MATURE MAKEUP: Timeless & Iconic | Hindash

Hey everyone, it's him dash welcome back to my channel. It's been a while since I made an appearance on my own channel, but I feel like a lot has happened. And I need to sit down and have a little chat. So if you keep up with me on Instagram, if you follow me there, you might have seen a few updates. Obviously, a lot of things have happened in my life lately. But I am moving forward positively. And I'm kind of going to be doing what I love, which is something that I have always, you know, fallen back on. And it's something that's such a big passion of mine. And art and beauty, hand in hand are things that, you know, motivate me and drive me to do what I do. So if you don't know, my dad recently passed away. And it kind of was sudden, but not it. You know, a lot of factors happened, but I don't want to get into details. I mean, my dad was such an incredible person, he was such a big part of my life, and basically is the reason that I do what I do. He has supported me ever since I was a child, and really pushed my talents forward. So this is something that just makes me happy to be able to continue doing what I do. And you know, it gives me a new perspective on, you know, what drives me as a person and as an artist. And of course, if you've also heard the news, I live in Dubai. So that's also another added layer, we are all safe. And you know, my family's all here. I was born and raised in Dubai. So this is home. And yeah, I'm just, you know, trying to be sane and enjoy my downtime with my dogs, which let me show you Timmy, they both got groomed today. So that's a cute, cute little bonus. To touch on today's video, I'm so excited, because I have the beautiful Hind, who is my stunning model, I really, really, I am always on the hunt for mature models. And I mean, Hind is stunning. So this is the type of video and the type of makeup that I love the most. I love working on more mature models and more mature skin. I really feel like that's where I get to shine. So of course, I will be talking you through step by step on how I got this beautiful look on Hind. And we will be chatting throughout the video. So I can't wait for you to watch this. And let me know what you think in the comments down below. Bye. Alright, so we have the beautiful Hind. And for today's look, I really didn't have anything particular in mind. I just wanted to create this beautiful glam. I didn't really want to hold back. I didn't want to have a specific feel in terms of, you know, it being supernatural or it being very high glam. I just went with what I felt I wanted to do on Hind. For the skin, I'm starting off with Guerlain. This is the Orchidea Imperial Gold Noble, the Gold Essence Lotion. And it's super cool. It has these microspheres in it. And it really brightens the skin with enzymes and skin is just more radiant and it improves the skin renewal process. So I always love going in with something a bit on the exfoliating side just to make things a bit brighter and you know, have a nice canvas to start with. And this is very gentle. It's not gonna be doesn't burn, it doesn't tingle. It just is a very nourishing formula. So taking that all over the face and down the neck. And of course, taking my time massaging this in, like I said, because it has these microspheres in it that kind of burst once you pump them out. So it is a very nourishing formula. I love this. I've been using this quite a lot, actually. And like I always say, this is a great time for me to really assess the skin and see how far I want to take skincare, what I want to address when it comes to makeup, and what I'm feeling as I'm massaging this in, you know, am I feeling any rough spots? Am I feeling any areas that might be a bit more sensitive or need a bit more attention? This is always a great step to take things in. And also just look at your client and look at who you're working with and be mindful of what you want to do. I want a bit of extra hydration and slip on the skin. So I'm going in with the d'Alba first spray serum. I really do love this. It adds such a nice nourishing boost. I love it before makeup. I love it after makeup. I want the skin to be more dewy and more fresh and glowy. It really sinks into the skin to give you a nice glow. For a serum, I'm going in with SkinCeuticals. SkinCeuticals is one of my all time favorite brands. I personally use basically 80% of SkinCeuticals in my own personal routine. I just love, love this brand. And this is the Age Interrupter Ultra Serum. I recently picked this up and it is supposed to really help boost collagen and to really firm the skin and work on elasticity. Of course, you're not going to get results from the first use, but I do want to use my nice, my nice stuff. And I feel