透視的運用

Everybody welcome to another what's weekly in this week. We're going to do a little something different. We've got Brian doing a demonstration of a foreshortened extreme foreshortened figure Atelier. As many of you know, you're already in the program. So you're already very familiar with it. But we like to do these little things from time to time just to kind of keep you oiled up and ready to go and just and showing you some of the what we do here. If you are new and if you are new, then make sure you You know, hit subscribe on the on the channel. We really appreciate it. We actually just hit 100,000, which is awesome. So thank you guys for supporting us because we're trying to do more content, but it really helps If we can get a little bit of love from you guys. So again, pass it on to a friend. Let them know about our site. Let them know about what we do. And we really appreciate it. Have a great time. Push play. Keep pushing play, my friends. And I will see you on another Watch Weekly very soon. Cheers. So keep in mind, like we can't rely on on our proportions that we kind of memorize generally, they all break down eventually. And in this case, they definitely did. So We have a torso coming at us a lot and legs and arm. So again, we need to measure and figure out where the halfway point is on this thing. Also, my it's kind of an awkward shape. Okay, it is taller than it is wide. That's good. I was afraid it was like square should be okay. Okay, so I want the top to be here. The bottom of the feet to be way down here. Now I'm going to measure this figure out exactly where that halfway point is to be pretty low. It's like gosh, like part way up her calf. I mean, that's how foreshortened this pose is. Yeah, so almost right where her calf kind of bulges out on the leg that's closest to us is like the halfway point. At least that's what it looks like to me when I measure it. So yeah, let's find that on here real quick. Okay, we're halfway point and we're going to look now say this is halfway the top is awkward. There's gonna be a big sweep the head, let's put her head here and a sweep that kind of goes up and over and down into the legs, right, which are going to be about here. This leg is going to be just gigantic It's a normal size leg. It's just coming right at us. Okay, so there's her head now here It's going to make kind of this big shape, I think I don't know how correct this is exactly, but I think it's close. Okay, so that's the halfway point Okay, what I'm measuring because it's such a unique pose, like I wasn't entirely sure, like we can't really see her head. We can't use her head to measure anything And we can see like the bottom of her jaw. That's no good for measuring So I took the width of her torso. We're seeing it from the side and lean way back So it makes just like a little wedge space up here I measured how many of those down to the halfway point to give you a good starting position for this torso width And then from there I'm going to come in here and just kind of start building this stuff a little bit and kind of trying to figure out Also, if this is the bottom of that torso and I can come up a little bit to here, that should kind of show me where the legs go I'm just going to go about in here This one specifically I like in here Okay This is enough I think Arm Here Shoulder I'm going to send out here Here So I mean these four shortening things again. I know I keep saying this, but it's really How training your brain did not draw What you think you're seeing and to really take the time to analyze things and make sure You're seeing things correctly and that How do we describe that Like our minds always have a tendency to want to draw Like what we think an object should look like which basically means we're going to follow the same pattern We're going to try to flatten it out and Take it out of perspective, right? So like if we want to draw an eye, maybe you have a kid or somebody draw an eye They draw like a symbol of an eye, right? They draw like this kind of thing Boom, like this in the middle And that's the eye, right? Like for some reason our mind when we just try and draw something without knowing anything about how to draw That's how we try to do it, you know, so when we get in these extreme for shortened poses Like our mind constantly wants to like Pull things back out and make them look like we think they should look And so we need to avoid that really as much as possible Okay, so this Her far hip If I look through the form Glutes are going to sit like down here All right, so I'm starting to get some interesting shapes up here All right, her head, wait, let's go lower It's going to sit back here All right, and then Her eyes like down here So again, we got to start thinking about these big shapes and what's going on And this knee is going to come out to about Sorry, I confused myself, I'm making sure this is all going to line up for real This knee needs to sit higher, that's what I'm figuring out I think Okay, so we need that wedge shape in there This knee now Sit like here Kind of like that Okay, this is tricky, so that's enough torso for now That I think we can come in and start figuring out Where the rest of this stuff is going to go All right, so we can come in here and kind of find Some legs So that's going to be a little big a little bit All right, this one sits here and this one's going to sit Here kind of Basically come down that way Okay, so start thinking about what's going on with this torso, right So we have kind of that rib cage And the rib cage can be a big oval or a cylinder or it can be a box, either one In this case, I'm going to draw it kind of boxy, right We have some specific stuff going on up here