Kiln unloading 09:28:25

Hi, this is Vaughn at westcobelp pottery.ca, Nova Scotia, Canada. Um, I just showed you a bunch of photographs of the garden. It's September 18th. Amazing. Almost 3 weeks of this month gone. So, we're in that danger zone now where we can get some cold nights. Um, but um the garden's looking good. And one year we had a good uh flowery sort of courtyard here right into December. So, who knows? I might be watering for a long time yet. Okay. Cone six oxidation. Okay. Let's open her up. Okay. Uh, no disasters that I can see yet. I just said a mouse run across the courtyard. Um, okay. How hot? Uh, it's hot, but I can touch it. But I think I'll leave the top for a little while. Um, I have a really large whale in this firing um somewhere down there. Hard to figure out where it was. Um, I think it's on here. How hot is that? Well, didn't stick to a kil shelf. [Music] Okay, it's another triple whale. And I just did a video on making this. Um, so I thought, okay, this one has to be remade and I just remade it. Uh, slightly different variation on the other one. I could show you both, I guess. Um, so I will probably frame this with a background painted around it as well, but it didn't stick or crack to the kill shelf. [Music] Okay, got some small whales. I've been selling the wall pieces off the front of the studio all summer and had to keep making them just about every 10 days. I'd rather batch of about 20. Um so, um just did a whole bunch this time and they'll be around for a long time too because now the season is kind of over. Um things are slowing down. I don't sell as many off the front until Christmas. So, I'll go through these quickly. Um, there's another one there. Something blew out right where the hole is there. I'll have to refire this one. Here's a good one as well. Nothing wrong with this one. And here was a fish that had not made it through the last firing with all the fish. So, um, so I did another one. It wasn't one of the happy fish. It was more subdued coloring. The glaze is like bright blue, variegated blue, apple green, and some soal white. Very long traditional whale. Not sure what if this was bright blue or if it was my powder blue. Another small whale. So, just that one blowout on one of them. Oh, that's interesting. I mixed up a new um oatmeal and it's sort of got a dusty pink cuz it's supposed to be the beach sort of yellowish color. I'm not quite sure what that um caused that cuz chrome tin pink usually does that and both glazes didn't have chrome tin pink uh any chrome in them and there's no chrome in that piece as far as I can tell with the glazes. So I wonder what I did. Maybe there was some in the paintbrush that was painting some glaze left over. And it did it to all of them. It's still nice. It just uh was supposed to be sandy yellow, but some of the gassing off fumes from when a glaze is fired, cuz this has chrome in it. Uh, this is my raspberry glaze and there's just a tiny bit of chrome in the glaze, but the fumes from it can actually affect other tin glazes in your firing. It could be that just a little bit of this in the kil affects the whole kil atmosphere, but that's a nice look. Raspberry with variegated blue and oak wall. And there's a couple of little tea bowls. same glazes, but the green on the bottom is my matte turquoise because it always shows up chattering so well. John Green always shows up chattering really well, too. Variegated blue oatmeal and bright blue on that with the John Green. A little bit of cranberry with some accents there. Now, there's my oatmeal with no chrome tin pink in it. So, my guess is that wasn't the reason that other stuff went to that color. Um, because there's no chrome tin pink in these pieces. So, I think it was the paintbrush. Oh, look at all the Everything was perfect and then you get one out with some blister bubbles. Isn't that weird? I'll have to refire it. might be easy enough to do. But why? Okay, I've talked about this in videos before when they come out of the kiln. All got pin holes, craters, people call them different things, but it's where the glaze has potentially had some dust on the piece when you glazed it and that stops the glaze from adhering. Or it could be that the piece is starting to be overfired. Um, or it could even be underfiring. I mean, there's so many things nobody really knows. I guess uh it could be whatever for every different reason, different glazes and so on. But to get rid of them, what I've discovered is if I take this, which is the sludge, off the side of my glaze bucket, and if you're a really good potter, you don't let that build up cuz you just wipe your inside of your sponge, your bucket down every time you glaze. But who's got time for that? Um, so I just put it on the piece and basically spend some time just you know a minute just brushing around wherever I've got those pin holes. So obviously you've got to try and use a glaze that you've actually got on a piece already and it will show. So I've got I've got bright blue in the center of this and I'm looking for where the pin holes are. brushing it and I've got way too much on there. So then I get another piece. Let me get one out. I've got another one there that has the same problem. So I simply take it when I've got a nice amount obviously sitting inside all those pin holes. Then I sort