3 Minute Basics, Pine Trees in Acrylics

The Art of Painting
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6 Video Views·Aug 14, 2026
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Video Summary
AI GeneratedThis video provides a practical tutorial on using a fan brush to paint evergreen trees, drawing inspiration from the Bob Ross style. The instructor demonstrates the importance of brush technique—specifically using the corners of the brush rather than the center—to create realistic, tapered foliage and avoid overly thick trunks.
So pine trees are a really popular element to have in landscapes.
They can be a little tricky to paint because it's easy to feel like what
you're doing isn't working when you're in the middle of it.
They're one of those things that often doesn't look good to you until the next
day. Now pine trees come in lots of shapes and
sizes, but I'm going to show you the easiest kind to make.
There's a couple things about the shape of them that you need to keep in mind.
First, you don't want your pine tree to look like an umbrella or to have a
hat on top. You always want to have a single
straight line on the top of your tree. Secondly, make sure you leave spaces
between the boughs that stick out to the sides. It's easy
to get carried away and fill all that in, but you don't want your tree to look
like a solid triangle. So you can decide which brush works best
for you, but you're going to want to start by painting
in the trunk of the tree. This will help you know where the middle
is and where your boughs are coming out from. Then you're going to start painting
in the boughs of the tree. Use your darkest shadow
color for this. The boughs start small at the top and get
a little bigger as you go down the tree. You'll see artists use lots of
different brushes for this. Often the corner of a flat foliage brush
or fan brush works well. You just want something that has some
texture to it, especially on the bottom of your stroke,
to make it look like pine boughs that are hanging down.
Fan brushes are especially good at giving that texture in the bottom.
So if you feel like you didn't get enough texture the first time, you can
always go back in and just lightly tap in with some fairly
thick paint on a fan brush. You're going to want to experiment on a
scrap canvas a few times with this, just to find out what brush
gives you the look that you like. Now whatever brush you decide,
make sure that the boughs of your tree are not
mirror images of each other. You want this to look irregular
and natural. This is kind of a foliage tap,
so you want to have your paint fairly thick on your brush
and your brush dry. And generally you want the
boughs to angle down, especially the bigger ones. They get heavy and tend to
droop. Now there's nothing wrong with using a
smaller brush to paint in the top of the tree, where the
boughs are quite small. It's rare to see the bottom of a pine
tree trunk, so it's also fine to go in and kind of tap in
some more boughs there, just to cover that up. And if your
pine trees are growing close together, they'll just
merge together at the bottom. So don't worry about trying to keep each one
distinct. Now if your pine trees are far away or
backlit in a sunset, you don't have to highlight them.
But otherwise you're going to want to add some highlight to create some
depth. And this part is a little tricky because it can be
hard to figure out where to put them. First, make sure you're using
thick paint, probably with some white and yellow mixed in,
and a really gentle touch. You want to scatter these taps
mostly on the side the light's coming from, and it's really important to leave
dark areas between your taps. If your tree has really distinct boughs,
it's okay to put highlights right on top of those boughs,
but you probably want to scatter a few here and there over the trunk to
represent boughs that are coming towards us. This is
the part where you really just have to trust the process.
Pine trees can look really messy when you're painting them, and then somehow
they look good when they're done. If you've ever taken a real close look
at the pine trees even professional artists
paint, there's often a lot less detail there than you think.
So take it slow and don't panic if you think it's not turning out.
Let it sit for a day or two, and you may come back and be surprised at how good
it looks.
