In this video we are going to be discussing pinto patterning in horses. We're going to be analyzing
the colors on a visual representation and understanding the rules that go along with
them. My hope at the end of this video is that you will be able to identify pinto patterns
on real life horses and apply that knowledge base to the equine artistry of your choosing.
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There I dive a little more into the weeds if you're really serious about understanding all of
this. That being said, this video will be a baseline for everything you need to know. I also
want to preface this that I am not an expert in terms of genetics or any of this. This is all based
on my own research and I'm just doing my best to break it down in what I know. So take everything
with a grain of salt here, this hopefully will just help you as a point of reference. So these
are all of the different patterns that exist. They all have specific names and a set of guidelines
that go along with them. So each marking has a kind of rule that they follow in terms of the
pattern, how it spreads across the body, where it originates, the location and whatnot. When we're
looking at these images we want to consider the horse as a base solid color and then anything
that's white is an additional gene on top. We're not talking about markings, we're not talking
about a stripe down the face or a white sock, we're talking about broad white that patterns
the whole horse. These patterns occur when there actually is a gene present and there's different
types of these white genes that exist and they fall into one of the categories of the named
pinto patterns. In all of these drawings I have chosen just a solid brown base color. Think of
these as being able to be added on to any solid color and if you haven't seen the solid color
video already you definitely should check that out, that covers all of those base colors and
these are additional genes on top to create your pintips. In this chart I do have all of the pinto
patterns, I also have the Appaloosa patterns. We're just going to be going through the pinto
patterns in this video. I do have another video on Appaloosa patterns so definitely check that out.
Basically we have our Tobiano which is your classic pinto, you can also have Overo, Splash,
Sabino and you can see already visually how these are much different. This one's following the top
line, this one's following kind of the mid section and underneath, this one is purely following
underneath and this one is much more lacy and intricate. We're just going to be focusing on
these top four up here and these bottom ones down here. So we do have Rabicano, much more intricate
and kind of round, we'll get into that. This is a Tovero which is a term that's loosely used for
markings that don't really make sense. We can also get a Medicine Hat which is mostly white here and
Manchato is a more unique pattern that's very specific in certain breeds of South American
horses. Now there's a lot of anomalies out there and sometimes it can be hard to identify truly
what is going on without genetic testing but in the purpose of understanding this visually and
understanding this at a basic level we're just going to go through these the best that we can.
Obviously looking at real horse reference you're going to see lots of variants here. Sometimes
weird things go outside of the rules that we don't fully understand and there's constantly
new research being done but horses are pretty predictable in their color and their patterning
so these rules do apply to the majority. Something to consider when looking at anything
with white markings is that your skin of your horse is typically going to be gray on its base
color unless it's a double dilute and it has pink skin or it's a champagne and it has mottled skin.
Any skin underneath white markings is going to be pink. Now this doesn't apply to a gray horse,
a gray horse does have gray skin but a white marking is different and it's kind of this
depigmentation of the hair and also the skin. We notice this intensely on the facial markings
because the muzzle will also be pink just because that skin is pink because it's depigmented.
So this is the image of the horse, here's your brown base color, the white is over top of that.
This would be the skin example where we have the gray skin under the brown color and then the pink
skin under the white color. Something else that comes up a lot in terms of white markings in
general is your hoof. Your solid colored hoof is going to give a kind of a gray tone hoof color
typically. When you add a marking it also depigments the hoof so you'll get kind of a
shell color and then if you have a marking that's crossing over or leaving gaps out you can have
some of that gray color but also some of that shell color which is really interesting. The same
goes for the pigmentation of the eye. Here's your solid horse, you have gray skin, you would have
a brown eye unless it's carrying a splash gene that can give a blue eye. When we add this white
marking this is depigmenting the skin so the skin is going to be pink under here which means the
is going to be pink. If we cover the eye or we get too close to the eye in a lot of these paint horses
you can get a blue eye where the skin around the eye is also pink and then the eye will be blue
in color. Sometimes you can have a pinto horse that has this marking and then a blue eye. It
doesn't necessarily have to cross but if it does cross it's almost always blue. Sometimes on a
splash horse it can have no white markings and just a blue eye. Here's some more about the eyes
so you would have that blue eye with the pink skin. Sometimes in pinto horses you can get eyeliner
which is like this black outline that goes around the eye and the eye itself will still be blue.
Sometimes if the marking crosses over the eye you can get a heterochromia eye which is like two
tones. The white marking really differentiates the pigmentation of everything in its path and then
this would be example of a splash horse. It can carry the gene but not necessarily have white
and still express a blue eye. We're going to start with tobiano. So this is a classic tobiano. I find
this color to be the easiest to identify. It's just got the most obvious landmarks and rules
or guidelines to go by. If you can't quite remember how this works I find that it's easy to remember
tobiano as top. So when I say that that is because this marking will always cross the top line. So a
tobiano horse will have this patch that will cross over the shoulders or over the hindquarters in
some way. The legs will also always be solid white and the face may or may not have a marking. If we
think of this horse as a solid color we're laying that white marking over top. It's going to
originate at kind of the legs and at the top line. So if we go into this progression this would be
your minimal expression, more of a minimal expression, classic, classic, and these are your extreme
expressions. So this horse could be considered a tobiano. You wouldn't know this just by looking
at it but it has tall socks so they will always have white legs. They can't have a solid leg and
these markings must be tall. That's kind of the other indicator that this would be a paint horse
and not just a regular horse because a regular horse can have a white marking on the foot but
those socks would be kind of just at the halfway point. But anything that crosses the hocks or
crosses the knees gets into the pinto territory because these genes originate kind of at the legs.
