Making Of ENOLA HOLMES 3 (2026) - Best Of Behind The Scenes, On Set Bloopers With Millie Bobby Brown

She'll be here. Don't worry. Sorry. Sorry. Sorry. No, no, no, no. Soft sticks. I'm a method actor. I'm just joking. Oh my god, I love you. No. You're great. Go on. Smashed it. Great joke. Who was that man you were watching? We want to give people mirrors. We want them to feel like they can see beyond maybe the limits that they've surrounded themselves in. And Enola is a really good example of that. I think she's fierce and adventurous and flawed. Deeply flawed. And I think she's a great role model for young people to feel like there's so much more that they're capable of. And yes, there will be times you don't believe in yourself, but ultimately if you give yourself the support and the love and the grace that you need, which I think Enola does so well, that you're capable of anything. It's kind of the tea and then Millie will turn back in. A horse was mounted. A man made his departure this way. Then we would see the heel lift mount from the mount. Sherlock, this is where the man disappeared. This is a murder scene. And on the weekend, well, tooth's break. I had work to do. I was a detective and a good one. I was happy. Nothing's changed from the first movie. I mean, she's changed ever so slightly, but she's still Millie. We have a shorthand at this stage. There's lots of joking around on set and it's very much sibling-like in its approach. There are no punches pulled when we're making fun of each other. It's fun. It's a good, fun shooting environment. I think it's wonderful how she's coming along in leaps and bounds and she's building her career beyond just acting. I think that's a wonderful thing and I'm proud of her. If I go too tight, it's literally your eyes. Yeah, but it could kind of look sick with the veil on because you don't actually know what it is. It could look like curtains. That's what I'm thinking. I'm going to use what those windows are doing and blow it out so that it's really bright behind you. We could have a bit of wind on it so it could feel like curtains. Yeah, I think it could be cool. Oh my God! Lovely. ------- lovely. That? Oh, yeah. That's it. Flossing. I just look like I'm having a fit. Oh my God. That was on my bingo card for today. Gen Z. That was the first two films. Nicely done. Sometimes they're just a little bit of both so I'll give you that. Do you love that? Can you give us full grey? Oh, I'd love to give you full grey. Is there anything you can't do? No, I can't. Would you like me to stop crying? The way that I like to work is I used to be an actor you see. So I understand actors. And so I always like to bring the actors down to set in the morning and go, okay, let's block it out. Let's have a feel about where we want this scene to go and let them have a play and then we come in with the camera angles and figure it out that way. So it's very organic. We use handheld camera quite a bit and we really get into the perspective of the characters. And so we always like to put a one take sequence in everything that we do and there's a couple in this. I want to change my feet. Shrek, have you? No. Back to one for you guys. Shrek, two. Okay, I'm just going to go from She won't be able to make it. She won't be able to make it because the event is so well. What strikes me is how Millie really, really cares about this. She doesn't just rock up and say the lines and leave. It's like the little details are really, really important. She's there all the time. Millie can switch it on and I'm still as baffled as I was the first time I worked with her. She can kind of wear the producer hat as well as the acting hat and be in the room and be sort of slightly adjusting because she knows that you're going to use a certain part of that scene and that take but Millie can multitask without the acting suffering and I don't know anybody else who can do that. If the police find me here they will throw me in jail for a very long time. I have to go. No, you have to do it. Our parts will cross again. You will require my help again and I will require yours. The puzzle is always as devious as the set up. Can you tie it? The room! It's been torn apart yet his garments have been left untouched. What case were you working on here? In Malta, no case. We're here for your wedding. He was watching someone last night at the banquet. Tewkesbury! Doctor Watson! What's that? They looted Adam. They stole and killed innocent people. I know who she is but there's no reason for her to break into this military office without permission. I've solved the case and I have a plan. All the sets that we've been shooting in I'm always blown away by the detail. It's so important for me as an actor to walk into a space and just forget that I'm anywhere else other than where I'm meant to be. You can walk around the space and it's all ready to go if you want to pick something up, if you want to open a door, if you want to... It's all there for you to work with and that's really invaluable. Take a look at the B. Why'd you do that? It just springs up. That's why he's the director. I'm an actor for hire. I'm entirely lost as to what is going on here. I wouldn't be surprised if she was held responsible for the smudges of Morse code on his mirror. It doesn't matter because even pigs must be found. I do not doubt Sherlock has doubted me. Goodbye British and all that. Hello Malta. What I found so interesting is telling the locals that we're actually filming a movie about Malta and we're not pretending it to be somewhere else. I think all the movies that come here are like this is Spain or this is wherever but actually we're like no, we're telling a story about Malta. So it's really nice to see the locals face light up. It's a really beautiful thing that we're able to really highlight such a small country but again with such vibrance and colour and passion. I mean on the weekends they just put fireworks in the air because it's the weekend. Be able to go from set and to get into the ocean. Just be like oh my gosh, this is like truly for all of us been such a great experience. Nice one bro. That was amazing. Sorry. Sorry to put you through that. Amazing, I love it. Yes, you know. You'll come? You'll come to my wedding? Fantastic. Thank you very much. I appreciate it. I'll see you on Saturday. So big. I hope you work out better for the motorbike. I hope so. Our plan is good Dr. Watson. Do not doubt me. Honestly as soon as I see Millie in her whatever period dress and I'm wearing a waistcoat it kind of just seems to just happen. Given that me and Millie have grown up with these characters it's kind of like the lines between them are fairly blurred and so it was really the easiest thing to step back into it and I think that's a great way to work to be honest. If you can feel like you're natural and and comfortable and you can make choices because you feel confident that's the best place to be. Coachman Eric. I thought you'd scarpered. Happy, happy. It's always fun for me to watch Millie work and perform in any of her films and Enola is so inherently Millie and she really dives into the character every time she plays it. I mean I even notice after work we go home and she'll still be talking like Enola. It's so hilarious but she is so elated to play this character and a lot of what you see in the movie is Millie's brilliance just coming up with things on the day. Being able to see her do that and come to this point in her life and play this part. Everything mixes together with Millie being who she is now in her life and bringing that to this character that she continues to grow with. Arriba Marbella! Where is your heart moving to? The falling straight and loopy loop? I love the movement in this fabric. We could put this fabric or that type of fabric into the other one. And then the other one but I loved the other one. Yeah I know so do I love the other one. To be stuck in that if we don't get in the other one. Yes, no you should completely cover it. There's something about the fact that this is the point of connection. I'm most proud of how Phil Berantini has made this movie and elevated it to a place that I just couldn't have ever imagined for these movies. It just felt so exciting. It's felt so new and it's brought out a different side of myself Millie but also Enola. I am so proud of the movie we've made together and I'm so proud to call him a dear friend. I think you're extraordinary. Start again! Is that your blood? No it's the blood of another. Oh good.