3 Cone 6 kiln unloading with more glaze tests.

[laughter] Okay, this is a cone 4 clear glaze firing using BMX 5 clay um with a bunch of my black and white car pieces and also some what I call Nova Scotia mist and some stencil pieces using light blue slip, dark blue slip and white clay. So um so we'll just show you a few of these because Um, there'll be a lot of repet repetition. This is what I call Nova Scotia mist clay and glaze. Um, so it's like showing the the schooners in the fog. When I moved here, I thought of this straight away cuz it's like so foggy on days like today. So, these are basically done with paper stencils and then a glaze that has root tile in it. It's a clear glaze basically with a bit of cobalt and about 7% of routile which gives it that mistiness. And then I'll show you all these because they're all different. Um these are scito carb mugs. They're smaller than I usually do cuz it's Christmas. I figured these would be, you know, quick selling pieces. And I ran out of time when I was doing them. So I quickly carved a few stripe mugs. they dry out and I make a bunch of this, you know, at the same time. And so, um, I have to carve them while they're in the right condition. And I was running out of time. So, I have two of those. I don't do these very often, but um, but just, you know, scito and another lobster boat. It was dumping day yesterday. That's what this one represents because everybody races out to the the [snorts] Outer Banks and um to put their traps in. Um and uh I think there's like 800 boats go out. This one is the first time I've done anything like this. It was the three churches in Mahome Bay. So only a local person would be interested in this. And boy, I regret starting this one cuz it took forever to carve. But it looks great. Another schoona. Spooners at sunset. And a mixture of schooners and lobster boats. And this one's stormy stormy night. He's racing to get back to shore. And there should be another one chasing after him. I like doing the stormy ones. Go. I think I have a few whales in there. Here's another stormy race. So, all these will be put on the shelves tomorrow um for we we're closed on Wednesdays and Thursdays at the moment and I'll put these out tomorrow or Friday morning. This will be a big weekend. It's the Thanksgiving week. I've been doing a lot of filming of some new pieces and new new videos in the last several days cuz Christmas is coming. I want to post a whole bunch so that I don't have to think about it over the holidays. a little way over time. This is one I have never tried before. It's the whales in reverse, which I think it looks pretty good. So, I'll be doing more of these. The last one of these is just schooners. So on these next two levels, there will be more of these Nova Scotia Mist. These are large mugs. The rest is even taller. So there's a whole bunch of these in here. And then I have the dark blue version which is I have four of these I think on order at the moment. >> [music] >> Happy birthday. [music] >> [music] [music] [music] >> This video is going to be about a kiln unloading with all sorts of little ex kind of, you know, the result of a whole bunch of experiments I've done this year with glaze tests and decorating and stuff like that. So these ones are all tenu [music] gold with variegated blue and oatmeal. um slip trail over, [music] you know. So, basically that should run a lot. Over here, I've got an assault pieces that [music] I basically been doing to actually uh try out the strontium crystal magic on mugs because there's a much bigger area to run on those [music] pieces. Uh I've got some more over here. Um and there's an assortment of glazes there. And I tried my new blue and my speckled blue which always crumbled [music] and mixed it together with my dark blue. So we have a nice test for a new blue in this kiln. Um it says speckled blue new in the picture there. Um and it's basically speckled blue which crumbles a lot when you glaze with it. So it's not very useful for a glaze. And then my new my bright sorry my dark blue which actually is a great glaze. Um it stays on the surface really well. mix the two together. And as you can see, it hasn't crumbled. So, that's going to be very useful if it works. Um, and I've got some experiments here, which I'll describe in a video soon, but I've got a couple of them there. Well, here goes. I have some tests in here. I showed you them before the firing. First impression. Looks like we got some good results. Let's put some lights on. Okay, [snorts] so the ones that I was doing, the dots seem like they didn't run. They just spread out a little bit. I was hoping they would run down. And that's because with this firing, I didn't do a soak. Uh, I usually only do a short soak, 11 minutes, but then I do a longer one at 1750 for 30 minutes. [snorts] Um, in actual fact, um, there's some strontium crystal magic pieces in this firing. So, um, there's going to be a fine balance here between making runs and making too much running. So, but anyway, this is definitely okay. I just hoped it was be running down a little bit. So, that means the rest of them will be like that, too. So, here was another one. But I'm quite happy with them. They're on speckled clay, so it doesn't show up the tender gold as much. [snorts] And we have some speckles, but not a huge amount. But as