Cone 6 kiln unloading 12:22:25

[laughter] Good morning and happy new year. Happy new year and um happy potting for another 12 months. Let's hope. So um so I've got a little kiln to unload here and I'm not sure what else will go in this video since I'm only just starting it. Uh [snorts] sometimes I do kilma loadings with other things, but um but I have um a bunch of leftover pieces um from my tests that I've been doing recently, including some chicken roast pans, which you saw in my last uh actually, was that the last video? No, last but one video. I did one just around uh just before Christmas, and it had the bottles that go with these. So, these have that bird bottle sort of um source bottle basically. And I made these with a new clay from pottery supply house. Um I used to use Laguna number 80 to do these and now I'm using a red stone wear from Pottery Supply House and it works great. Really nice tanmaku gold there with variegated moon blue and oatmeal. Um and there's the bright blue viegated blue and oatmeal again. Yeah, the clay looks almost identical to the number 80 from Laguna. It throws really well. [snorts] I'll have to give you the number. I think it's 500. And there's also 505. There's two red stone wares that pottery supply house makes. There we go. And that uh that one is Oh, let me just show you these. This is the new the bright blue that from Mastering Conc Glazes. And this is that new bright blue that I just mixed up. They're very similar and all that. I think I still prefer this one, but this one is very usable. And this was using an old glaze that uh used to crack off the pieces when it was drying. So, I've been mixing it 50/50 with another glaze. And it's working good. My goal this year is to use up all of that glaze, all of my slop green glaze, and all of my uh fake ash glaze, which works okay, but it's never been really great. [snorts] Um, these are two balls just Oh, that's still stuck on there. There's one that I fired without a stilt. That's interesting. But, um, and this one with a stilt. both with bright blue, variegated blue and oatmeal. Maybe it was a bit wasn't a bit tall. Okay, mouse gray strontium crystal magic dipped halfway down then mouse gray to the level you can see um with a little bit of oatmeal and uh don't think there's any variegated blue on that one. [snorts] Um over the speckled clay 455 from pottery supply house with some really nice chattering. >> [snorts] >> There was a still a prop still on the bottom of that kil shelf. I always wiggle my shells, but I didn't do it that time. And that just shows you what can happen. But it didn't fall on anything, so I was lucky. In the past, I've had major pieces get broken by a film prop. [snorts] Okay, here's one we didn't see in those last batch of firing. So, I put a purple with strontium crystal magic and variegated blue and oatmeal over the top. Uh, and it doesn't make the purple run a lot. So, that's really nice. But it really does some nice stuff with the upper half there with the strontium crystal magic. Yeah, it didn't since it didn't run as much. I wonder if I could do this all the way down. That would be very interesting. I've got to make notes. My videos become my notes. And here's another one. And another one. I usually do four. When I'm doing tests, I like to do Oh, a little bit of crawling happened there. I'll have to dab some glaze on that and refire it. Let's put this one on this side. Here's another one of those experiments with the slop slip. Oh, that's nice. Yeah, I left it smooth and then put little bands down and scraped it. I'm really trying to create, as I said in the other videos before Christmas, some pieces that kind of a much more natural rock like. And the chattering, of course, is really nice on that one, too. We live on the ocean and we've got rocks everywhere. [snorts] They're just uh from the glacial period when they pulled them all down and piled them up. Anytime you dig here, you hit big boulders. That's very pretty, too. Bright blue, variegated blue, and oatmeal overtoning crystal magic. Same again. God, look at the thickness of the glaze. It's a great contrast with that and in that I am so overloaded with tea balls cuz I've enjoyed playing with them and I love making them. I [snorts] have to quit now. It's a shame, but they sell much slower than mugs, but I've never had them this nice, so maybe that will be a difference. Here's another one with the piled up slip. It's not rough to handle. I mean, oh, phone's ringing. Okay, I'm back. I had to Somebody needed to know where to get some elements for a kiln, and I sent them to Pottery Supply House cuz Pottery Supply House will make any set of elements you want as long as you have the model and serial number of your kil. Bright blue. That one doesn't have any strong crystal magic. This is the usual oatmeal and variegated blue on it. Variegated blue. So, but it ran. Yes, it did. Yeah, variegated blue. E, I just have three of these to grind now cuz I have another one. Probably going to be four cuz I did batches of four. But it's got strontium crystal magic on it which makes it run even more. And it ran all the way except for anywhere but just there by the handle where it gathers even more. Another