Secrets d’une île authentique:Voyage à Maupiti, perle cachée de la Polynésie – Documentaire - GD

Beach & Ocean Beauty
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26 Video Views·Dec 16, 2025
From all over the world, the light of the Bora Bora Lagoon
illuminates the memories and future plans of many tourists.
But this light makes visible, a few miles away,
the shadow of a less known island,
the silhouette of an island, high in color.
Located at 315 km from Tahiti
and only 40 km from Bora Bora,
Maupiti is one of the most beautiful islands in Polynesia.
Surrounded by five large moats,
the basalt cliffs of the island
separates a lagoon with a thousand shades of blue.
Here, no mass tourism,
only a few family guesthouses welcome visitors.
Maupiti is not just an island,
it is a whole story that is simply free.
At the northern tip of the island, on the Mutupa Eo,
a small wooden panel immediately tells you that here,
there is no question to ask yourself,
we love this island and we want to let it know.
We are at Tiati and Therese's.
The face marked by the sun and the salt,
the old man is one of the ancients of the island.
Tiati has a house on the main island,
but it is here that he decided to end his days,
far from the superfluousness of modern life.
A small house by the sea, without electricity,
just a few batteries to run his radio.
This is my radio, that's it.
Here is the bathroom.
This is the shower.
This is the honey.
A shower in the open air, a pantry,
and a small vegetable garden working on a barren land.
When we are hungry, we go to the camp.
With coconut milk, it's good for your health.
A kitchen made of recovery,
which gives on a large coconut tree,
panels braided with coconut leaves as a cloisonne,
made with his wife.
The wife has to come and say it to her husband.
The husband must not be the only one who does that.
The two have to work together.
Life is happy when we are together.
It's love.
Tiati is a poet of life.
He takes advantage of his time to take the time.
Take the time to take his ukulele
and sing an ode to his island,
accompanying the last rays of the sun.
Maupiti,
happy birthday to you.
Happy birthday to you.
Today, like a mirage,
Maupiti is discovered in the early morning.
Only the sound of a small boat can be heard.
These are the children of the motos
who join the island to start a new day of school.
Every day, our little students find their schoolmates in the truck
which will drop them off somewhere.
First we take the boat that brings us here.
The truck that brings us to school.
Do you like the truck?
Yes, because without it we could not go to school.
Yes, we walk on foot.
Maupiti has two schools.
These students will go to elementary school
before having to go to another island
to continue their education.
This new generation is hopeful
because the population of the island is aging.
Indeed, today, young people tend to go to Taiti
to discover another life.
There are at least 68 students
who have to get on this truck.
Elementary school plus primary school.
Here we are in the primary school courtyard of Maupiti.
Firmin is a bit of a man to do everything here.
This morning, truck driver,
he will change trucks in a few hours
to feed the Renault population.
But he is also a guardian of the knowledge of the legends of the island.
A passionate man
who does not miss an opportunity to tell his story.
First, this is the coconut.
Dry coconut.
I will cut it
and then I will break it with the blade.
In the story of the coconut,
there is a woman and her dog.
They are guardians of the island.
The woman's name is Hapore
and the dog's name is Mataura.
The day is the woman who guards the island,
the island of Maupiti.
And when the night comes,
it is the dog who has to pick it up.
So first you have to feed the dog
and that's his food.
She breaks the coconut,
she grabs it
and she gives it to the dog
so that the dog gets in shape
for the surveillance of the island.
You have to count.
One, two, three.
It's to see well.
Go ahead.
One, two, three.
And there you see.
It's very, very beautiful.
Maupiti is a land of legends,
a land of history
that we pass from generation to generation.
All the islands, each one has its own history.
Why do we say Maupiti?
There is a mother here.
It's the mother.
It's right at the top of Maupiti.
It's the mother.
She has two children.
Two twins.
The boy's name is Potuparao
and the girl's name is Potua.
We say one twin,
two twins,
for two twins.
That's why we say Maupiti.
We talk about two twins.
If each island has its own history,
each island also has its emblem.
And Maupiti does not disturb the rule.
But be careful.