Right, we can really see Where this boxy shape sits in here Kind of that opening The rib cage and then we get a box, right We can see her hip now, right We can see part of her hip right in here Which tells me that The other side of the hip is going to sit right here Boxy shape now Sitting in here like this Now don't use legs for a second Just focus on torso Right, so we're getting Cylindrical form In here, right So we have the hip connecting Around here And Now her legs blocking this connection point But we can see these ASIS points, right So if that leg wasn't there, we'd be able to figure out exactly where the pubic bone sits Where the inguinal ligament connects Right, where the abdomen would drop down in here Right and drop her right in there And it would all work out pretty well, I think If we got that box in the right spot Ribs I'm kind of realizing this section here feels a little bit 因爲我們應該是從肋骨直線到肋骨 肋骨應該是在這裏,對吧? 像這樣 另一個是在這裏 對,但是這告訴我,這就是那些地方 這些都需要稍微移動一點,因爲太遠了 因爲肋骨應該是從肋骨直線到肋骨 對,所以我們應該是從肋骨直線到肋骨 肋骨直線到肋骨 肋骨 對,大概是在這裏 現在我們要把肋骨的正確形狀放在這裏,我只是放一個角 但這就像是一個托盤 這就是肋骨的正確形狀 肋骨 but then cylindrical form in the armpit across here here boxy shape for the wrist right it's right about here and here and this time I'm more certain that it's in the right spot it feels a little better at least how all this stuff walks together now feels about right and yeah now we just need to figure out how to get these abs on here so remember we're looking up at her and if we had week wrapping around we'd be making across the abs that way try to get that belly button in there right kind of sitting there like that make sure it's going the direction that makes sense for the perspective that we're looking at it from flat everything kind of getting pinched that way right figure out how those abs are kind of stuck on there and then legs right so got to get these legs on here somehow which is going to be tricky I mean they're really coming towards us like a lot so starting with figuring out where the knee aligns right we'll do the one in front well the knee that's in front first it sits like right one here cuts over this way right and then down that way it's not very long it doesn't come much past this hip like it comes to about here you know I had it too far out before right so the knee then sits here and this knee is going to be big way bigger than her head for sure it's really coming towards us right and it's going to sweeten back kind of this way right okay so again we get her hip this way connects around I'm trying to figure out the width of the knee right now let's get rid of some of these construction lines in the way right so we have this thing coming towards us but we got to figure out okay what's the width of the knee here and how is it coming towards us right so we get this part wrapping around this way and under here it's a tough angle I want to make sure there's enough width here as well I think that feels pretty good right so keep in mind there's bone in here coming down here but cap out that way now we got to think about what's going on here right these are cylindrical forms right cylinder whereas the front of the cylinder sits about here connects to the knee right which is sitting out here knee cap that's out here now before I go much farther I want to get this other knee on here got to make sure these work together as a pair so this one open over like that and then we need to look at the negative shape right there's a little negative shape between that knee or this knee and right in there right little shape so we have to design this knee around that space they have to work together outside of the knee it'll probably be about out there and from here we can find a general sweep of this leg that's going to come down and connect way down here sweep down two three five seven eight nine one three four and that foot's going to go and then this one's going to sweep down disappear behind this one it's getting twisted all weird okay so I mean it took a while to place that stuff right I mean I adjusted like a million times and again that's kind of how foreshortening goes sometimes like it doesn't compute quite right with your brain for some reason like anytime I try to do this I have to like fight against how my brain wants to draw it you know cause for some reason it just has a hard time just in general I mean everybody I've seen attempt this has a hard time with it let me lighten these real quick they're in the right spot but we need better shapes right so let's find this one first it's going to come out down knee cap is going to be overlapping here knee cap bone sticks out from under there this way and that way I get that little overlap in there it's notorious right dropping down this way rhythmically it'll kind of walk around like that a little bit getting this cap on here out down double checking what's going on down here one more time can't do it enough cause cause often times when I do this it's wrong so you gotta double check a lot foot shape on there there's like tracing paper on here there's not ok let's get this other one on here and then we're pretty much done also we gotta figure out this one's coming out towards us right so this actually wraps more in this direction a bit this direction a little bit no once I got this in place I realized this leg needs to like bend so we need to get this at an angle in a little bit more there we go and this also be a bit more extreme I think kind of ambiguous it's out here and way back like this and there's more angle to it essentially it looks awkward but it's really going away from us like considerably like really tweaked ok so this one's going away from us now right so we get contours going more in this way in this way there we go ok