bright blue. You've seen millions of these over the years. It's consistent. It's my bestselling mug. And another large platter. It's bright blue dipped poured that way and poured this way with strontton crystal magic applied first poured across there and up across the other side. Very blue in minute. I think I had two of these. I had one in earlier on. But the front and crystal magic is kind of nice. It's totally matte with a touch of a sheen. So not totally matte, you know, partially matte. It's a pretty glaze. Soft warm color. Okay, two more layers to go. This one is mouse gray poured that way and this way. First it was applied with strontian crystal magic this way and this way and then where they overlap you get the other colors and then variegated blue in the middle. [snorts] So that's a nice piece too. I had a video showing how I made these handles, too, if anybody's interested. It's on I think it was doing chipper dips, matte turquoise, stunting crystal magic first, matte turquoise, then variegated blue oatmeal. So, we get lots of runs, but it's interesting. It doesn't like to run over the matte turquoise. So, it's a nice safe way of doing it. The purple and this matte turquoise work really good. And you got the matte quality of these, which is very nice to touch. Wow. It'll be interesting to see whether people respond to these next year when I put them out. I'm going to do special displays of all these pieces and colors [snorts] uh in the gallery. I'm going to empty the downstairs and put everything upstairs from last from last year. So that the new year coming, we'll have all the new pieces downstairs. Yellow with crystal magic. Really pretty. This is that really nice combination. There's a yellow tea bowl. This new yellow and white is much more warm. I'll keep both. But um but this one is definitely different. Lots of the slip applied there. It's kind of nice cuz you grip it on the points [snorts] of higher texture. So, it's nice to be able to hold. Right. Uh, is this my new blue? I think this got a bit bright blue on your blue. They're so similar. Oh, runs variegated blue again. But only one of [snorts] any significance. I bet I could even break that off. But I'm going to grind it so I don't snap the foot. It's like you can hold it by the run. Isn't that funny the way it did that? But [snorts] I'm going to have to be very careful grinding that so I don't break the foot. Otherwise, it'll be mine. But yeah, variegated blue is the one glaze we have to be careful of. This one is variegated blue, too. And we got lucky cuz it didn't run. But it would tell me if to do this again, instead of strontium crystal magic to the halfway point, I'll just do it to a third when I'm doing the variegated blue ones. And then maybe we won't get quite as bad a run to the Especially this one didn't do the handle. That's nice. Got lucky. Okay, another. This one is variegated blue um within crystal magic here and here. And then variegated blue there and there. And the [snorts] bowl is also variegated blue. So, did it run off the handles? Nope, it didn't. Cuz I sponged the bottom of these. So, that that's why you see a bit of a texture on the bottom. So, it didn't build up thick enough. But nice piece. This has a very rocklike feel, doesn't it? Colors of rock. Another [snorts] one of the yellow ones. [clears throat] Blue, green, copper, red. All have string strontium crystal magic and variegated blue and oatmeal dipped on the top. Another one. Blue, green, copper, red. Let's go through these quick. And that's a nice one. Bright blue. A chun green. That one definitely looks good with this combination of glazes. Apple green. Got a real mixture in this which has that yellow line again. Very strong. That's the iron in the rootile doing that. Same again. Oo, we got a little run to off the apple green. Can be quite runny, too. But I'll just take a minute to glaze to grind that one down. Apple green again. Apple green again. How many more runs do we have? Just a tiny bit there. It's all where the handle is. Just get yourself a little bench grinder when you grind your pots and wear a mask. That turquoise. And that's the last one in the kiln. This is my little kiln. I was finishing off firing a bunch of pieces. Um, so I have some more of the In fact, I have the rest of these little jars. If I can get the stems off there. You do not even have to twist them. They just come off instantly. So, if you want to release your lids really easily, aluminum hydrate is the way to do it. Just don't put too much on and then you have to take it outside and brush it so you don't breathe that dust in. But they the lids sink down. They're a little tighter with that powder when you put them on, but in the firing they seem to sink down and they just pop right off. Uh these are this is an order. Somebody wanted a little set of dishes for like sushi. So I made a bunch of tiny little trays that they can pick from. Just doing multiple glazing [snorts] pack sort of checkering kind of look. And there's a little one of my new soft yellows. I am so much happier with this yellow. Just instantly comes off. And the inside, because it's a tin based glaze, my liner glaze has a little pinkish blush, which is quite nice with