中國畫教學第十六課 第二講之二 牡丹畫花容易畫葉難 教你牡丹葉子的各種畫法

Hello everyone, I am Chen Xingjie In the last two lessons, we systematically explained the painting method of peony flowers In this lesson, we will talk about the various painting methods of peony leaves This part of the content is very important Peony flowers are easy to paint flowers, but difficult to paint leaves Because the size of the flower is small, the petals are concentrated, and the leaves are more than the number of flowers If you can't plan in advance, ignore the ecological, physical, and hand-painted Therefore, it is necessary to draw three pages as a group To deal with the relationship between time and space, and to have a sense of unity Flowers can be added, leaves can be re-painted, and leaves can not be changed Therefore, we must understand the structure and performance of the leaves In this way, we can better express the leaves Peony has different varieties, and the leaves are naturally different But the basic structure is the same Let's take a look at the structure and name of the peony It is made up of leaves, main leaves, sub-leaves, leaves, leaves There is also a leaf with a long shape You can pay attention to this part when you draw Let's take a look at the structure and name of the top leaf of the peony The top leaf is the closest leaf to the flower head It includes leaves, main leaves, sub-leaves, leaves, and leaves The top leaf does not have a long sub-leaf So we need to pay attention when we draw The leaf of the peony is a rain-shaped sub-leaf A nine-leaf cake is called a three-leaf nine-top Let's take a look at the structure of the three-leaf nine-top The main leaf is born on the mirror Then the first leaf has three leaves, the second leaf has three leaves, and the third leaf has three leaves So be sure to pay attention when drawing Three leaves are a group Of course, the specific arrangement must be determined according to the need of the picture Let's take a look at the brush We can choose a bigger wolf owl or a pointed brush to draw the leaves You can use the same brush to draw the leaves and the branches You can also use a larger line brush You can use green to draw the leaves You can also use pure ink or clear ink What we are showing now is the painting of pure ink The tip of the brush is inked and adjusted in the plate to form the ink of the tip of the brush and the tip of the brush Pay attention to the change in time when drawing It is also very easy to master the method of various brushes A complete single leaf is three leaves Three strokes to complete The back side is light and the front side is dark One stroke should be able to distinguish between light and dark Various brushstrokes need to be practiced more Should be applied freely Gouyejin is usually sewn in the middle Or from top to bottom, or from bottom to top Can be reversed and smooth And the ink must be heavier than the leaf The brush must be clear of the main thorns The main leaf protruding in front must be clearly engraved The brush can be a little bit weaker than the accompanying leaf Generally, Gouhua Yejin should be done when the color is half dry Gouyejin is a key link that determines the right, left and reverse rotation of the leaf So when drawing Gouyejin, be sure to pay attention to the correct position of the leaf A complete single leaf is three leaves Three strokes to complete The back side of the leaf is light and the front side is dark One stroke should be able to distinguish between light and dark Draw this leaf with the back of the leaf and the front of the leaf Draw the back of the leaf first Then draw the front of the leaf In order to better master the drawing method of the leaf Can be used as a group of three pages Three pages as a small unit Practice The leaf of Huamudan must have a change in density and time Can't treat it evenly like a real leaf When we draw Gouyejin Everyone should have noticed this The Gouyejin we draw is different from the real Gouyejin Because the real Gouyejin is less and less change To draw Gouyejin, we need to show the change of the front, side, side and side of the leaf It must rely on the support of Gouyejin to achieve the perfect effect When we draw Gouyejin Use a pen to be decisive In the middle and side Use a pen to draw to see the change in density and time But the change must be observed as a whole In order not to look broken There is also a sense of layering Can be drawn with light Can also be drawn with light The shape of the peony leaf does not have any fixed pattern It can be a little fat To express the meaning of glory It can also be a little thin To express the meaning of wildness The leaf combination of the big group should pay attention to the growth pattern of three differences and nine tops But when drawing a leaf combination The most important point is Can't treat it evenly Be sure to remember what I often say There are big, there are small, there are more, there are less There are money, there are thick, there are books, there are secrets This is the rule we must master According to this rule Let's take a look at a few different combinations of leaves This is a combination of three leaves Two groups in front, one group behind One void, one time, one group, one time This is a combination of two groups One book, one secret, one group, one time Here we can clearly see Pointing out the leaves is very important But hook the leaves It is also a very important link that determines the movement of the leaves So be sure to practice more Inevitable Because the leaves I draw now are