You're watching a feedback session for the Spungella Animation Workshop. Topics that are covered: body mechanics, maya animation, pantomime animation.
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[Music]
all right let's check this out let's
actually zoom in we don't need the mask
and let's
go and what is going to be the
end ah cool I like this I like the
whole
okay I think
in terms of post to
pose you right now you have a lot of
hard
stops you you're not quite out of the
woods yet I know it's a
struggle and I think that will be that's
going to be the focus of all of this
here which you have that I like the
little em moving in the arms that's all
cool and then you go forward watch out
rip right there it's a bit
fast that one it's one of those where
you are now off the ground with this and
is suddenly
accelerating and it's just if you would
go this fast you would have to have
already a bit more over this
leg and holding this a bit longer with a
foot roll so that this leg can actually
push this way fast and right now it's
you're moving fast and taking this off
the ground at the same time and it just
doesn't quite work and then you're
stopping really really abruptly so if I
draw that line here the onion's skating
here right and then you just stop this
could barely work if it's a slower move
from here to here but now that you have
this so fast you're going to have to
ease in and stop or ease in overshoot
and come back so watch out for that
harsh
stop as you go forward there's a little
bit you can see how the arm stays up
here and then you have a bit of a
connected arm and head chest drop there
at the same time watch out this is an
overlap that's not super clean I will
keep that arm down and that one a bit
higher for separation you know something
like that or that or that or that or
that that's fine too as an in between
since you are in the Polish aspect I
would take that either bring the arm a
bit higher a bit lower so you don't have
a tangent with the forearm in the the
pants
there and then you go
down and that's pretty okay
here in real time though there's a
slight feeling of this hits pretty much
the top and this hits or grabs at the
same time wh right there it's still a
bit post to pose I like that you have a
little bit of Aman settle there and then
as you go up this is better because now
you're going up bring this in and then
this comes down that's probably your
most
successful moment through there but then
what happens is that you go and then
everything just stops look at your your
route goes
up and it's like I'm I'm framing through
hold
on look at that there's really not much
going you can scrub and then you can
start seeing some pixels moving but as a
whole it really feels like we're going
into this pose and stop so that's a
really strong post to pose moment
there this watch out it's like the head
and all this starts to move at the same
time
again stronger offsets I think in your
case you just have to really really push
for super strong offsets even though it
would look silly and exaggerated I think
you just got to get your brain into that
mode of offset offset
offset this moment works better because
you have your head turn that stops while
this overlaps and continues into this so
that's
better this is also really locked this
feels like an action and then it starts
moving I think you can have a little bit
of a ambient move or like a moving ho
where maybe these goes up these go up
and maybe like a slight lean
over and then again watch out you have
the head turn and then we freeze look at
this this section here dead
dead then we have arms and head moving
all at the same time it's subtle I not
that's super strong but again has this
feeling of head and arms and body and
stop and now again for a moment we're
we're pretty dead
it's not too bad this one again is
really strong that move out and then
hold look at this I can again scrub
through this section there's not much
going on you would have a bit of a
moving hold through there keep going a
little bit a little bit fingers come up
a little bit little bit a little bit and
then you can
relax this gets in that stiff aspect of
it even though this moves back more this
arm it has that feeling of arms upper
body and head here
moving as one it just has the feel of it
I know the head is not super locked but
what it does have it's two World space
or ik or header line whatever that
control is called well you can see that
orientation rotation it doesn't really
change it kind of stays
locked you might argue maybe rotates
down a bit but that doesn't quite feel
natural as as like changing maybe like
as he looks right now you're doing
fairly one axis you would have a little
bit of a lean over with a little bit of
a y change in the head and again we're
locking here look at this so locked and
then everything moves over together
there's no offset really the only thing
that kind of stays is the leg but then
again we're going Sho pose hold hold
hold over this is a bit of a boang
wiggle that's good but then as we get
into this everything kind of moves up a
little bit more here there's a little
bit of an offset there but in real
time it just feels like again POs to
pose hitting this even though you hit
arms and then the body continues to go
down it's ever so slightly posst feeling
when I I know the route continues but
what adds to that is that moment of that
hit and then recovery little overshoot
there and then lock and then again we're
super locked instead of going down up or
Bounce Down up whatever you want to do
how much you want to
exaggerate and then again we're going
out where everything moves up where at
this point you could rotate just ahead
three frames then maybe bring up the
shoulders and then one of the arms goes
down and then you get into a one point
that pose and so
on that's good though full extension and
then coming together that's nice but
that's my The General um feedback is
that it's
it's more so than
usual
like it just has those sudden stops and
locks that's a new thing and you really
need to really just get into that head
space of just push push your
offsets even if it's not something you
want to submit just as an exercise you
can just send me one I I won't count it
as a submission and just really just
exaggerate how much one arm is moving
compared to the other like or the whole
thing only the head is moving and then
the chest and then arms and then body
and so on you really have to like push
yourself into just one exercise piece
where it's like super exaggerated one
two 3 4 and so on where you really
really offset like you go through looks
maybe or something like this right and
it's completely offset and then you can
go
into one whatever it is like one and two
and start overlapping right it's like
right now it just you have every now and
then an offset but then they bam stop
and then there's nothing for moment and
then it continues pose to pose and I
would I would practice something where
it's first you have one body part and
then you have another body part and then
you have another body part and so on and
then you start practicing where it's
more like this one with a slight overlap
with two a slight overlap into three and
so on just just kind of I think you just
need some muscle memory to to get into
that habit all right thanks all right
there's an email you can sign up you can
start whenever you want you can submit
whenever you want you get 16 submissions
either way like And subscribe would be
awesome all right thank
[Music]
you