that yellow. There's another one. Wow, I'm so happy that I do this aluminum hydrate thing. And nothing fell on the inside because I placed it on the outer edge of that join. So remember that. It'll save you having to refire everything, which is what I did here. Oh, look. The tin gave it a sort of a dusty pink color in there. Tin's expensive, but it's the best opacifier out there. So, another dusty pink one. The chattering is really gorgeous on all of these. This one spec, this is bright blue, which shows the chattering up fairly well. Wow. Boy, that's nice. Folk Art White also shows up the chattering super well. So, if you need any end of year tax deductions, this is the guy to get these tools from. It's artisanpotterytools.com. That's a really tight lid. Temple gold is the glaze that Wow, look at the outside though. That's really pretty. And then the chattering as well. Wow. That's that floating I do with that potato peeler tool. And then another matte turquoise [laughter] instant. Another one of the tenu gold with that really nice effect on the outside. So I'm quite thin. I guess that's what's doing that. [laughter] I don't have to tap them with a hammer or they just pop right off. This is Ry's red glaze which I glazed really thickly. It's got a reddish glow, but it's not really deep red. I used to have a special firing profile for that, but it got kind of expensive to do, and they don't sell very well. The Ry's red is not a high selling color, but you get a little hints of red everywhere in the regular firing program that I'm doing here. Oh, those are pretty. more of the little blue dishes. She's going to be happy with these. I did a commission and I do twice what they need whenever I do a commission. So, I always know I'm going to get one of them hopefully successful. Um, so there's four of each of these plates. I think there's two of them in the other kiln I'm unloading later in this video probably. But this was very pretty. Another one of the bigger ones here. Says bright blue, variegated blue, and oatmeal. And then these ones, I was just doing random dips at the edges to kind of get like little checkerboard effect. Oh, the red did do really well in this one. So, it always looks nice on the inside of things, too. Got some back wash to grind off a little bit. That's why it was stuck, I guess, a little bit as well. But, um, but that turned out really nice and red. And then two more of the little dishes. Oh, I forgot to leave a little square in the center. I think that sets it up when you have the Too bad. I do have to do a bit of a soak when I'm doing Ry's red. a slow cool and a soak to give you this nice deep sort of red color. Sort of iron red. Really nice red though. Too bad it doesn't sell better. I've really loved that ever since I discovered the glaze. I found it. There's several recipes for it on the internet. And this is nice too. Last long. It's a folk art white one with a little green on the rim. I like the way that line comes across there. I double dipped. Oh, actually I poured it from both sides. [snorts] So that's why you got a little overlapping there, which is kind of nice. All right, that's that kil. Okay, this is uh I think will be the last kil in this little video. Um chicken roasters. You saw the bottles earlier in the video. This is using that new uh clay from pottery supply house >> [snorts] >> uh 560 I think it is. It's a brown red stone wear. It made the tenuku gold go a little golder I guess but um but that's expected cuz it's a dark clay body. [snorts] And uh another one in the blue and that that clay body seems to be doing really nice. So, and then another one. So, I have a bunch of these if anybody's interested because of that. I showed you how to make them though, so maybe you can just make your own. [snorts] And here are the last two of those dishes that lady wanted. This will be nice. This this will be a nice little sushi set that uh she can pick the whichever size she would like. And there's two sizes. A little surprising, but uh should expect this. [snorts] Um this is my new yellow. Um not the bright yellow. So I poured strontium crystal magic this way and then held it the other way and poured it that way. [snorts] And then I poured yellow that way and poured yellow this way. Um, and where they overlap. Um, I don't know if I had any oatmeal in this, but I'm getting chrome tin pink from a piece in here that obviously has chrome in it. Uh, in this piece. Um, and I think there's oatmeal. I Oh, what's right? I remember when I was holding it down this, I took a yoga cotton full and I simply splashed holding it really to splashed up oatmeal and so it ran back down. So that's why we've got that in those two locations. Uh but it's interesting because where the oatmeal is on its own, there's no chrome tin pink. Where it's overlapping the yellow and the crystal magic here, you get some chrome tin pink. That is surprising. See, it's all chemistry. And then this is apple green just sponged over the edges of the piece here. But um but it looks really pretty. That's a summer platter, isn't it? Wow. You can see that full of strawberries. [snorts] Hey, so these are just regular mugs. So I should just pick up There's the one with the chrome