you can see, the gold does have some speckles in it. That one ran a little because I did stripes. Cheated. I have to remember that if I want in this type of firing, but I I'm kind of liking the flowing, but there's a lot more technical gold speckles in this. So, even with no soak, I got some speckles. But I had a slow pool in it. Same again here. Good speckles. In fact, it's a kind of nice balance. Any more of those? Yes. These have been selling very well for me, too. I had $2 extra on the price of the mug for doing all the little dots. It's hard to price your labor. My cat mugs that I do, I have done for what, 40 odd years now. [snorts] Um, I can make 12 of these in the time it takes to make one cat mug. Now, here we have a saunting crystal magic wand. And it didn't do too much running, but just enough. So, that actually worked pretty good cuz I just had it in the upper bit. I didn't do too much of it. But you can see the way it ran down around here, which was that's a lot of running 2 in from just a little bit of strong crystal magic. But maybe that's a good omen for the rest. [snorts] Wow, that's a really nice run, too. You can tell cuz you could It takes off all the glaze from the rim area a little bit. And this one had some variegated blue and oatmeal on top of it as well. [snorts] But that's really pretty. My greens are doing really nice at the moment. And then I have a whole bunch of uh Oh, that's interesting. Something must have been in the glaze. But it's not sharp at all. But there's a little mark on there. >> This piece I thought when I opened it was uh going to be my new blue, but it's actually licorice with oatmeal over the top. Um and it has a little bit of a blue hint. Then I have a whole bunch of Let's do this one first, then we'll go to the whole bunch. I'm too eager to get to them. >> This is actually my new blue with strontium crystal magic. Now, a whole bunch of these where I'm doing the nighttime Icelandic. I I've started dabbing a bit of variegated blue and oatmeal on the rim as well as just having the black go to the rim. So, I like this better. And then variegated blue on the bottom there. And there's a different variation of that. Uh I don't think I have it in here. It must have on a lower level. Well, I got another small kil pack as well. So, there's a lot of these. So, I won't show you any more of these cuz they're all the same as this. But these turned out really nice. Yeah, I just tried that and people loved it straight away. [snorts] This time of the year, I sell mugs almost straight away when I put them out on the shelves cuz it's Christmas. Okay, the next layer down. I've got three large pieces here coming out. [snorts] One of these I don't usually fire these as much in the electric kils because I have to lower the the rate of the fire and slow it down. [snorts] um same temperature but basically I fire it very slowly which uses more energy up but anything flat mural wise large needs to be fired slowly so I just slowly go up and slowly tech I'm adding about 5 6 hours to the length of the firing when I do these oh good crack that's the first thing [snorts] this is using that slot clay that I'm actually trying to figure out how to use slot clay up without having to pug it. Um, but of course it's like trying to eat your way out of a notweed problem. You're just not going to be able to do it. You have to hire a herd of 10 20 goats to eat all the notweed cuz you can't eat enough. It's supposed to notweed is Japanese notweed is supposed to be really nice. If you if you pick it when it's less than 10 in high, it tastes like asparagus apparently. But anyway, um this is all from slop, you know, clay slops like I was doing in the tea ball video. And I'll do a video on this as well coming up. But I just wanted to test it first. [snorts] And if you can see, it's huge amount of texture. I'll give you some close-ups here. All textured slip slops applied with pallet knives to create the hillside landscape effect just like I do my cove plates and then sponge stamped with all my different glazes. I think that worked out pretty good especially cuz I have another one to match up to this one. And there's the other one. This has got my new yellow in which is so much nicer than that bright yellow that I had which would just bounce too much in these. But that's the other hillside. So this is a mural. Two of them together. Now can anybody see my inspiration here? Who I what I was using to inspire me? I mean, there's a lot of things that could inspire me here, but I had one artist in general that I was looking at some work to try and inspire the textures and all that. Keep guessing. There's a whole bunch more big tankers coming out here. Some of which are ordered. >> [snorts] >> So, I have a large tankered tent gold and variegated blue speckles on there. Here's one where I did the cheat and did some stripes instead of dots [snorts] so we could make things run. Just isn't running as much because there's no soak on this. firing and another tanker here as well. That one's very nice. I think they turned out pretty good. This is a nice subtle. If I don't overpower with the oatmeal, I think they're better. So, smaller dots with the oatmeal, baby. Now, do I have one of those dark blue ones? I'm looking to see how my dark blue test was, but I don't see one. What's this? Well, once