relatively small So I'm going to change to a smaller pen Let's see what's the difference We will find that drawing a smaller leaf with a smaller pen Will be more flexible Of course, this depends on personal habits and preferences And the needs of the work To decide What we are drawing now is a combination of three groups of leaves Here we can see Three groups of leaves must also have changes in size and density This is why we say Drawing flowers is easy, drawing leaves is difficult Let's take a look at the combination of the leaves How to draw Here we can see In addition to the change in size and density What is more important is the change in density In this way, the two groups of leaves are stacked together Can help each other This group we are drawing is a combination of large, medium and small This is the change in size we often talk about When drawing this kind of combination In addition to paying attention to the change in size and density Another thing to note is the change in density and density The intersection of branches must be relaxed, natural and flexible We will talk about this in the next lesson Let's take a look at how to draw a cross combination When we are drawing maple and peony Because of the wind A lot of leaves will be mixed together This requires us to consciously separate the leaves The best way is to change the change in density and density Use the density to penetrate the egg Use the egg to penetrate the density In this way, the picture will be very vivid The branch connects the leaves together But with the change of perspective And the change What we are drawing now We are facing the overlapping effect of the two groups of leaves Here we can find its changing characteristics Understanding these changing characteristics We can grasp its dynamic pattern What we are drawing now is the up and down change in the correct order In this change We can clearly see a special phenomenon That is, most of the leaves below the horizontal line will go down And most of the leaves above the horizontal line will go up We need to pay attention to this phenomenon when we are drawing Of course, due to the influence of climate and other aspects we still can't figure it out Let's take a look at the leaves' change in the test When we are showing the leaves in the test The far end of the leaves will have a trend to the outside This is the change in the test in another direction We can see The leaves on the left side also have an outward trend This is the change of the leaves in the flat style The leaves in the flat style change slowly up and down This group is also the change in the flat style The change of the leaves is more slow Let's take a look at the relationship between the leaves' trend The leaves of the peony grow from the mirror to the surroundings In this way, layers of space are formed These layers must be expressed in a virtual way For example, there are leaves after the flowers, flowers after the leaves, and layers after layers This is how you can express the sense of space This is the virtuality of time, time and virtuality What we are drawing now is the way of expression of pre-time, post-time, pre-body, and post-subtle Next, let's take a look at the way of drawing the soft leaves The soft leaves of the peony are lighter in color and turn yellowish-green When drawing the soft leaves of the peony, you need to master the skill of using water and color Generally, the flowers are mixed with green, peach, and yellow to express the soft leaves Or use green, peach, yellow, and red to express You can also add zheshi, it depends on the tone of the picture After drawing the leaves, use rouge and red to draw the leaves Next, let's take a look at the way of drawing the soft leaves The soft leaves are brighter in color and turn dark red Let's take a look at the different ways of expression of soft leaves The time of drawing the soft leaves of the peony is different Let's take a look at their different effects The first one is the time of drawing the soft leaves when the leaves are wet The second one is the time of drawing the soft leaves when the leaves are dry The effect of the two types of soft leaves is completely different So we need to determine the time of drawing the soft leaves according to the need of the picture The types of peonies are different, so the way of expressing the soft leaves is also different But the basic tone and method are similar The soft leaves turn red and the color is bright Be careful when drawing, the softer the leaves, the lighter the color, and the darker the leaves Let's take a look at the comparison of different color leaves Here we emphasize that the key is to draw the leaves and hook the leaves The opposite, side, front, and back of the leaves are all hooked by the leaves We must practice this part seriously As we said before, the space level of peonies is expressed by the relationship between time and space It can take advantage of time to take advantage of space, and it can also take advantage of space to take advantage of time What we are doing now is taking advantage of different colors Take advantage of the old leaves to take advantage of the new leaves, and take advantage of the new leaves to take advantage of the old leaves This way of drawing can make the picture more colorful That's all for today This part of the content is very important The combination method of various leaves is also very practical I hope everyone can practice more Thank you for watching Welcome to subscribe, comment, like See you in the next episode