like SkinCeuticals really have such beautiful textures on the skin. I am sensitive and oily combination and I really tolerate all of their stuff. It is one of my favorite brands in terms of skin textures and in terms of results. And I also don't want to overcomplicate today's skin routine. For lip balm, I'm using Glossier's Balm.com. This is one of my all time favorite formulas. I just love this. And this is in one of the newer limited edition shades. I think it's Sparkling Rosé, if I'm not mistaken. I didn't know that these have a bit of a sheen on them. So this has like a rosy sparkle to it. Nothing crazy. So this goes all over the lips as a thick layer. And I leave this on like a mask to do its thing. And while this is sitting on as a mask, I am going to be using an eye mask. And this is something I always, always use. The 111 Skin Celestial Black Diamond Eye Mask, one of my all time favorites. I've tried so many eye masks and I love them. And for eyes, I'm taking my Color Fluids in the shade Carve and Canvas. And Carve is coming back very soon along with new shades and another restock. So I'm really, really excited. I'm mixing the two shades for a custom finish, just to really neutralize the lids and to add a nice base color down. And my Color Fluids are super thin, but they have this beautiful texture and coverage. So I'm tapping them on and they create kind of like a lifting effect as they dry down. So I use them as a one and done eyeshadow. I use them as an eyeshadow base. I use them for everything. And by now you do know that they are definitely one of my all time favorite products. So really just taking the time to buff and work this in. It doesn't take a long time. I am lifting the lid a bit just to get closer to the lash line as well and tap in with your fingers. With whatever is left, I'm just taking this underneath the lower lash line just to tie everything in. And that's when I can remove the eye mask and continue a bit more of the prep. This is the Jones Road Rich Eye Cream. I got this when I visited the boutique in Greenwich Village in New York, and I love, love this product. I'm definitely gonna be buying more of it. And I want to see if they have a rich face cream because for makeup, this is incredible. It adds like a very thick cushioning layer. But it just feels like it melts upon contact like water. It's a very interesting formula. It does remind me of the SkinCeuticals Triple Lipid Moisturizer. If you do know that it does have that cocooning layer. The Augustina's Powder Rich Cream does that as well. But this has even more of a slip upon contact. It's beautiful. But if you do struggle with dry under eyes or dry makeup, definitely try this one. Another product that I feel has almost replaced my Bobbi Brown Vitamin Enriched Face Base is the Anastasia SPF Moisturizer, especially during the daytime. This is the Hydro Prime, and it is an SPF 50. I feel like it really reminds me of the Bobbi Brown Face Base in a more liquidy form. The effects are the same. I feel like this even moisturizes a bit more. It has a bit of a similar smell to I think, if I'm not mistaken. I love this. And just the fact that it's an SPF 50, and that I can throw on my clients during the daytime. It really is incredible and it has not left my kit. I use it all the time. Now we can start to get back on eyes. I know this is a bit of a diversion, but that's kind of how I work. I am going in with a mix of my Beautopsy and Monochromance palette. So just diving into the nudes and neutrals, and just diffusing that on the crease to kind of set and build a bit of dimension. I mainly do this just to add a layer of powder down before going in with other things. And I'm using my Itone pencil in Intra and getting really close to the lash line, focusing on the outer corners. This is a very smudgy formula, so I am taking a pencil brush as well, a smudger brush, and really working it into the lashes. The reason why I'm doing this is I don't want a lot of product to just sit on top of the lashes and smudge and crease. So this way, I'm really kind of meshing that formula into the lash line and into the lashes. And I have a bit more control, so I can get into the inner corners, I can kind of tightline with it almost, and just frame the eyes very delicately, and building up as I go. I kind of treat this as an eyeshadow step as well, because I do get to smudge it around ever so slightly and, you know, get to work on the shape of the eye and see how far I want to pull things, how far I want to frame the eyes. But this is very flattering, of course, because it is a brown, it's a very warm chocolatey brown, it's not a black. If you are deeper, you can definitely go in with an even darker brown, or you can even do a black, as long as you're smudging