again, I thought this piece was actually my new blue u because it does have a little bit of a blue hint, but in actual fact, it's the licorice with strontium crystal magic and oatmeal over the top. Um I'm still looking for the bright blue. Um the new blue, but I think I it's actually going to end up looking almost the same as my bright blue. You see, stunting crystal magic runs so much that you've got to be really careful with it. [snorts] But if you can get that firing schedule just right, you won't lose any pieces from the runs. I just posted a lot of pictures on Facebook of the tea balls that are going to be in the video coming up. And here we go. Here is another Get you a bit closer. Another one of the black nighttime ones over the speckled clay. Same on the rim. I love the rim better now. The smoother, glossier surface is always nicer to drink out of rather than this. This matte black is sort of silky, but it's still [snorts] not totally shiny. And I think people prefer to have that edge to drink out of. Here's another strontium crystal magic with [snorts] the runs. And that's what causes the runs. It's over the uh number 16, I think this is. Yeah, it looks like it's my number 16 glaze or it could be variegated blue because they're very similar. They're both a sort of gray glaze, but that looks really pretty. So, Stront Crystal Magic, I can really make a a good use for it this year cuz it's a glaze I've kind of stayed away from a little bit. Here's another one of those new dark blues. Wow. I'm hoping I've got that right. But this is really good with the runs coming down. I should have written on there, but there's no nothing that looks. I mix my dark blue with my sort of pastel speckle blue. So, I was expecting a darker blue. Um, and it it could even be this one. I'm going to have to test another test because um I also have licorice which that could be licorice cuz there's a bit of cobalt in the licorice too. But um but these are really pretty tankers. [snorts] That one didn't want to come up. Give you a nice look at that one. Lots of runs. And there's a sort of speckled blue in there, but it's not dark. So, I think that [snorts] is probably variegated blue. Another one there. Look at the length of the run down in underneath the handle there. Shows you how far that's crystal magic up there. Only dipped to the the double [snorts] neck uh double rib area there. And then it ran down 2 in more. Here's another one of the greens. Really pretty. And this is the blue green copa red. And then I have three more of the black ones. So I want to show you all these cuz we're really not trying to take up too much of your time here. Just giving you glaze with cuz my I've been posting the recipes in all the videos. Help people out for next year. Get some new glaze combos going. All right, that's that kilm. We'll do the next little kiln. There's a [snorts] shocker. the chrome tin pink. Isn't that weird? This is my oatmeal, which has tin in it. Um, and somewhere in this kil we had uh, well, we just took them out. The, um, chrome was in some of the glazes and, uh, it really affected the oatmeal big time there. And I have people who order this and say they want to make sure this is white, not pink. So, that's an issue. But certainly doesn't look like the snow anymore, does it? The outside looks great. Well, some people like that pink and they ask me if I can get it deliberately. [snorts] I just say if I'm lucky or unlucky, I guess. This is the licorice again. I think it's confusing me because where it hits the matte turquoise, there's a little hint of blue down there, but I'm pretty sure that is the licorice and that's over the red clay cuz that's why it looks so dark. And the yellow over the top of the turquoise, the the um blue, green, copper, red looks really nice there. And it's actually got strontium crystal magic on the top if you can just see there. Okay, now I'm going to unload all these boxes from this kil. And I did take one out. Uh I put it at the end of the last video because uh I just wanted to it with this with all the other stuff. [snorts] Um and I noticed that they're really dusty because of the aluminum hydrate and I'm a bit worried about breathing that in. So I'm just going to loosen the lids, but I'm not going to take them off cuz that's when the little cloud of dust came off. And it's like silica. Uh it's it it's something that you probably should not brea be breathing in for your lung health. So um so I'm going to show you them, but I'm just going to release them a touch to show that it worked. Um but um we won't actually take the lid off completely cuz otherwise that dust comes up. So let's see if we can see what we got in here. Okay, this was the one yesterday. So I didn't even have to knock it. It came loose on its own. What about this one? Yep, it's very loose in its own as well. Let's show you the actual tops here. So, there you go. That's the top of that one. Here's that blue one again. I can see little white powdery dust falling off them as I actually lift and put them down. So, it's something that I think you can do safely. This one. Look at that. Instantly just moves. Perfect. Last time when I did these, I broke two of them. Just tapping the lids trying to get them off. The texture did not show through much on that one at all. So, um, the glaze is probably a bit too