For Tihati, there are the fake and the real Penu.
On the Penu, there are three things.
That is, the mother and the two children,
the two twins.
That's the real Penu.
There are some who do things there,
who point there.
It's done like this.
It's there.
It's the rock.
The one who made this Penu
put three spikes.
That is,
the mother
and the two twins.
But the two spikes broke.
It fell.
There is a spike left.
It's the mother.
But the Penu,
there are many things to do.
It's to crush
the onion,
the garlic,
the medicine,
the taro,
the manioc.
They used that.
Let's go.
We will continue.
Firmin starts a new day.
He will take the only road in the village
to fill the cisterns
of the island's administrators.
Firmin, what are you doing?
I'm filling the cistern
with the mouth
of the fire.
Water is precious in the islands.
Firmin is the savior
in these times of drought.
Savior?
Not really.
I don't like that word.
Help, yes.
Help people, share,
give what they want.
And above all,
protect the island.
Try to keep
the authenticity of this island
through its culture,
its customs.
It's sharing.
And in sharing,
if you need something,
there are others who will share.
Like that,
there is conviviality among the population.
Firmin is a passionate man.
He likes what he does,
but above all, he likes to tell
the legends of the island
to passers-by.
So, while waiting for the cistern
to fill, he invites us
to discover that of a strange stone.
This is a stone.
It's a conch stone.
He is the only one
who has to use this stone
to gather the population.
So it's a conch stone.
You blow into the hole there.
The sound goes.
It's the echo.
It goes into the mountain
and it's the mountain that spreads the sound
in the village.
That's what you're going to hear now.
Before,
you weren't allowed to whistle,
to shout.
You still had to have a very,
very loud voice
to call the population to gather.
In ancient times,
people used this
to gather the population.
And that's always natural.
Many Polynesian islands
in Maupiti
live mainly from fishing
and copra culture.
But one of the specificities
here is the watermelon.
Rino lives on his motorbike
with his family.
He is a farmer.
He has several plots
where he grows cucumbers
and other tomatoes.
But his main activity
remains the watermelon culture.
Every day,
it requires a special attention
like, for example,
finding solutions
to protect his fruits
from a lead sun.
What are you doing?
I'm planting to protect the watermelon.
At least there is protection
so it doesn't crack.
To know if it's better,
you hit it.
When you hear the sound,
that's when you know it's better.
Here, it's better,
but you can still leave it.
The soil of the motus
is mainly made of sand and coral.
It is therefore necessary
to provide the soil
so that the watermelon can grow
and reach a good size.
The soil comes from the island.
We dig it up
and bring it back to the motus.
We don't find the soil
on the motus.
That's what helps us
to find the soil.
Thanks to this fertile soil,
Rino manages to produce
a good number of watermelons.
And to know exactly how many,
he has a very special technique,
simple and effective.
You count the holes.
There are the woods.
1, 2, 3, 4, 5, 6, 7.
There are 8.
In the 8,
there are already 80.
When you count,
there are already 80.
When you count again,
1, 2, 3, 4, 5, 6, 7, 8,
9, 10, 11, 12, 13,
14.
There are 14.
How many are there?
When you eat,
you put everything in your mouth
to taste.
Super!
That's it.
It's good.
Life in Montpetit today
is better.
It's easier than living in Pétit.
Here,
life is still easy.
There is the fish.
You can feed yourself with what you have.
You can live on very few things.
During the whole day,
Rino goes through his fields.
Because here,
there is always something to do.
His mission of the day,
cut the coconut leaves
that prevent the sun
from reaching the young shoots.
So we could wonder
why in these cases
it would not be easier
to cut the coconut.
His answer shows
the state of mind
of the people of these islands.
The coconut,
we leave it for them to cut.
We just cut it
and then we leave it.
You have to share.
You have to know how to share
with others.
OK, let's go.
Share.
It's a word you'll hear
often in Montpetit.
Sharing is important
in Polynesian culture.
It allows to make
sometimes difficult conditions
a little softer.