of smooth it off leaving as much on as possible and drop it onto the next piece that I have to do or back into the glaze bucket. And then just kind of try and make it sort of presentable, I guess. So, we don't want it to look horrible on your finished piece. I found that I can do this a lot with the oatmeal glaze that I use. The bright blue on these pieces I've done before and it looks good. It actually looks really good sometimes. I don't know why that is, but I fetched balls out that look were so much better than when they went in. not just the pinhole covering but the glaze covering and everything. So it looks like that and then basically let it dry and then put it in the kil and the other glob that we have here. I'll just move on to the next piece and do the same thing again. This one's got pin holes worst of all of them. So I'm going quite high up here and pieces are there were about I don't know 16 of these in the kil I think and you know I've got six of them. So, eight of them didn't do it. So, that's why I say it's very hard to know exactly what causes it. But my suspicion is that it's just some dust maybe from when I was glazing when the glaze wasn't adhering properly in those spots. But just, you know, I guess not cleaning your glaze bucket on the glazes has its benefits, but you don't want it to get crumbly and fall back into your glaze. But there's another one. So, I'm going to refry these and I'll show you what they look like at the end of the video. Two more identically glazed. No blister bubbles. And two more. And this one does have some blister bubbles. Very strange. Two two refires. I'll just glaze over them again with the same colors and then the blisters will go away. Another one. And this just has a few. It's possible that there could have just been some dust on the piece, but anyway, I can get rid of them in the next firing. Two more tea bowls. Another one of the Cove series mugs. one of the shake it up. This was a refire because there were some um blister bubbles on this one and I refiried it and they're gone. And two more. And two more of those. These turned out really good. Cranberry is working really good in the gas grill. Better than in the electric field. Wow. This was a refire, too. and it came out really good. And then this one also was a refire and that came out really good. So when I get those little kind of strange look almost underfiring results, I just refire it with the glaze over again and it works even better. So maybe I should do that deliberately. This is a cove one. Um I don't know what I did differently. cuz the blue is all the way down. I was probably dreaming, daydreaming while I was glazing. There's another refire. That one's very nice, too. Wow. This is very strange. I think this is cranberry. Yeah, it's cranberry. Oh, look at all the crawling. I got to refire this one. When that happens, I take the sludge off the side of the glaze bucket with a pallet knife and I pull it across and smooth smooth smooth until it fills in all the little craters. Um, and then I refire it. So, I'll have to do it a little bit here. The glaze seems like it was really thick and that's what caused that. But what gave me this purple effect using the raspberry glaze, I do not know. This is an order for somebody who wanted some Nova Scotia mugs. So, I've done a whole set that she can pick her favorite. And they each one are a slightly different color. So, these two are the same, but I wanted to give her choices. And I use the blue green copper right above apple green on that one. And I think I have blue on the bottom, but it seems to have faded out. Mostly the blue on that one. Two more. That one I can't quite figure out what I did there, but they were all the cove style glazing with different colors to kind of see if I could come up with a slightly different effect that was really nice. This is a special order which took a while to make um for a lady who has a charity organization. I made these once before and she wanted three more. So, it's uh for volunteers that that work for her. These people grant wishes to children with illnesses. The volunteers take the children for a whatever the wish is. Go to the zoo or meet somebody hopefully famous. This was a refire as well. Um and boy my refires all so much nicer. Um, I just, you know, I some sort of crawling going on and I, uh, just, you did what I just described, you know, with a thick pasty glaze from the side of the bucket. Um, and it really turned out nice. This is Chun Green. There'll be a bunch of noodle bowls with chopsticks in the gallery coming in this fine, but the chattering is really nice. The cones on the bottom. What did I do with the top one? Oh, here it is. Uh top bottom pretty perfect again. Here are two identically glazed balls. Both looking pretty nice. This one was close to the gas flame, so it's got a bit bleached out, but the chattering is really cool. That one. Lovely. And there's another one of them. Oh, a few drips there, but I don't think that's very zen. And two more Cove series mugs. Now we got some frames. So, I have tiles ready to go in these. Another one, too. We are we have gaps on the walls in the gallery. So these will get framed. Another one of those. It's folk art white and bright blue. And there's another one with pin holes. So I reglaze that one too. Just a few