thin. But once again, you don't have to do anything. It just loosens up straight away. Wiggle the shelf when you unpack a kil. Make sure the stilt doesn't fall on your piece. stilts on the bottom so they didn't warp. Ah, this one's now. Oh, yeah, it did came off. I was going to say I had to tap them last time and it really was hard to get some of them off, but look at the nice texture of the chattering tool that Bill sent me. There's another one. Yeah. Well, just instant. I'm going to do it slowly. You see all that powder? So, we definitely have to remove that. I'm going to take them outside to do that. I'll use a brush outside and wear a mask. Look, I was just holding that one above that one. The powder just fell down over it. So, that's the secret. I wax resisted them and [snorts] then I used the aluminina hydrate just to actually make sure they don't stick to each other. Um, and aluminum is in clay. It's in everything. So, um, you know that we actually it's the most common mineral on the planet. Look at the chattering again. Really pretty chattering. This one always shows up. Well, ah, that was from the tongs when I dipped it. Must have been a bit of iron on the tong. But, um, there you go. That's how I f these are the stilts I made in the video recently. They're working terrific. Absolutely perfect as far. Oh, chattering. really nice. So the bottoms I just have to use emery paper. Just rub it over lightly and it will remove the actual Look at that. Beautiful. Bet somebody come in upstairs. That's the 10m gold. Don't even have to guess. It's just going to be loose every time. That one less visible in the chattering, but you can still see it. Little greeny texture and pattern marks. That one, the texture is there, but it doesn't it's a texture. There's not a pattern involved there at all. Loose instantly. Got some nice ones in here. I can see the dust falling back into the kil. How about that for a pattern? Really pretty. There's another one. Beautiful pattern. Transparent glazes show much more than opaque glazes is that anything that has tin won't show the pattern as much, [snorts] but this has a little bit of tin in this one in the glaze. And it rotates instantly. Blue, green, copper, red there. Look at that pattern. Building up some high points here. No earthquakes hopefully in the next few minutes. And there is the blue, green, copper, red with another beautiful pattern texturing which is chattering. And then the last little a few four more to go. There's the yellow. This is my new yellow. Much much softer, less sharp. Now, there's a lot of work in these. That one less successful as a texture, but the purple is a bit opaque. And that's the mouse gray. And this one is apple green. Beautiful texture that showed the pattern through quite well. Really nice. Okay, that's it for that kill. So, the boxes are all successful. Okay, the aluminum hydrate worked great cuz they all come off really easily. Let's tilt it down a bit. So, they really did not stick. I didn't have to tap any of them to get them out. I could just do that. But I noticed the dust was falling a little bit um uh when I was taking off. So, I took them outside, brushed them all down, and then I noticed that inside a little bit of the aluminum hydrate dropped into the inside of the piece. Now, I can sand that if I wanted to, but [snorts] it's just as easy just to put some extra oatmeal glaze over that area and actually refire these. Um, there's only about four of them that did this. [snorts] But I did the aluminum hydrate on the lid and put because I thought that was the place where it would be least uh were easy to do. Um, and I think just a touch of it because it was full after it was peak temperature [snorts] and it was cooling down. I think some of it as dust was falling down into the actual jar itself. And that's why we have a dry spot [snorts] in an area just inside the jar. And and like I said, I'm going to get some oatmeal glaze and just put a whole pile of that down inside the ones that did this. Uh and they'll be fine. Um but um and then I'm going to put aluminum hydrate again on this area where it can't fall on the inside of the piece. And I'm assuming that, you know, it's not going to fall off because there's a sharp corner there. It won't fall down and then get a dry spot just in there. But [snorts] now I have an even another step I have to do. So I'm glad I found this cuz [snorts] if anybody else is trying this, just remember aluminum hydrate on that part, not on the inside flange where it can fall on the inside of the piece. Okay. This is what I would term a regular firing with this new profile that I've developed for the uh Strontium Crystal Magic. So, I can use it as a regular glaze in my [snorts] regular firings without worrying about it running everywhere. So, first one I'm going to take out is just a commission. Somebody wanted a absolute matte black vase. It's a Christmas present for somebody. I just put my oatmeal glaze on the inside. But that glaze is so predictable. doesn't run at all and it's just a a satin. It's not totally matte. It's a satin. Okay. Now, I made some large chip and dip platters and I used strunting crystal magic in these. Um, and you can see it just on its own there with nothing else on it at all. Um, and then I dipped my bright blue across the ends and I put variegated blue in the