In this episode of the Bookaholic Podcast, host Deirdre sits down with author Gail Grant Park to discuss her cozy paranormal mystery trilogy — We Are Shadows: An Irish Ghost Story and its sequels.
Gail shares how real-life family experiences with the afterlife inspired her stories, including a breathtaking account of a spirit saving a cousin from a car accident, and a humorous but heartwarming visit from her late father. She also dives into how her 24 years following her husband's military career — including time in Brussels, Belgium — helped her connect with Irish cousins whose culture, slang, and recipes are woven throughout the books.
We also talk about her journey to becoming a published author later in life, joining a writing group, self-publishing, and winning multiple awards for Book One.
In this episode: *The stunning cover art created by an Irish designer *The true ghost stories behind the fiction *How her family's writing tradition spans generations (including her 96-year-old poetry-writing mother!) *Gail's new children's book Rain or Shine, It's Camping Time and upcoming memoir 🔗 Visit Gail's website: gailgrantpark.com 📚 Purchase We Are Shadows: https://amzn.to/4etnVmW 📚 Purchase the trilogy: https://amzn.to/4fDq29P
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Gail Grant Park. Welcome to the Bookaholic Podcast.
Great to be here.
Yes, glad to have you here. And today we're going to be talking about your book
We Are Shadows, an Irish ghost story, and it's really a
beautiful cover and it it's in this nice green.
I'm not sure if the camera's picking up this Irish emerald,
deep emerald green
and it's got a ghost profile and a
tombstone on the front and so
it's it's just kind of like the perfect illustration to this story. Did you have a hand in creating it,
the cover?
I worked I worked with a cover designer who is in Ireland. So yeah, we went through a few iterations
and he did all three covers in the trilogy, so they kind of all
have a similar vibe and look to him. He has an image on each one.
You don't always see that that profile of the woman right away.
Okay, yeah, I can see that. Well, some people don't. You got it right away.
Yes. Yes. Yes. Yes. Yes. Well,
this is book three and he's got a ghost up in the clouds.
So you you kind of have to take a second look at that one.
And then this has got the body in the bushes that you don't really notice right away.
Well, you did all the covers with this same kind of
yeah, the Celtic knots and things that go around the edges.
Yes, that's actually that was one thing that I really splurged for was having an Irish an Irish
professional cover designer.
Well, it's beautiful. They say, you know, you shouldn't judge a book by its cover.
But we do.
Yes, all day every day.
Well, I will say when you showed the third book in the trilogy,
it almost on camera looked like it was 3D.
I don't know if you want to test that
between somebody, you know, and you looking at it, but it was almost 3D.
So it was very kind of not frightening, but you know, just a little ghostly looking.
Well, it kind of pops out at you.
Yes, absolutely. Now when I first received this book,
it brought me great joy when I turned on the back to see my name is going to be in this book.
So we've got three sisters.
And it's spelled exactly the way I spell my name.
So we've got three sisters, Moira,
Deirdre,
which of course is me, and Nuala. Am I pronouncing that right?
Nuala. Nuala. Nuala. Okay, Nuala.
So you got three sisters and like I said, you know,
I had to interview you if nothing else for the fact that my name is in the book and it is spelled
exactly the way that I spell mine. So we've got three sisters here. So do you have sisters,
Gayle? And is that what inspired you? Maybe your siblings?
I have one sister.
Okay.
I have one sister, Kelly, and she's a writer as well. She's done a time-travel series.
But the names all come from my Irish ancestry and I have
about eight cousins in Ireland and some of them have moved over into Europe.
And one of them is Deirdre, and one of them is Nuala, and one of them is Marion,
but I kind of tweaked her name to be Moira.
Oh, yeah.
It's my Irish cousin's names.
Wow. Very interesting. Very interesting. Well, let's dive into the story a little bit.
So Moira has been seeing ghosts since childhood. So what did you get this idea from
about Moira and seeing ghosts? What led you down that path?
Well, I wanted to have a ghost story where the ghosts were more real, not chain-rattling,
moaning, phantasmic, sheet-covered ghosts.
Yeah, yes.