Today as yesterday,
tirelessly,
little by little,
a little daily water
will make tomorrow
the inhabitants of Tahiti
will be able to enjoy
these watermelons
from so far away.
But before providing
the papayas,
the fruits of his labor
will first benefit
the communities of his island.
If there is a day
when you can meet
the inhabitants of the island,
it is the day of weighing the coconut.
Each coconut farmer
will come all day
to carry his bags
to be weighed
and then sent to Tahiti
by boat.
But today the inhabitants
are attracted by a particular
agitation at the top of the mountain.
For a few months,
this summit has become
the playground for some
best jumpers
from all over the world.
I come here
because I do a bit of kitesurfing
so the adrenaline makes me want to do it.
It's a tourist attraction.
Yes, and since it's at home,
it's not long to get up,
45 minutes.
I can do it every day.
I get up in the morning.
Yes, it's long.
It's the second time.
First, there was Rodolphe.
He jumped at least a dozen times.
He did well.
Now it's the English
who are starting to come.
We think
that
seeing the cliff
of this mountain,
it's impossible.
But they still tried to jump
and it's a great success.
For us, it's a great joy
for this island.
I also think
that my son will be reputed
to jump parachute.
But before that,
life goes on
and everyone
takes up his tasks
with the good mood
that characterizes this island.
In the village
adjacent to the impressive
cliffs of Basalt,
the quay is an essential place,
a meeting place
where generations meet
in perfect harmony.
Maupiti is an open-air museum
that lets the traveler
plunge into his mysterious past.
Story or legend,
Firmin knows his story
and does not get tired of telling it.
The petroglyphs are located
in Haranay.
It is also a sacred place.
At the level of the petroglyphs,
there is the crab and the turtle.
They are island protectors.
Because in the past,
the Maori, the Polynesians,
were all navigators
on the sea.
The crab and the turtle
communicate with each other.
The crab can go up
the pirogue
to see what is there.
Are there thieves
who have stolen things from this island?
It is transmitted
to the turtle.
The turtle comes back here
to announce to the sage
that there were thieves
who stole the wealth
of this island.
And the one who stole
will die.
The island is full of
small family marae.
But here we are on the
only community marae.
It is said that nine kings
from all over the Pacific
were enthroned
on this sacred site.
This is our right foot.
And just in front of us,
in this direction,
is our left foot.
The distance between these feet
is about five meters.
We multiplied by two
to try to find the size
of this tree.
About nine or ten meters
high.
And it is the great warrior
who watches this sacred place.
His name is
Tetowanui Fateretereti
Oumaroua.
He also left
his footprints on his toes.
Just the thumb
is my foot.
And at the level of the marae
here in Maupiti,
there are at least 122 marae.
So on the island,
in the lagoon,
and on the mountains.
There is also a large marae
in the middle of La Paz.
Before, to access,
to come inside,
you have to have respect
before entering.
So you have to ask
for permission to enter.
But otherwise,
the waves will wave
as if the entrance door
of this island was closing.
Maupiti surely owes
its tranquility to this
only pass known to be dangerous.
Violent sea currents
allow access only at certain
hours of the day,
and many navigators
have ended up stumbling on the reef
to have wanted to challenge it.
You have to ask
for permission
at the pass called Onuia.
There is a woman
who also watches this pass
with her dog.
This is what the legend
tells us.
On the Motu Pae O,
far from the tumult of La Paz,
Tiyati quietly continues
his daily work.
Love too.
If there is love,
we are happy.
If there is no love,
we are not happy.
Tiyati, the old man
with the rudeness of expression,
with the poetry of words.
When there are girls behind,
I pass in front.
We see the landscape,
the people
who come by boat,
and the people
who go to La Paz
outside the reef.
I see the sunset,
I see the whale
that roars.
That's my cinema.
My cinema.
At night,
the stars,
the moon,
the clouds,
the murmurs of the waves.
That's it.
Maupiti is one of those islands
that will never leave you.
These magical encounters
of men and women
living simply
and having as a unique treasure
an unconditional attachment
to a land,
to a culture.
Tonight again,
the old man will take his ukulele
and simply
declare his love
to this land he saw being born.
