result in very little sound coming back
I've got an example here for you and see
what you think if you want to practice
or simulate some signs you may get fruit
percussion of the chest get yourself a
bottle of Pop make sure drink at least
half of it when you've got the empty
space at the top if you book us here you
have a resonant sound which is what you
get over any in the thorax conversely if
you book us over the bottom where
there's still the fluid then you have a
dull sound which is what you might see
over an air of consolidation such as an
infection or the collapsed lung of a
pneumothorax we're doing percussion as
well as tapping
rectly over the clavicles we need to
make sure that our percussion lines are
either side of the sternum and cross the
exilic
as well will perk us over the same areas
as well when examining the back but
we'll need to make sure the patient
crosses their arms over their chest to
move the scapula away so we have clear
fields of lung to perk us having Pro
custo over the patient we finally get to
get our stethoscopes out and do that
auscultation at all points trying on
auscultation we want the patient to
breathe in and breathe out through the
mouth giving us a good airflow to listen
to it it's actually the turbulent flow
through the large Airways that gives us
our breath sounds a non normal breathing
is considered to be vesicular if we have
issues with the consolidation so for
example a patient with pneumonia there
we're going to hear a different type of
breath sound specifically bronchial
breathing you can simulate bronchial
breathing at home by listening over your
trachea when you breathe in that hollow
blowing sound is one of the features
that you'd hear over an infection as
well as this hallowed nose we may get
crackles over any air of infection as
the small Airways open and closed during
the inspiratory efforts there are
however other crackles present in the
chest if a patient has pulmonary
fibrosis or a pulmonary edema
then we'll get fine crackles the
difference here being with pulmonary
fibrosis those fine crackles can be
heard across the chest worse with
pulmonary edema those fine crackles are
seen on the basis alone other chest
sounds that we may come across our
wheezes which we associate with normally
with asthmatics and patients with COPD
this is you two narrowing of the small
Airways giving a polyphonic breath set
there is another breath sound some
to that called a stride or which we're
going to significantly worry about a
stride or is due to narrowing of a
large-bore airway and should be
considered a medical emergency until
proven otherwise as a result a Strider
is an inspiratory warping noise or
whistling which may be associated with a
lung cancer affecting the large Airways
or conversely a foreign body this is
often seen in children who may have been
held a small toy for example
unfortunately I'm going to spoil snow
for you now one of the other features
that we can come across on the
auscultation is what's called a pleural
rub if a patient has pleurisy so
information the pleural membranes or
potentially a pulmonary embolism we get
a creaking or rubbing sound so it's
considered to be the same as the noise
you get when stepping on fresh know that
as you crunch the snow for that first
time now I didn't really buy into that
as a sound when I was first told about
it however after hearing my first
pleural rub I'm now no longer able to
think about anything else when I'm
walking on snow for the first time so
when we talk about fine crackles in the
same way that you can simulate bronchial
breathing by listening over your trachea
we can also simulate fine crackles by
rubbing your hair between your fingers
that faint noise is the sound you'll
hear with fine crackles to complete our
respiratory examination in terms of
auscultation of the chest would want to
do the vocal resonance at this one area
I'm particularly passionate about
because it speaks to the history of
medicine
the gentleman who first came up with
this finding was a German and what vocal
resonance is it's listening to the voice
of the patient transmitted through the
lung tissue so over normal Airways a
normal lung tissue you'll get a slight
muffling of the patients words convert
if you have a pleural effusion or you
have consolidation then you're going to
get an improved transmission of the
sounds through that tissue in Germany
they use the phrase ninety nine well in
German it's actually knowing unknowns ik
and this is where an error has crept
into classic respiratory teaching in the
UK with previously had patients saying
ninety nine however that is a different
sound it is not a diphthong as the word
annoying when noisy is in Germany the
gentleman found when he got his patients
to say a specific word 99 you'll be able
to hear the vocal resonance
however classic teaching has had
students getting patients to say 99 this
is a problem because it is not the same
as the original discovery in German 99
is annoying annoying sick and hopefully
you can hear the changes in tone they're
annoying or noise ik is a diphthong it
has both high and low notes
whereas 99 does not thus having students
in English use the phrase 99 doesn't
provide the same diagnostic information
as the correct
knowing when noise it does however it
will be slightly strange if in an
English setting you start asking your
patients to say the German words as a
result we can find another diphthong in
English that I think want to want to if
your English or German is not your
native language I'd advise you to find
the diphthongs in your language which
you feel happy to get your patient to
say to you when doing vocal resonance
and if anyone asks why you deviate from
classical teaching of getting the
patient to say 99 you now know to
complete our respiratory examination
we'd want to check for any evidence of
sacral edema that the patient at the
base of the patient's spine we'd want to
check for peripheral edema at the inside
of both legs on the
border of the tibia and also review any
existing x-rays sputum cultures and if
possible check the patient's peak
experience which would do by getting to
breathe into a peak flow meter right
well I hope that this has been a useful
review of the respiratory examination
few cells and I hope that you've been
able to learn something I think we've
got a giveaway haven't we yes so here's
our McLeod's essentials of clinical
examination and the chap who's won this
name should appear
hopefully here so if that's you drop me
a line on twitter at dr. james gill and
we'll organize a code for you so you can
get one of these sent out yourself i
really hope that this has been a useful
video for yourself if you'd agree i
personally be really grateful if you
could give the video a like and consider
subscribing to the channel doing that
both tells me I'm not just shouting into
the empty space but also allows you to
know when we've got the next video
published so given that we've pretty
much completed the respiratory
examination now you've got the
demonstration we've done the
understanding the history and we don't
understand the examination which would
you prefer to focus on now we've got the
cardiovascular demonstration and the
thyroid examination videos up would you
prefer to focus to the cardiac or the
Faridah examination forced to look at
understanding the examination next okay
I'll put a poll up here hopefully and I
you know if in doubt drop me a comment
than the down below and we'll see what
you do to help you guys out well have a
good evening and thank you for watching
take care
you