in it. So that mug affected that platter and that was on uh a different piece. But the the vapors and the fumes in a firing just spread everywhere in the kiln. So that's what you got to remember when you buy these glazes, especially if you're buying commercial glazes, you won't know what's in them. And so you might have reactions that you don't expect in other pieces. But bright blue, variegated blue, and the is the one that is the best sell for me. So if you want pieces that should be fairly successful if you're taking them to shows, that's a great combo. bright blue, variegated blue, and oatmeal. That's in mastering cone six glazes. This is crystal magic. Uh look how much it ran down. And I managed to control it a little bit by getting the runs cuz remember it's only dipped at the top. [snorts] Uh crystal magic, but it runs all the way down. But that is very pretty. That's also a glaze in uh I think it's called mouse brown in that book. This is fronting crystal magic again. Look at the runs. Let's give you a closeup. Really interesting. And where the handle is, we almost got it down to the bottom. There was no soak on this firing. Once again, [snorts] there's another mouse gray. I love the yellow orange that you get at the bottom. That's the routtile. And this is this is my powder blue glaze. It's um speckled green. Uh not powder blue, speckle green. Uh it's sort of a I call them pastel glazes kind of thing. And it has that um I don't know whether I call it a mint t, but I would say that it definitely has a hint. But I love the way those glazes go at the top there over it. I don't use this glaze very much, but in this combination here, it's quite pretty. I wonder if that will sell. And you've got chrome tin pink on the bottom of that one, too. There you go. That's the great thing about making your own glazes is you can kind of be a detective and figure out what's going on in pieces. Same as the one with the mouse gray there. And the other three are the same as before. Okay, next layer down. And this is one I've never done before. This [snorts] is my speckle green. That sort of pastel green I just showed you. It has a very Let me see if I can get you to see it close up. The glaze has like a stipple effect, but it's really shiny. You see, it's uh it's I don't know if you can catch that in the gloss of the thing or not, but it has like a little kind of I don't know what you would call it. It just feels like it's the brushes the hard hard bristle brush has been dabbed down kind of thing. Uh but it's totally smooth and you have a stipple effect which is a nice glaze result. [snorts] Uh so what do we have? strontium crystal magic poured across that side and this side and then the speckle green or the other sides. And like I said, it's always been a pastel green, which is why I never really liked it very much, but it would go if you had a pastel palette of glazes. Um, that chrome tin pink actually is a bit pastel, too. And then my baby blue, which [snorts] is now been transferred into a sort of middle blue by playing around with it, is no longer around. my palette. It's not very pastel, but um but that's a nice piece. That's that's a surprise. I didn't realize that would do that, but yeah, that's um got a really nice effect. I don't know what you would call it, but ones in the next level down just a variety of strontium. Oh, we got a run just I just got to grind that little bit off. I ground all the other ones off and it was fine. But that's an interesting effect of the running there. Anything else that's got any interest that's different from others? What's this T? Oh, there's the pastel blue. Sorry, pastel green. Speckle green, I call it. I don't know how to make this glaze again either. It's just there cuz it's a it's a it was two glazes. I think I mixed a chun green and a another green together that had some tin in it and that's what I ended up with. It's variegated blue and oatmeal over the top. And look at the chattering. Yep, that's the same. That's a little different. [snorts] [sighs] There you go. Tonight I'm going shopping for orange juice just to make sure hopefully I don't catch this cold that Jackie has. But that that r that running on that one is like perfect. Even didn't go over the handle there. So, um this profile for strontium crystal magic is just doing great. Just regular. No string strontium crystal magic on that one. Regular again. Just bright blue variegated blue and oatmeal. And this one has strontium crystal magic. And this is that mixture of new blues I was mixing up with my licorice black. I don't know why I was doing that, but um cuz it was a mystery at the time, but but my new blue, you can barely see it there at the bottom, but it's so close to that bright blue that I have. So, it's great. I'll be able to use up that blue that was pretty useless to everything else cuz they [snorts] And there's another one with a little run. So, there's no holds on this firing profile. So, the only thing I could do to stop that run is to increase the speed of the cooling cuz I was slowing it down to 500° an hour down to 1900. Uh, whereas before in another kil I was letting it natural cool at 9999. So, that's what I'll do. I'll change that cuz this kil