little frame. And the same shelf. No pin holes. Is that weird? Dark blue. bright blue oatmeal. The dark blue is spectacular in the gas kil. It does however depend on where it is in the kiln because this one's a little bit more matte than this one which um identically glazed but different places in the kiln and gas kils do that. You can see there's a satinness to this one in places. Bizarrely, I never used a cranberry for a long time. It's raspberry or cranberry I call it. Um, and um, in the gas kil it looks terrific. Um, you almost have that kind of copper red look with it, but in the electric k it's dead. It's boring. So, um, but anyway, these look nice. There's some noodle balls. I did some sort of odd splashing in that one. You can see maybe you can't see this with a paintbrush. I was just flicking and just to give it a kind of abstract look. Didn't show up enough. and more purple, chun green, and bright blue with our variegated blue and oatmeal. So, that one looks really good on the outside. It's hard to see. I'm not sure if you can see, but there was splashes of bright blue over the dark blue to kind of give a see whether it would give me a a nice effect. And it just isn't visible enough. I hope you can hear the seagulls above. They're just running around on my metal roof. They have those flat flat flat kind of feet cuz they slip on a metal roof so it makes a lot of noise. Another cranberry which is really rich. [Music] I mentioned it many times before but my glazes are mostly from mastering cone six glazes by uh I think it's John Ronroy John Hessleworth. It's about 50 bucks to buy the book. It's a terrific book. There's more glazes in there that I'll never use in my life. There's a dark blue bowl. Two dark blue tea bowls with bright blue and oatmeal as well with with matte turquoise on the bottom. This is one of my glaze experiment mugs where I'm doing the dots and stripes. And you can see the stripes there. Just using slip trails for glazes. It encourages runs. Chun green with variegated blue and oatmeal over the top. Dark blue variegated blue and oatmeal over the top as well. Have a a run with a tendu gold. Surprise surprise. But I can grind it off. It's just a little bump on one side. So that'll be savable. But um really pretty when it runs. It's pretty. But I think on the outside of these pieces, I'm just going to have to admit to using a different glaze on the bottom than I do with tendu on the top and then just let it run down into a matte glaze on the bottom so that we don't encourage the run further down. And the same again. So stop dipping this one all the way into the tenuk gold for the first dip because it gets the inside and the outside, but that's what you get. So another grinding. This one you can see a bit better, I think, where I'm splashing the bright blue over the dark blue to give it a It doesn't show up enough though. Got to figure out a different glaze to do that. And then another beautiful cranberry. I did some carving on the outside of the clay on this one. And then it's basically dark blue, bright blue, and oatmeal, matte turquoise, and then the chun green with variegated blue and over. And that's what I was doing. Splashing glazes. Now, this obviously shows up really well, but I don't like it. So, I'll have to do something on the inside there. There's another frame. Here's one a little different. I did some green on the outside with the blue, too. I like that. Should have done it to the others. There's a little scrap of clay I had left over. So, I put some whales on it. Apple green blue with some oatmeal dab dabbed over the upper, you know, the raised areas of the whales. At the end of each day, if you have bunches of little scraps of clay over in like an extra 15 minutes to half an hour, you could make a bunch of these at the end of the year, you made a lot of extra money. So, so I just push myself a little bit at the end of each day and I look around and see if I've got any bits left over from whatever I've been building. And then you can just knock out a few extra pieces and that may be the difference between and it may actually pay for the entire firing of the kill. So, so it's worth pushing a little bit of extra. And there's a dolphin mug lecturing. The larger of the frames in here. And there's another one. The last one, I think. Yeah. No more frames in here. I'm glad I did the green on it. I like that. Here's a couple of noodle bowls in the Cove series with lots of chattering on the outside. That worked really nice. Another cranberry which is really nice. Wow, this one really work. Nice. No crawling. Good. So the cranberry glaze is really wow. It's like almost a reduction ox blood red copper red. Two more noodle bowls. And I think this is the purple and this is the cranberry. purple with variegated blue and oatmeal. And then here's one. I did the dashes and dots slip trailing experiments with the glazes and that worked out nice. These have been selling quite well. I put an extra $4 on the price for each mug when I'm doing all this extra slip trailing glazing. The little tea bowls have been very cute. Another one different on the bottom to the other one. That's really I love that little bit up there that looks like the uh purple or the cranberry in there. And this is a Cove series ball, but in the glaze colors, but it's actually a