it in and working in layers. But brown is always so beautiful. Next, I'm going in between the grayer shades and just really softly sculpting the eye. I don't mind that this is going over the brown, it's fine, because I am going to be setting it with that rich chocolate brown shade as well from my palette, which is also intra. But this is just to, you know, get even more contour and more definition. I really like to get into the brow bone and kind of push it up there because it ties it together. It gives more of a defined look. It brings the eyes forward and it brings focus to the eyes, which I really do like. This is where I'm going back into the intra shade from my Butopsy palette, which matches the pencil. And I am going to be smudging it and setting it over because the Kohl pencil is quite creamy and it does, you know, smudge and move around. But this is how I just get an all day wear. Nothing complicated. I just always love to set my work and really work in layers. And now that I'm really happy with what's happening on top, I like to take my eyeliner, really smudge it into the brush and go on the lower lash line. I don't always go directly with an eyeliner on the lower lash line because I don't want there to be too much product and too much creasing. So this kind of makes sure that I get that base color down and it's exactly where I want it to be, especially because I'm creating kind of this lifted double wing. It's not really a double wing, but it just opens up the eye where you have another liner extending out from the lower lash line. And this does give you a wider eyed effect. It's a bit more exaggerated and pretty glam. I do love this. You can definitely do it more, you know, more soft, more subtle, but we're just going to go for it. Why not? I mean, we are doing makeup at the end of the day. So just softly extend it out and set with some brown tones so that it doesn't, it doesn't look too harsh. I like to go with a softer brown underneath just so it's not intense and it doesn't compete with the top. Then I'm taking my Color Fluid in Canvas and taking a bit of that on another pointed pencil brush and just accentuate and clean up that gap. You can do this with concealer. I do it with concealer all the time as well, but I just love using my Color Fluid because it doesn't budge and it is very thin. You're not adding more texture. So sometimes concealers can be a bit slippy. They can, you know, move around, but this is great. I definitely use my Color Fluid in Canvas specifically for this all the time. Now you can see I'm really kind of opening it up and this gets more dramatic. I like to set it with a beige powder as well. You can blend this and buff this out later, which I will. Sometimes I like to bring in blushes and bronzers into the section as well just to tone it down a bit, but that's it. I'm taking my Gradient Highlighter in Doll Dynasty, which is that beautiful champagne, and with my fingers just tapping it on the lids. I don't want a crazy intense shimmer dimension. I just want a soft sheen, but I do like kind of tapping it in to begin with and then diffusing it out with a brush, but this gives me more control because I can get to feel where I want it to be placed mainly on the center of the lid and then diffusing it out with that fluffy brush just so we get that lived-in hint of luminosity and shimmer. It's really beautiful how far you can stretch products if you use them in different ways and if you, you know, practice a bit of control. For mascara, I'm using the Hourglass Unlocked Mascara. I have really been loving this. The key is to just roll it out, like kind of extend it out, and it really does lift and separate. I like it for that lifting effect love because I am going to be going in with individual lashes as well, and I pretty much always all the time use my Ardell. Individuals in a mix of medium, short, and long, but mainly medium and short, so I'm going in with a bit of short towards the inner corners, but the majority of it is just medium, and I stack them and I feather them out. I love these lashes. For foundation, I am going to be using the new Luminous Silk Foundation from Giorgio Armani, which, you know, is one of my all-time favorite foundations. I haven't been using it lately, the older formulation, but when they reformulated, I was definitely interested, and I definitely went out and bought it. I bought number six, which is my all-time favorite. It is an olive shade, and 5.3, I think, which is what I'm using now, so I'm really starting to buff this in from the center of the face, working out. No specific method, I'm just seeing how it's looking, I'm seeing if I want to add more layers and what it's really giving. I would say it's a bit different from the original formula. The