has a couple more runs than the other one. And mouse gray is behaving perfectly. Okay, the last level down. And this is my chun green, my apple green, uh, strontium crystal magic, and looks like some oatmeal as well. Um, so the same thing. I pouing crystal magic that way and this way. Then apple green that way and that way. Um, and then I think I did some chun green and some viegated blue on the handles. Um, and I'm not sure. Uh, it looks like I did some chun green maybe across that way, too. But it's a nice platter with some chrome tin pink in the oatmeal bowl as well. And on the outside, I just glazed it oatmeal with a touch of green on the rim. That's a nice platter. I'll show you some pictures at the end, I guess, of these platters. They turned out well. that you've seen earlier in the video. That's the speckle green pastel color with the variegated blue oatmeal again. And the blues running but not over. It almost got it with that one. And this looks like it's uh both different blues. This one is just the new blue and that one may be the older bright blue, but um they're very similar. It's hard to tell the difference anymore. I'm going to mix the two of them together, I think, in one bucket because they're so much the same. Uh, pastel blue. And then this one is gray. It's mouse gray, but it it ran a lot more. I can tell there. You see? But, um, but yeah, that really ran quite a lot. I'm going to get bored of runs again pretty soon. There's a drip on the kil shelf there from probably this one. Look how much that ran all the way to the end. Just going to do a tiny tiny bit of grinding on that one. But um but those and that's the end of that firing. Okay, this is a bit of a surprise. It's about 7:30 at night and um I'm just feeling like doing something. So I'm going to unload this kiln which is down to about 135° F. [snorts] So, uh, so I thought this might be fun just to stop me watching that boring, depressing television news. But anyway, so I've got, um, and this color scheme was a request from a customer and I hesitated at first and I thought, you know, I should try things because it's like they may have something and they did cuz that looks pretty good. It's a a set of flat uh type sushi plates, but it's based on my Icelandic series, but using purple instead of oatmeal. How about that? It's [snorts] always worth trying something. Couple of these little sushi trays as well. And then these I won't show you until I've got the tops out yet, cuz these are all the whale jaws. some more of the actual um commission. I actually only wanted two, I think, but I've done four cuz I always do double as I said, but I'm doing them reversed. So, this one is purple in the center instead of on the rim. And the same again here. So, two variations on that. I think they'll be nice. [clears throat] Bottom. And I should be able to match hopefully. Uh I'm not sure yet. Let's see. That's not going to match. But this one I should be able to find. This is how I fire the lids on a stilt with a prop underneath to actually hold it above. Um, and now I've noticed that they don't warp um by firing that way. And this is the strontium crystal magic to create that watery effect with variegated blue. And this one is chun green as the background color. So let's see if I can find a chun green one. I think that's this one. Is it going to fit? Yes, it does. [snorts] So, it's a little sugar jar. Look at the colors in there. It's very I'd say that's Florida like except for it's - 9 centigrade outside. Anyway, little whale sugar jar. That's cute. And here's a blue green copper red one. Oh, here's a matte turquoise. So, we got a jar for that one, I'm sure. Oh, this is strange. See this red? That must have dripped off something onto the pot. I don't understand where how though. But um but there's purple just stripped into the piece. But fortunately, it doesn't show on the outside. But does that lid fit on there, too? Yeah, it could go on either one. So, here's one in matte turquoise. Similarly with the strontium crystal magic for the water. That really looks realistic, doesn't it? really nice. [snorts] And the blue, green, copper, red one, which I don't see the bottom for it yet, so we'll have to put that aside for a minute. And the last one of the purple. So, this is four of these for her to pick from. There's two. [snorts] So, two of the purple on the rim and two of the purple on the inside. We'll see which ones she chooses. I could see those as nice dinner plates. Now we add a another matte turquoise here. These are my homemade stilts still going. [snorts] This one's been used many times cuz it's uh it's actually been used in the gas kil. So here is another one. Really nice water look. We'll wait to see the blue blue ones, too. Another matte turquoise one. That one fits. It's quite a tight fit. So, let's see if one that bit loose. That one's a bit loose. Yeah, I must have had the wrong lid on one of them. So, [snorts] that was that one. this one. They're almost the same. But isn't this a beautiful turquoise? Matte turquoise with some nice runs there. Kind of really has a watery foamy look. And then the lid is just spectacular. This was a commission. Uh so what do we have here? Another chun green. This