The book is really more about our view into the afterlife. Like what happens when we die?
Are we still an entity? Is it possible to communicate with our loved ones who have passed on?
And a lot of these stories, each book contains four or five vignettes of these three sisters
helping a specific spirit to move on into the afterlife because they're stuck here for some
reason, whether they were killed prematurely and we need to find their killer or they have
unfinished business, that kind of thing. So I have done a lot of family history, genealogy work,
and a lot of these stories have the kernel of truth in my own ancestors' lives. So I kind of
tweaked them a little bit and elaborated a little bit, but there are some actual encounters with
spirits that have happened in my family. So that's where it all started. I wanted to kind
of showcase these stories.
Oh, wow. Well, tell us one.
All right. I don't know if you had a chance to read book one yet, but in the beginning,
Moira travels to Tralee to get a birth certificate to help her client solidify his case as an heir.
And as she's coming back home, she's driving along this road and she falls asleep at the wheel.
And this incident when she was five years old and her little friend from across the street
came over to play with her and got hit by a car and died right in front of her. And everyone
wondered why Moira wasn't grieving, but this Julia, her little friend, immediately was right
next to her as a spirit and she could see and hear her. So why should she grieve? Because she
hadn't really lost Julia. So that was her introduction to the afterlife. And it kind of
opened that door into the spirit world where she could now converse with the spirits.
So she's driving as an adult now, she's driving along this road and falls asleep at the wheel.
And she gets woken up by Julia's voice yelling, Moira, wake up, you're going to crash.
And she wakes up and turns the wheel in time to avoid a crash. And she calms herself
and talks to Julia saying, thank you for saving my life. But that really happened to my
cousin who was going through a messy divorce, left home in tears, was distraught, and she
was driving down the road and fell asleep at the wheel. And she was woken up by her deceased
sister, Brenda, who said, Debbie, turn the wheel, you're going to crash. I mean, word for word in
the book. And Debbie woke up in time to avoid hitting the median. Her sister, Brenda, was
three years younger than her and had died when Debbie was 16 and Brenda was 14. So
I had to put that in the book. I mean, that was a true instance where a spirit from someone we
love who had passed on intervened in her life to help her. So that was one.
Wow. That is amazing. That is absolutely amazing. I mean, and I'm so glad you told that story,
because that makes it even more enticing for a person to want to read your books,
because interwoven in all three, you have similar real life experiences through all three.
Exactly. And if you go to my website, gailgrantpark.com, I have a lot of the
behind the scenes stories that really happened that I'm discussing in the book. So you can hear
about those two stories. Absolutely. Well, we certainly will have your website link in the
podcast show notes in the video description box on YouTube for people to dive further in
to those back stories. So you didn't publish your first novel until later in life. So what gave you
the courage to start writing seriously in 2019? Well, I joined a writing group as my daughter
is also a writer. She writes poetry and she was in a writer's group in Washington State.
And she invited me to join her. It was a group of maybe five or six people who got together monthly
and did writing prompts and sprints together and gave little lessons to one another to help each
other with their writing craft. And I joined that group. I don't know why she actually invited me,
because I wasn't really writing at the time. I mean, I've written journals my whole life,
and I've written histories of my parents and my grandparents and my husband's family. I've
done family history writing. But when I got into this group, one of the persons was an editor,
had just finished an editing course. Another one was a graphic designer, and another one
had published before on Amazon, self-published. So we had this group of experienced people,
and they decided to publish an anthology. So I wrote a little short story in their anthology,
and it got published. And I thought, well, this is easy. I can do that. It kind of went through the
ropes with me and helped me to see the process so it wasn't too intimidating. And then after that,
I just got excited about writing a full novel. Wow. And you know, I've listened to you. So your
daughter's a writer, your sister is a writer, and you are a writer. How do you explain that?
I don't think many families have at least like three writers in a family.
It's really kind of wild. I'm not sure. Well, my mother has written poetry her whole life,
too. And so I think she's the creative impetus for that. She is 96 right now,
and she still is writing poetry. Wow, that's amazing. And that's wonderful. That's also very
inspiring to hear. Because I think a lot of people think that if you live to be 96, that you
just sit around. But that's wonderful to hear that she's still doing her creative gift.