original one felt a bit more of like a velvety finish, but I do really like this. It's just quite different. People do love this, so that's what is making me hopeful, is that people do love it. I just feel like it has this almost like a gel-like, thin, skin-like finish, which is, you know, which is great, but it's definitely different from the original, but I do like it. Next, I'm using the new Dior bronzer sticks. Now, these are very different from the contour sticks, where they're almost like a gel, like a sheer gel cream. Very, very forgiving. I kind of had to apply over the same spots like three times, because it is that forgiving. So, I think with this type of product, you can definitely just go in straight on the skin, which I didn't do. I'm just picking it up on the brush, but this is one of those times where you can actually just go in and do the lines and do the whole bronzer contour thing, and it'll blend out like a dream. Very forgiving. I'm even using shade number three, which I could have, I feel like for Hinge Skin Tone, I could have done two as well, but it is just that sheer and beautiful. So, if you do want that very healthy, realistic tan, these definitely will give you that. Next, I am also going to be trying the Charlotte Tilbury concealers. These are the Airbrush Flawless Blur Concealer, and I didn't use these before, because I was sent, I think I was sent one very light shade or one dark shade, but now that I have a few, I can definitely play around and start mixing them up. I think I could have done number five on Hinge on its own, but I mixed a bit of that brighter shade, I think it's three, just to see, you know, how far I can take it with the lift and the brightness, because I do want that center of the face to be more bright for now, because I want to soften things up with bronzer and blush later on. And the way I'm doing this is I'm taking a concealer brush, a kind of a fluffy domed brush and applying it in strategic targeted places that I want to brighten, just so I don't go overboard in case this is a very full coverage concealer. I don't want to kind of take away that natural skin luminosity that we've built with the previous products. I would say it's doing a really good job. I do really like this. Again, with a kind of damp beauty blender, I am going to be taking off the excess and blending things in. So, I am happy with what I'm seeing and what's going on. Repeating the same steps on the other side. I always love to target the corners of the mouth. I think that just creates such a beautiful lift and underneath the cheekbones, center of the forehead, just between the brows. These are all really nice key areas to lift and they will make a difference without you feeling like you've, you know, added just concealer everywhere without really thinking about the placement. Because most of the time, we don't need concealer everywhere. We just need to target certain areas that lift so that the rest of the skin looks more unified. Just getting underneath the lower lash line as well to soften the brown that we've done. A cream blush that is an absolute favorite and a must in my kit. I got this when I was in Manhattan wardrobe supply in New York and this is the Neen Cream Blush. I'll put the name in the description box but I love this formula. I love this color. It is on the heavier side in terms of it feels like a traditional like cream blush but I love that I can work it in. I can sheer it out. It is such a beautiful dusty, rosy, brownie color that just sits in between a bronzer and a blush and it's just that type of blush that just makes you look healthier and more lifted, more awake and like you've been out. I put this pretty high up on the cheeks but I do like to go over the nose and across as well to kind of bronzer blush, do that whole bronzer blush situation. The Hourglass Ambient Lighting Powder Palette, a bit all over the high points of the face in a diffused, fluffy manner with this beautiful, fluffy brush. Again, kind of using this as a setting powder and a glow powder. I'm not going to be doing a lot more powders but I do love adding a bit of that luminosity to set. For brows, I'm going in with my Hourglass Brow Pencil in Ash, another favorite and this is a kind of that slanted, angled pen so I can really diffuse and build the shape up. I like to start around the top edges, that's where I want to get the shape down and then I can fill very slightly and feather throughout but I'm not relying on this pencil alone for the entire brow work but it is giving me the general shape that I want and make sure I really lift that end of the brow. And then taking the Anastasia Micro Stroke Brow Pen, this is in Soft Brown I think, and doing tiny hair-like strokes. It's not a really dark color