The Irishman | Martin Scorsese Directing - Behind the Scenes | Netflix

Which I requested, I have. And out of all the monies I... Right. So, I requested, I have. I requested, I have. See, there's a comment. Yeah, yeah, yeah. So, um... But maybe, that's, he means he's got it. Yes. And he's looked it over. That's right. And that's where he put the money. And out of all the monies I... I put it there. I earned over this period of time I went into these... Yeah, that's it. It's very clear. I know, I know. It's like, I'm dealing with... A good man. In other words, a man who's seen things that I've never seen. Great respect. You know? And then, it's like, would you ever think of dying? No. I don't feel the... There's like a respect maybe. Yeah. Suddenly feeling. I think. Well, almost a camaraderie. Yeah. Because he's saying things that I believe in. Yes. But he's actually... He's actually using it. Yeah. Yeah, but he's actually had to clear it out every day. Yeah, I know. Alright, guys. Thanks. And then, we'll cover you guys. The conversation has to go a little further for the coverage. Yes. So, that's like... Take it till it's logical. You have to... He's telling you that you've got to leave. Yeah. I mean, I've got to leave. We've got to go. You've got to run your life. My family. You've got the family. You've got all this stuff. But you want us to save all that for the coverage? Yes. On this take. Just the first couple of lines. Yeah. And then, eventually, you come back on it? We have to, yeah. Okay. Separate shot. What did you say first? Yeah. Let's do that. Just to have... Alright. So, the first of the lap, Marty? In the first sentence? Yeah. I think it was good. Whatever. Yeah. I think that was good. Because you don't hear him. Right? You don't hear him at first. Yes. We're de-aging and stuff. And I see... I can't figure... You know, he's a younger guy. You know? And the best is when you're talking to Bob, and there's a younger guy talking to Bob as if Bob is younger. Yeah. Alright, guys. So, this film shouldn't be seen till everything's done. Please. You want something with more stopping power than a 22. So, then you take a beat. Okay. And then the rest is fine. That's it. So, there's... What are these? There's three. 22, 22, 22. Take them all out. So, take them like this. Yeah. Okay. I'll let you place them. Yeah, yeah, yeah. Right like that. And then when you take the two guns, maybe hold them. 38 by 30. Like so. It'd be nice if we keep moving. Unless we're up here. Let's see. There's a whole load of horses in the middle. Can we clear the lights, guys? Please. Lights, lights, lights. When you leave and you start scrambling out... You won't be dead. It's hysterical. I'm trying to get everything... It's all about the conversations on the side and you looking. And it's really that. And like I'm gonna... I think I need something here. I'm trying to figure out where it comes from. Yeah, yeah, yeah. So, I ended up splitting this. Is that blocking okay for you? What ended up happening here? I think it's good. We'll just have to come around. When we get Jimmy's shot, it's to come into Jimmy's.