Yeah, she's still going. Jess barely gave up her keys last year. But before that,
she was driving her convertible around town all the time. So she's, yeah.
I got good genes. I got good genes. I love that. I love that. Well, see, you
followed your husband's military career for 24 years. And how did living internationally
influence your storytelling? Well, I think it was a major influence. Because, I mean,
I know people who have never left the little town that they grew up in, and not having that
influence of other cultures, other ideas, it can be really stifling. And I think being out there
and meeting people and getting that out of my shell, I mean, we all kind of feel a little
intimidated meeting new people or being shy. I'm basically an introvert. But I was forced to be an
extrovert by being out there and meeting new people. Or you don't have any friends, and you
move every three or four years, you've got to put yourself out there. We traveled a lot.
And when we were stationed in Brussels, Belgium, it was just a quick hop, skip and a jump over
to England and Ireland. And so we did take a trip to Ireland. And I met these cousins,
my Irish cousins for the first time, and got to know them. And we helped each other with the
family history genealogy part. But getting to know them was really helpful with the books,
because I would then send them manuscripts and say, is this how you say this, trying to do the
Irish slang and the culture? And they say, well, no, that's more Northern Ireland. We say this,
or we do it this way. And they sent me recipes, which are in the book and things like that. So
it was very helpful to immerse myself in the culture through getting to meet these long-lost
cousins. Absolutely. Absolutely. Absolutely. Well, would you describe your series as cozy mysteries?
I call them cozy paranormal mysteries. So I have to put the paranormal in there to get ghost
elements. Because a lot of cozy mysteries are just murders or whodunnits. But the paranormal
element is really the main thing. But yeah, there's no bad language. There's no graphic
violence or sex or anything like that. So family, teenagers can read it without any issues. And
my 96-year-old mother can read it without being horrified.
Exactly. Exactly. I get it. I get it. Now, did you, did this, even though it's ended up being
a trilogy, did you start off with the fact that I want to write a trilogy? Or did somehow the
sisters spoke to you, and then everything just came tumbling down? You've got it. Exactly. I
wrote book one, We Are Shadows, as a standalone. I thought, well, I poured everything into it.
Here's my masterpiece. And I knew it was going to be a bestseller. So I sent it out to
publishers, indie publishing companies, and what do you call them? Agents. I just knew it was going
to get picked up. But it didn't, of course. I got crickets. And I heard from one agent who said,
well, we really like the concept, and I like the book, but we like our authors to write series.
Is this a series? I said, well, yes. Yes, it is. I'm writing book two. So I started writing book
two, and it took me about two years to write book one. It took me eight months to write book two,
because I had the characters, and I had the premise, and I didn't have to do all the research
like I had with book one. And I wrote back to them, book two is about ready, but I never heard
back from them. So I said, well, I can't wait. I've got to publish these. So I self-published.
And then book three came on the heels of book two. Within four months, I had that. Because like you
said, I felt like I was now one of the Gallagher girls, and I was just following them around,
writing down what they said and did. And it just all came out. The more I wrote, the more I could
write. Ah, I love it. I love it. Well, so now, are you working on a memoir and a children's book
right now? I did. I just finished the children's book, and it is, it's called Rain or Shine,
It's Camping Time. And it actually is based on a story of my own childhood, where I was eight,
my sister was five, and we went on a camping trip. One of those stories that are passed on,
like, remember that time we went camping and that thing happened? And I said, that's got to
be in a children's picture book. And I finally found an illustrator who I really clicked with,
and he painted the, he's a watercolorist, and he painted the pictures exactly how I
had envisioned it. So that came out in November this past year. Oh, wonderful. Okay. All right.
You might want to send me a copy. Oh, I will. Okay. And then the memoir is something that I
wrote an autobiography for my family. But now I'm pulling out the emblems, the elements of my
spiritual journey. And that is going to be the memoir. So working on that now.