so it's just gonna really blend and camouflage in but give you that tiny bit of definition, those hair-like strokes that are just so beautiful. And I left the other brow so you can see the difference. I'm setting it with the Benefit 24-Hour Brow Gel. I love this, I mean, I just love soft, defined brow that frames the face. The thing is with brows that I've noticed lately is sometimes it's just so beautiful when you see the tiny bit of gaps throughout the brow. I always try to do this, I mean, I always try to keep that skin showing through but it just, you know, it just gives this youthful appearance and very realistic feel. For powder blush, I'm using my Guerlain Terracotta Blushes. These are probably one of my all-time favorites from the Guerlain range. They are very forgiving, very buildable, very beautiful. And I always use the shade Pearly Beige to mix in with other colors because it gives this very soft luminosity without seeing any shimmer. I love. I'm doing something interesting is I'm contouring after but I'm only doing the center. So I'm taking the Westman Atelier Contour Stick in Biscuit and just doing the tip of the nose very lightly. Blend and buff and tap. And taking that lip balm off so I can contour a bit around the lips, mainly on the cupid's bow and the bottom lip because I really want to accentuate the center of the lips further out. But I don't want to go overboard. I just want to give that youthful volume a touch and just accentuate her beautiful lip shape that she already has. I have also been loving the Anastasia Beverly Hills lip liners. They are beautiful. I like to go in with more of a neutral shade just to further enhance that contour that I did with the Westman Atelier Stick. It kind of matches but it has a bit of a more nudie beige undertone. So this is better to kind of go a bit all over the lips with because it's not so brown on hint. Then I'm blending as I go just to soften things up. And don't be scared if you're kind of blending too far out because you can always go in with a concealer and a brush just to softly blend things in. Then I'm taking the rose shade and I love this shade. I've been using it a lot. It is the, I think it's muted rose. I've just been loving this rose shade. I'm going to be listing it down below as well. And I've been reaching for it all the time on all my clients, on a lot of the looks that I do. This is one of those shades that's always in rotation. And I just love how soft and diffuse the lips are. I am going to be then taking this Tom Ford lipstick in this beautiful, beautiful pink. It's on the brighter side and it is perfect to dab on the center of the lips. I have been loving just dabbing lipstick on and never fully swiping it on the lips. It makes such a big difference. I mean, it makes a difference in how the texture of the lips are and how you perceive tone and color and building up layers. I just think it's so beautiful, especially if you're layering. I mean, I always do. I do like five, at least five products for lips. But again, it's me doing what I love and I'm working on people and I'm building up this custom shade and color for them. Then I'm taking the Guerlain Rouge G lipstick, a stunning, stunning shade. This came out as part of the Blooming Denim Collection, the bullet that I have listing the shade down below. But I am applying this kind of all over on the edges to diffuse because I don't want it to just go from brown to like a brighter pink. Just, you know, creating a moment. This lipstick I recently picked up from Chanel. It is a lip balm and I think it is one of the cool toned shimmer shades. I love this. It is basically like a highlighter stick for your lips. And you can definitely also use highlighter, but this has a balmy feel. Amazing. I love this color. And I'm just dabbing it on the center to bring back life and dimension. Again, it's basically like adding a highlighter on the center of your lips and cleaning up with concealer around the edges. I'm taking my COVERGIRL mascara on the lower lashes and my NABLA Freckle Maker Pen, another one that I've abused and I love just to highlight any of her beauty marks. And setting the entire face with the Hourglass Veil Setting Spray. Such a soft setting spray, it melts everything in and it gives this beautiful soft focus finish without looking flat or tight. I love this. And that is my final look on the beautiful, beautiful Hint. I really hope you enjoyed watching this as much as I enjoyed working on this and creating it. And I had such a great time with Hint. She looks incredible. I will leave all her socials down below. And don't forget to let me know what you think in the comments down below and subscribe if you want to see more of these videos. And I will see you very, very soon. Bye.