center. Um, so so it's working. No glaze drips, not even off the areas up here. Oh, actually I didn't put it over there because I was worried about I might get glaze drips coming off the handles. So I'm I'm playing with it with caution. Um, but that's a nice chip and dip. And these are for next year. So I I decided I put five on this. So I thought, no, I'm going to put a six on this. This is 2026. So this piece doesn't exist yet. And then these are the boxes that I refired. So let's see. Oh, yeah. Good. We got rid of the roughness on the inside by putting that oatmeal down there. And um so I'll still need to brush off that. Um but you you've got to be wary. That's why I showed you in the in the firing that if [snorts] you're going to put this um aluminum hydrate on, don't put it so it can fall on the inside. Put it on the bit and it didn't fall down the edges and make it rough on the outside. So, that was good. It's possible I had it on too thick, too, but um cuz I don't usually use aluminum hydrate like that. Another one. Yep. Gone glossy on the inside. So, we got a nice glossy inside to the piece. So, these were saved. Look at the beautiful chattering. Now these are similarly strontium crystal magic dipped [snorts] about halfway down and then the yellow dipped all the way down to there with the oatmeal just dipped a touch on the rim but just barely a rim touch. Um and I left the clay natural on the underside because you can really see the chattering. So, I think that's a nice finish to the bottom of the piece, even though it's not glazed. Matte turquoise. Same as the last piece, but with matte turquoise. So, these pieces I'm now bit more confident about strontium crystal magic. So, I'm dipping it about halfway down. [snorts] And um on some of the pieces in the mugs, let's hope for the best. I glazed all the way to the bottom over the top of the strontium which was glazed halfway down. But you still get the runs, but they're just not running far enough down because I'm not not including that soak. It's a slow pool without a soap. Here is another chip and dip. [snorts] Matte turquoise crystal magic across the center. So I was pouring it like this across here and then across this side and then doing the matte turquoise that way and this way. And [snorts] then I did variegated blue in the center and on the outside of the bowl. Looks good. [snorts] Okay. So, here's some mugs where I glazed all the way down as I normally do. Glaze the bottom. Glaze the chun green in this case down to the bottom. Strontian crystal magic to there. And then the the ch the variegated boot and oatmeal went over the top here. And so we still get the runs, but they're not running down to the bottom. So isn't that nice? You can control the runs. I could even do a maybe a 5 minute soak and I'll get more runs, but then you going to get the danger of of them running to the bottom. But look at that one. What a nice runs. And I didn't glaze the foot, but I did glaze right the way down so you can see the chattering again. Another chun green. Same as the last one. Apple green. There's that yellow line you get with the apple green because it has root island in there and the iron is separating out a little bit to create that yellow line. Matte turquoise. We've got one big run there. And a lot of these have that nice textural feeling from the the the sort of clay slops being sort of carved and rad over the surface. So they have a natural feeling of holding a piece of rock. Here's a blue, green, copper, red. Same thing again. So, it'll be strong and crystal magic halfway variegated blue and oatmeal just on the rims. That is very pretty. It's very different to the oatmeal that I used to get a similar effect. Another blue, green, copper, red. Boy, I like these. And all of them have oatmeal on the inside. And I got 2026 on this one. This one doesn't exist either. I got so much inventory in the gallery. I'm just going to box these up. [snorts] Wouldn't it be interesting because you can actually I could perhaps draw in the clay because I've got these the slip random slip stuff but we could really just start doing abstract decoration across the piece with the slips which is pretty much what I'm doing anyway but with the elements of figuriveness so you don't want to get like fossil like qualities press shells into the clay and stuff. It'd be really interesting to do that. And this is over which clay? This is just my white stone wear. Yep, it's just the white stoneware. There's a nice chattering effect there. This is the blue, green, copper, red, turquoise, variegated blue oatmeal over the Look at that glaze surface. These are beautiful tea balls, guys. Okay, we've got another big chip and dip platter. We're about halfway down the kil now. This one turned out beautiful. What about the underside? Yeah, no running at all on this one either. That's a nice glaze. I think this is chun green with the strontium crystal magic across that way and up here. And then chun green going down this way and that way. just pouring the glaze [snorts] and and then in the center I did chun green very thick so it's gone much darker in the bowl but there's a lot of variation in that piece [snorts] and then I did some big bowls and these are in speckled clay actually I think it was the recycled clay Um, so look at the runs really controlling that