Wow. Well, we certainly, you know, whenever you have that finished,
you certainly can come right back on this channel and tell us all about it,
to have you back as a guest. Well, you know, when you've had, that'd be awesome. You know,
when you have these experiences with the afterlife, it is a spiritual experience. I mean,
we all ask the question, what is this life about? Is there anything after this? And having had that
communication is like, well, yeah, there is more to life than that. Not all there is. So it really
impacts you spiritually to have that confirmation that this is not all that happens to us,
that there is life after death. Can I tell you one more true incident that got its way
into the book? Please do. It happened to my mother. My dad passed away in 1995. And shortly
after that, she was mowing the lawn, which is a job that he usually did. And she's on this
big Ryder lawnmower. And the grass was wet, it had rained, and she got too close to this
bank and that she started sliding down into a creek that was at the bottom of the bank. And
then she panicked. And she's trying to steer and she's trying to touch the brake and it's still
sliding. And she heard my dad's voice say, Annie, you dumbass, turn off the engine.
Oh, she turned off the engine and the thing stopped. And she said, I knew it was Donald
because he used to call his best friend a dumbass all the time. It was a term of endearment for him.
And so she said, I knew it was Donald because he said that. And then she got out and she pushed,
you know, she's like was in her 80s. She's pushing this lawnmower up the hill. She said,
I just pushed it up like it was nothing. I knew he was there helping me push that lawnmower up
out of the creek. So in the book, that was the true experience. And in the book, I put it in as
Nula is in a church and she's all alone. And then she gets locked in. She can smell smoke.
The church is starting to burn. She panics. She doesn't know what to do. She goes to the door.
It's locked. And she hears her deceased father, whom they called Da. She heard Da's voice saying,
Nula, you idiot, grab the candlesticks off the altar and break the window.
So she grabs the candlesticks, breaks the window and is able to get out. And she says to her
sisters, I knew it was Da because he called me an idiot. And that was his term of endearment for it.
It tweaked my mother's story a little bit. But those little ideas of the truth gets in there.
Wow. Well, somehow, someway, I feel like you were destined to become a writer and tell us
these stories and give us a hint of what may be to come. I just think that's just a little
speaking from the spirituality that you've been gifted.
Yeah, I like to think so. I hope my books will touch people, not just on an entertainment level,
but on a thought-provoking level where they think, well, what do I believe about that?
It's interesting. I made up a book kit and gave it to the library for their readers group. And I
went after the group read it. I went and talked about it. And a couple of people say, yeah,
I don't believe in ghosts and I don't believe in that. But it was an okay story. And then
this woman said, yeah, I don't really buy that. But as we started talking, she said, you know,
I had a dog who I loved and he was my child and I had to put him down and it just devastated me so
much. And then a few weeks after his passing, I was sitting at the chair just mourning. And I felt
him lean up against my leg like he always used to do. I felt the pressure. I sensed it was him.
And he was there for about 10 minutes and then he left and she starts crying.
And I think these stories cause us to think about, well, have I had any experiences where I maybe
sensed the presence of someone or, you know, had a feeling that I was being watched over
or something? And so I think it gets people thinking. Absolutely. Absolutely.
Well, I see also on here, you have like a little finalist sticker on here,
American Writing Award. Tell us a little bit about that.
Well, that was on book one. And again, as I said, if you turn it over, you'll see it got
like five different awards on the back. You can see five little stickers on the back of the book.
So there's like a Reader's Choice and American Writers Association and
Reader Favorites. There's four or five of them. And when I first did the book, you know, I was,
and you're always your own marketer when you're self-published. Even traditionally published
writers, they have to do most of the marketing. So I entered all these contests and placed in
many of them. So all those stickers went on the first book. And then after that, I thought,
I can't afford to keep doing this. I kind of slowed down a little bit on entering contests,
but the first one got a lot of kudos for from contest winners.
Well, wonderful. Absolutely wonderful. And as I said earlier, we will certainly have a link to
Gail's website and the podcast show notes and the video description box on YouTube. And you will
also have a link for you to purchase. Not only each standalone, each book that can be standalone
or the whole series, we'll have everything there just for your buying pleasure. Gail,
thank you so much for joining me today. I really appreciate it.
Thanks for having me. It's been fun.
Thank you.