國外大師高清繪畫視頻教程 色彩理論教學—色彩理論值 全13課180分鐘 P8 - 8. Vermeer Painting (3)

這裏的邊緣的柔軟度 會使邊緣變得更堅硬 我會在這裏加強柔軟度 讓你的眼睛可以朝著柔軟的方向移動 然後我會在這裏添加一些輕微的光澤 讓邊緣的邊緣變得更光滑 你可以看到 這裏的邊緣明顯變得更堅硬 比這裏的邊緣更有光澤 將它放在邊緣旁邊 會讓另一邊緣變得更柔軟 如果我要再加強柔軟度 我會在這裏添加一些輕微的光澤 我會在這裏添加一些輕微的光澤 如果我們要在背景上添加光澤 我們要加強柔軟度 因為我們需要柔軟度的邊緣 邊緣也需要柔軟度 But it's not going to be soft over a large surface It's just soft along the edge That would create like a fast turn So it turns quickly And that's pretty much what's going on over here And if I get into some of the real darker darks Down in here It's going to let me set up for Placing the ear in there And subsequently the earring As I lay in some of these subtle values I see that there's even more subtle values But I'm just adjusting the transition From light to shadow in here Where there's turns of planes Where you see the fabric turn and change its value These are all I have to keep these values close in here But I know how close to keep them Because I set the values in these other areas So wherever you have something subtle Maybe you want to set up your greater contrast first And then get more subtle in those areas Where you're going to see those Where you're going to see those things really pay off By pulling it out I just mean I'm going to raise the value of this Just a little bit more up in here So it really pulls it forward a little bit It'll be a little bit lighter In the top plane of this sleeve So you see the cut of the fabric I believe in the hard fold So you see the weight of the fabric too So that's pretty much it The main thing that I wanted to kind of pull across here Was just kind of setting up the matrix Looking for the design or the pattern Of your light and dark pattern And how it affects the composition And particularly with these Like I mentioned her frontal plane here This front plane of her face facing this direction I'll get a little more paint on here so you can see Facing this direction Okay And the side back here This strong diagonal And then kind of rougher brush stroke Is a nice contrast to the nice The subtle curves And also the soft gradations Within her face To have something really hard And rough and straight next to it Lays a nice contrast So it always makes this look a little softer here And then Her body facing out this way So with these different directions That I line coming back Over here Basically aiming this direction Is a nice counter to that These frontal planes moving in that direction