different design. This mug is spectacular. And so is that tea ball. And two more of them. Get two more co series. This was a refire. Dark blue with very bright blue and oatmeal over the top. And finally, last two in the firing, two cove bowls for noodles. Well, it's September 28th today and we still have flowers. My sister said they had frost in England already, but um so uh so I feel lucky that's uh you know, we're going to get into October. There's no cold nights coming up. We lower down to about 10° each night, but um that's not bad if it's centigrade. Anyway, I got a kill unloading to do now. >> Okay, this was like what I didn't get into the last firing. And so, >> yeah. Anyway, I've got Tenmu gold and matte turquoise overlapping in the center give me that lime green, which is really nice. And then I got oatmeal on the top. So, too bad nobody will see the inside cuz it'll be covered in soil. But another matte turquoise. some drips there. It's kind of nice. Drips are always one of those things you wonder, does it look like a mistake or is it just nice and kind of just the way it's going to be? But matte turquoise and then over the top I don't even know. I think I did dark blue, but um uh I have no clue. I don't think it was dark blue, but it could have been. And I may have even had oatmeal over the edge as well. Just don't remember. Another Ten Maku with matte turquoise overlapping with oatmeal on the top. They always look kind of nice. Oh, that one's very pretty. Tenmaku. I must have done it thinner. I'm not sure, but it looks very nice. And look at that yellow where the matte turquoise and the tenmu overlap. Where did that come from? I have no clue. But it's Tenmaku gold and matte turquoise. We better remember that because it's really good. I think I did that once before. This one's really nice. Another one there. That yellow's going to have to try that deliberately. So, I guess it was 10 mu gold and then matte turquoise I think was dipped over the top. But I could try both way rounds to see what happens. But it's really pretty. Okay, I'm just taking out a couple of the little trays I did with um under these are done with underlazes on a B-Mix V-Mix clay. So this is um the kind of technique where I put one uh layer of the underlazes on um for the bisque firing and then a second layer goes on before the glaze firing. And that's how you get this sort of rich surface of things going into the carved areas and other colors on the top surfaces. This is very hot. Not too bad. Again, this is Bmix clay. When I'm doing this, I kind of let one when I'm doing that second layer, I kind of let the one color kind of come into, let's see, come into the other areas. You can see over the ears here. Um, so that doesn't look like coloring book. And this one is slightly different in that I did not rub in a second layer. I just left it at the first layer that I put on before the bisque. This this one is different also because it has spriged decoration. You know, these shells and things that I um put the clay in a mold and um this is also quite hot. Little bit of spriging at the bottom. This is kind of hot to hold right now. That's it. You just do these to make use of little scraps that are left over. Okay, >> I'll show you this one a bit closer cuz this was too hot for Jackie to hold, but I think I have no sense left in my fingertips at all. >> The sprigging's at the bottom. You can see the shells and then the rest of it is done with textured stamps. This level is just a bunch of trays to match the planters. And I kept it simple by doing matte turquoise and variegated blue cuz that's what I had on the pieces. I have a bunch of these for an order. Somebody wanted two. So, I think I made four so they can pick their favorites. Variegated blue on the bottom with blue green copper red on the top. And this is the variegated blue on the bottom here with regular blue up above and then oatmeal over the top. Two more of the same here. This one was different. And that I did the matte turquoise with the variegated blue above and then the um oatmeal above that. I have some uh colanders in here, too. And those are the bottoms to the colanders. And there's a nice little bowl. Cranberry with variegated blue and oatmeal, which didn't really do that much. It's okay, but bit dull. And then there's a mug. You've seen many of these in my other fires. I started doing bright blue and oatmeal over the top of my dark blue because the um variegated blue does not like to be over the top of the dark blue. And this one didn't do any crawling. So, good move. Okay, this is what I've been waiting for. Um, these are the pieces. Earlier in this video, I showed you how I get rid of pin holes, craters, pin holes. People call it by different names. Look at that reflection. No pin holes. So, it works. And these are the There's about seven of these, I think, in this fine. We'll see if all of them came out just like this, which is actually great cuz I saved a bunch of pieces. Here's the second one. Totally worked. Really nice. Bunch more bottoms for the colanders. So, I'll show you those later as I get them out. Here's number three. Perfect. Four and five. This one has some really subtle ones that are still there. But let me see whether there. This one doesn't. Totally clear. Just there. Totally smooth. And these are totally