strontium crystal magic and lots of beautiful chattering. That's artisan pottery tools. If you need any deductions at the end of the year, just go look at all those chattering tools. They all work. They just give different effects. And there's the inside. So, a little bit of strontium crystal magic just at the touch on the rim on this on the inside. [snorts] Ch uh blue green copper red over the whole bowl. And then I did variegated blue and oatmeal on the very rim just to get some thickness to get some runs. Here's another chun green mug. And another one the same. So I was able to glaze the whole way down. It's so predictable at this point. Here's one you haven't seen yet in this bit. This is Folk Art White with apple green over the rim with the Stronting Crystal Magic underneath. So the Folk Art White gets a lot more matte when you do that. Very subtle. And there's the slip on this one, too. Sort of a spiral created in the slip. Variegated blue and oatmeal over the top of I can't remember, but we got a lot of thickness there where the glaze is running down. I am I'm thinking this is blue green copper red. This is chun green again. And there's this the thick slip. You can see how it was applied. It looks funny when you do it in the raw clay, but look how nice it looks when you get it out of the kil with a glaze over it. much more natural effect and really nice nice chattering. Artisanpotterytools.com. Okay, this is the last level [snorts] cuz I' got tall pieces in this firing with these big bowls. So, apple green on the bottom with bright blue and the storont crystal magic underneath the bright blue on the rim with some variegated blue and oatmeal on the rim afterwards. And the center is just the bright blue storm crystal magic just on the rim maybe, you know, one or two centimeters, you know, an inch and then the variegated blue and oatmeal place over the top and then it runs like crazy all the way down. I have a bunch of the folk art white ones with the apple green on the rim. So soon crystal magic is about dipped halfway down on all of these. Folk art white and apple green over the top. So where the Folk Art white is on its own, it's shiny down the bottom there. And then as soon as you get the strontium crystal magic, you get that matte quality. And the apple green is just dipped to about there over the top. This is nice. This is my new yellow. And [snorts] look at the beautiful color texture in strontian crystal magic halfway down. You can see the line of it. It didn't run much. So you don't get lots of runs, but you get that matte quality. And then you've got the separation out of the minerals in the strontium crystal magic with the butter yellow against that. That is really nice and orange where they touch. And then the inside is apple is oat. My regular oatmeal shiny shiny liner grade glaze. I love that one. That's a summer mug. Once [snorts] again, my new yellow. What a combo. That's strontium crystal magic over the top. And there's nothing over the top of the stront of the u you just got strontium crystal magic. And my new yellow dipped all the way up on the piece and that's it. Nothing added on the top. But look at the variation. White clay again. Got a little bit of batwash on them. But there I'll have to grind that off. Just a tiny little speck of it. And look, there's the slip that was added on to give it texture. >> [snorts] >> So full car white fronting crystal measure first then foc on the rims are coming off easy. [snorts] Same again. Same again. Got some nice runs with it though. Oh, the first one that ran a lot and I would have expected this. This is variegated blue, which is noted for running. But look, it did it all the way around. And the only place is under the handle where we're getting a little bit I'll have to grind off. That'll be easy. But that's what I expect with variegated [snorts] blue. It runs on its own at the best of times. But always with strontium crystal magic, we got a much bigger run, but only a little bit to dr to grind. That's the last. Oh no, one more mug. Let's see whether that one ran down too. Identical. How predictable is that? Right where the handle cuz the glaze on the handle's flowing down too. So we're joining with the base. It gives you that extra run at the bottom. So I got two to But you know, look at all the colors. But that's quick grinding on that one. Then I have a bunch of bottles that are just regular glaze. There's no strontium crystal magic put on these. There's just a bunch of bottles for my apple uh for my chicken roasters. I had lots of requests after I posted [snorts] the video on making these. Um, but to go to the States, it was adding a lot with the tariff that goes on. Um, [snorts] cuz they're 79 and then the tariff was coming back sometimes and adding another 20 odd. Um, and then the shipping just made them too expensive. So I think the tariff came back at like uh 2650 on top of that. What it means is you just miss the dollar exchange rate which is always an advantage for Americans coming to Canada because you [snorts] get a $140 for every American dollar but that's wiped out pretty much by the tariff. So you can still get them just assume everything's in US dollars and um and that wipes out the tariff. These each have a baking dish obviously to go with them. Last two, two ones. That's actually both bright blue there.