is this one then. See if it fits. Yep. And look at the foam. Really beautiful foam with that wave action down there. So that is really And look, these are the sculptural kind of lids that I did. I'll take some pictures of these, too. But that's really pretty. So now we got a bunch of just lids waiting for the jaws. I'll show you them as they get the bowl out cuz the colors are really beautiful on these. Oh yeah, really beautiful. Here's the Siamese whales. Another one. Okay, here. Get out big one first. It's another one of my large big platters um with those kind of strap handles that I've been doing. I showed you how to do that in one of the previous videos. Um but that is strontium crystal magic and my folk art white with some oatmeal and apple green accents. Nice piece. So which glaze? Oh, this is that new model modified blue. Looks great on the outside. In fact, it's really pretty on the outside, but on the inside, it totally crawled. H I think I have to dilute it even more with blue. Anyway, let's see if we have a jaw that fits it. A lid, rather. Yep, that one. So, I'm going to have to refire the inside of this piece with some regular blue glaze on it, I guess. That is strange. Probably on too thick. This one has a little bit of it. And this I think is my regular bright blue. And it still has some on there. I wonder what caused that. That may be the wrong lid. It's a bit big. That's better. There you go. Less of a wave splash on the top on that one. Let's see. Got another blue one here. Uh not sure which one of these will fit. That seems a bit big. So, do I have Oh, that would fit that one as well. And that fits. So, they all interchange. The lids can be swapped with each piece, but that's what it is. No running down to the bottom, thank goodness. But it's good colors. And here's what Oh, that's pretty. If I can get you the angle with the light. Look how pretty that inside is. Really pretty. And it's strontium crystal magic over blue, green, copper, red. It's one of these lids here. Yep, that one fits. That's really pretty, too. I love the tropical feel of that one. And here's another one. And really nice again. See if we can angle the color for the colors on the inside. It's really pretty. And this will be the last. Oh, we got one more lid. Oh, no, we don't. It's already out. [snorts] But there's another one that has a real tropical feel. So, this double must fit on this one. It's a bit big for that one. This is quite loose. That fits on that one. So, this is probably going to fit on that one. So, trust that the double whale one was the one that had the most crawling on the inside. Uh, I guess it's always the case, isn't it? But that's very pretty. Yeah. So, this is the way it looked like. So, it's a really nice piece except for the glaze crawl like clay crazy on the inside, but [snorts] it's a sugar jar. It won't really matter actually. So, we'll see. All right. So, that's that level. Okay. We have a few more to go. Put some more blue ones. No crawling on the inside of that one. I think that's the wrong lid for that piece, though. Yep, that's fits. Interchanging lids. You got really nice feeling of the ocean there. The tops are just really spectacular with that strontium crystal magic and the the variegated blue down the whale is really nice. So, what about this one? Does this fit that lid? Yep. Nice runs all the way down. That one sort of had a bit of a double spiral there for the water splash. I filled it up with glaze a lot and it ran down the the whale because of the stronting crystal magic and filled up so it really kind of blocked [snorts] up quite a bit of the carving I did in there which that's a shame but um and there's another one of these that's a hint of the crawling starting in that one but it didn't really crawl just little kind of open bits just starting this last lid fit Yes. So, I may have to go, but it it's pretty good fit all the way around evenly all the way around on that one. I'm sure [snorts] I could find one that has a more open. Look at the color. And a couple more. I did 16. This was a commission, too, but I liked the idea of it, so that's why I made so many because I figured this will be good for next year. Yeah, that fits perfectly on there, too. So, I showed you how to make these. I've got This is a K unloading video, but you'll see these at the end of the video where I actually showed you how I made them. I'm going to last one of these. Let's hope it fits. Here's another one of the blue, green, copper, red. And the colors are really nice inside there as well. Does it fit? Yay. That's every one of them fits. Ah, was a nice night. I did my grocery shopping. It's the 22nd today. So, I did went out and did all grocery shopping this evening. Just some takeout food, ate it, came back [snorts] down here, and now I'm put myself in a really good mood. So, one thing to go and it's just a regular baking dish with the bird bottle uh sauce bottle that goes on top of this one in that new red clay from Pottery Supply House number 500. And I think there's a five uh yeah, 500 and 550. Anyway, there's two of them. I'll have to give you the numbers, but it's a red stone wear for a pottery supply house in Toronto. [music] >> [music] [music]