smooth, too. But there's still remnants of them. But that's totally sailable now. Little dishes for the colanders is I think number six of these. Maybe it's number seven. I I think there's six or seven in the fine, but it worked. That's a really good technique if you want to save a piece. This is the refire from the last earlier in this video where I had a little bit of something missing just there. And I'm not sure what had happened, but it looked like some something had popped out from the clay, but this time it's worked fine. And these have pin holes as well. And this is a different one that I did, but it is the variegated blue which was in the other piece in the center there as well that's doing these pin holes. So, it's not in the rest. Oh, it is in the bright blue, too. So, that's interesting. But, I'll have to do the same rescue on this one, too. Same glazes didn't do it. It's interesting. I don't know where this pink is coming from. It's in my yellow. And I brushed this on again and we've got the same pink. And I just tried a a different way of doing it on another set of plates. Going in the next firing. Another one. Another one. No pin holes in these. Two more. And no pin holes. So I'm just It could be just dust, but I doubt it. Here is a large sink that I glaze by brushing at an angle with bright blue, variegated blue, and oatmeal. Pretty interesting. It's nice. Looks like the water's swishing down the sinkhole. Couple of tankers. There's some pin holes on this one, too. I wonder if it was a little hot in the kiln. I have to look at the cone. Well, the cone is bent kind of similar to my previous firings. So, but you know, it's completely over. So, that's that means it was definitely cone six to 6 and 1/2. Couple of sunny tankers for your afternoon beer sitting in a garden with lots of flowers. Looks very pretty. Somebody had a special order. Wanted some throwing ring mugs. I did this. It's an order. They want two of them and they wanted them huge like two pint mugs. So, I think these are easily two pints. And two more. be kind of heavy to pick up once you got that full of two pints of beer. But they wanted they wanted them slightly squared at the bottom and lots of throwing rings. Two more of these which have that pinky glow in them. No clue where did that come from. It was my yellow and my oatmeal that I mixed together to give myself a slightly sier color. And it's just, you know, it's just coming out. And I thought it was the brush, but these were with a different brush. No idea. Just have no idea. Now we have a bunch of fish, which I tried adding my cranberry to. So, these will be risky. I'm not sure if people will go for the cranberry in such a large area. I don't usually use it too much like that. Although, the cranberry mugs recently been really nice. Here's another one. I'm not sure about the lips either because I did brown over the oatmeal. I could always refire these, I suppose, if I if they don't sell. And another one. Be interesting to see. It'll look different on the display, so it'll add a lot of variation to the colors I've already got up there. So, it might work in a whole on in a large picture of looking at the ball swimming on the front of the building. I also dabbed another color over the cranberry that kind of seem all it did was sort of dull it a little bit. That's interesting. The cranberry absorbed whatever color it was I was dabbing over the top. I think I did some oatmeal for sure. Oh, that one's better. I like it better on the fins than on the actual body. Yeah, this is different. I'm not sure if I like the cranberry. I did a lot. Oh, the cranberry and the purple together, too. That could be why there's a lot of chrome in these two purple and and cranberry glaze. So, it could be that if anything in this kil has got chrome in it, the sandy color in those plates is just going pink. Boy, what a hard thing to remember not to do. I like the lips being green better on this one. Another one should be like that maybe or like that. Another one. And that's the last fish. So maybe I'll never do a cranberry fish again. But um I mean it's not ugly, but it's just I don't know. Some people may like it. Especially red and green should never be seen. Okay, now I've got a bunch of pieces which I was looking forward to seeing where I went and did that experiment again with the dots and dashes and this one is not good. Um I feel like it the little dot did um run a little bit. So I don't like this one at all. So I'm still feeling this has potential, but you've got to get it much closer together with the dots and the dashes. This is when it works perfectly. So here I'm getting it exactly what I want. Dots and dashes and no 10mu run down the handle cuz I thinned my 10mu gold down. And uh and it still works because you got some flex in it. Not as many, but you still have some. And that that one I like a lot. Here's one where I did dots and dashes and the dashes are the blue ones and the dots are the white but encouraging the runs basically. Whoa. I did little curves on this one. I remember doing it. Slip training little like little domes with the slip trailer and then dots of blue in the center. So, that one worked really nice. Another dashes, little dashes encouraging runs because they were vertical dashes rather than horizontal. But it could have been just dots. I don't remember. But it was it looks like dashes, but I think it might have just been dots that are running down. So, isn't that nice? This one was definitely dashes, but I remember doing that. So, this the other one was dots. This was probably the dash one. Those are my fingerprints when I glaze it on the bottom. Should I be getting rid of those? Because I could wipe them off. This is another one with those little This is another one with those little curves, like little arches. This one's another dotted one. So, I think I just need the dots closer together. Although, this is much better than the other one, which I did random. This one I did lines of dots. And here there's another dots. Dash is the one with and I've put cranberry on the bottom of all of them. I'm not sure if I'll do that again either. Boy, I had a quite a hit with cranberry this firing. This is the purple with cranberry and then variegated oatmeal. Interesting. Not my fave. Skip over them. But there's another one of the little tea balls. I will show you this one from this shelf because this is a slop green glaze that I have um where I mixed a couple of different old greens together to kind of see what they looked like and it came out beautiful. This was a refire and I showed it in the other firing and it it actually came out really nice on the outside, but the inside is a little bit weird. Little noodle bowl. The outside's really pretty though. Now I have a whole bunch. This is my fake ash glaze, and I dipped apple green over the top of it. I love that. That is really nice. So I have a to ponder this. I am going to mix my fake glaz fake ash glaze 50/50 with my apple green glaze and see what it does. That would be interesting cuz the fake ash glaze crumbles when you put it on the surface. So I can only get this if I glaze fire fake ash on the piece complete and then dip it in the apple green afterwards and then fire them again. But it looks really sweet. But I wonder what would happen if I did it all 50/50 in one glaze batch. There's a little tray that goes with it. Little tea bowls. So I have a whole batch of tea bowls. Two more little drinking glasses. Here's another fake ash one. And in this one, I did the apple green on the rim and also in the bottom area and just brushed it on. But isn't it sweet? I love that. So, I got to play with these two glazes. Two more berry balls here. So, I have little plates to go underneath these as well. Sometimes I make really deep ones. People always want the deep one, but it kind of looks big to me. But um two more. [Music] So there's the apple green one. Can you hear the pigeon? Now we shut up. They're all nesting in the eaves of this building. Special order for somebody. I think they're going to love them. They look terrific. Glad they worked out. That brown yellowy line that goes between those glazes, just bright blue, variegated blue, and oatmeal, but it looks terrific when it does that. It doesn't always do it. This is a refire. Earlier in this video, you saw this bowl with all the crawling on it. And on the inside, it did good. And on the outside, it still crawled cuz all the glaze ran down. I don't know if I'm going to fire that again. And I may knock a few dollars off. Two more tea bowls. Cranberry and purple. And just cranberry with variegated blue and oatmeal over it. Dark blue. And then the matte turquoise. Both have variegated blue and oatmeal over the top. Oh no, I stopped and I did bright blue and oatmeal over the dark blue ones because it doesn't work anymore with the variegated blue. Here's one with sunny yellow. I think this one will sell. Makes the kitchen look bright and cheerful. Dark blue, bright blue, and oatmeal. Focal white with green. Beautiful. Go with the little tray. matte turquoise and oatmeal with green. That's the size of the tray I like to do with these tentacle gold variegated blue and oatmeal. This is that slot green glaze. Oh, I should be remembering to use this more during the summer. It's almost the end and I forgot to because it would have been good to get a bunch of these pieces out for the winter months when I can't do it probably. I don't think it will work in the electric hill. I seem to remember discovering that dark blue and a cranberry one. We just had like 10 cars go by so I didn't see any. Um it's too noisy with the traffic. But um uh anyway um I tried shipping to the US with the tariff thing going on at the moment. Um and I put the same two mugs in twice. Um first it came out with a tariff of 2961. I cancelled that one to see if I put it in again what would happen. And the second time it came out with a tariff of 3653. So it's random. The tariff will be just applied whatever their AI says. And the mugs are worth 34 each, $68 total. And the AI generated a value of $95. Uh, or was it $90 something? Anyway, a lot more than they were selling for uh by at least $10 each. So, so it's not fair on you. And of course, it's not fair on us either. So, so anyway, um at the moment, I'm unless you really if you want to pay the tariff, I will do my best to get it uh shipped to you. Um but um but I'm not shipping to the US unless the customer pays the tariff. So sorry about that. So it just makes it not profitable to ship. So but if you want it and you're paying the tariff, I'll ship it to you. Thanks for watching. [Music]