This horse is a carrier of the tobiano gene even though he's not expressing a ton of that color.
As things get a little more white you can have these just little patches of color but they're
kind of going to want to line up along the hind quarters and along the shoulder. So here's your
classic expression. This is how they're commonly found where there's a large patch over the
shoulder, a large patch over the hind quarters, and it can affect the tail if that pigmentation
is touching the tail and the pigmentation is touching the mane. So anything on the neck line
that is in contact with the mane is going to create white mane hairs and same with the tail.
In tobianos we get this two-toned tail though as well where the top of the tail is white and then
the bottom of the tail is this solid color. You can also have it vice versa if the horse is a kind
of a solid color and there's no white touching the base of the tail. The tip of the tail can
turn white and the face marking can vary. A lot of the time it is a more softer marking,
less dramatic, but some of them can have really crazy markings that cover
majority of the face and head. Here's another example. This one would be tobiano too because
this marking is crossing the top line. We have a patch where it's not touching and that can happen.
There's kind of a classic expression where there's almost like saddle looking patch that can occur up
there. We often see the original base color peeking through in the flank area and around the head. So
this would also be tobiano. It's just a more advanced version and it is quite common to
see these large circular patches of solid color peeking through on those larger white spots as
well. And this is a more extreme variation where the whole horse is white there's just going to
be this little piece of the ears peeking through and that's kind of the last place that gets covered
by tobiano. Sometimes they'll also have a little piece in here and this is also called medicine
hat. And once again we have like the skin in the groin is also affected by that pigmentation so
in this case the genitalia would be pink. The muzzle is very very pink because these are
areas that don't have any hairs so they don't show white they just show that skin color and
those hooves are also going to be shell colored in this case. This is an example of a homozygous
tobiano. That's genetically where the gene is dominant so therefore if this was a stallion
he would pass the tobiano trait 100% to his offspring. And these little spots are called
ink spots or cat tracks. They show up in the pinto pattern which can sometimes be confused with
Appaloosa but it's not it is just these spots occurring. They often have kind of mapping around
the edges and this can happen really intensely on the legs as well. Belton spotting is kind of a
crazy phenomenon. These spots would just be like more dramatic and clustered. The belton spotting
does uniformly cover all of the white really covering the legs really covering the face and
everything. You can also have a horse that looks like this that has those ink spots in the legs.
When they come in contact with the hooves they're called ermine spots and so you can see that
wherever they make contact with the hoof you're gonna have this dark gray color occur with the
solid color and then you can have this shell colored striping on the white marking. Sometimes
you can have a stripe in the hoof too just randomly and that's either some depigmentation
or some trait that's showing up but it does generally follow this rule and we can get these
little spots on the nose as well which a lot of people call kissy spots because they're kissable.
The belton spotting and the homozygous spotting is really interesting and can look a little like
an Appaloosa but only happens in Tobiano can be of varying degrees. You can have like one of these
one or two of these spots or you can have a lot of these spots. I also want to touch on mapping so
this horse has mapping around these spots and that is where there's a mixture of the solid
colored hairs and the white colored hairs kind of converge and make a slightly lighter shade of color
around any of the edge of the markings. This is called mapping. The next color we're going to dive
into is overo. This is the second most common that you will find and it's basically Tobiano and
overo are the two main pinto markings. Overo, I like the acronym of over. That is over the body,
across the side of the body. So these markings originate around the mid line of the horse.
They can cover underneath the belly but they will not cross the top line. They avoid the
top line entirely so these horses will have solid manes and tails and often solid legs.
Sometimes they can have markings on the legs as well but they'll often be shorter or smaller and
not cross the hocks and the knees. They tend to have more dramatic face markings that are a little
more patchy and big and often they have a blue eye. Tobiano doesn't generally have blue eyes in
the classic expressions. Sometimes they do but in overo you will see that blue eye way more often
than in Tobiano which is kind of interesting. These markings are kind of more random in a sense
that they will be big blotchy splotches that occur and they'll just be on the center of the horse.
So here's your minimal expression where there's not a lot of white happening. This is a little
more dramatic. This starts to become even more dramatic which this also can be referred to as
frame overo and then you can have these really extreme cases where there's a ton of white
happening on the body of the horse. So this is your super minimal kind of starting point and
these markings are going to originate at the belly and this could be confused with Sabino
in a sense but Sabino would have white legs so overos don't have to have white legs. As we expand
those spots we get into our more classic chunky expression where these markings will be quite
rigid on the edges and quite chunky and large in size. Those markings can start to blend together
to create larger markings and patches that go across the horse and so here we see that this
horse has a couple markings happening on the hind legs but not on the front legs and we get this
really dramatic blanket face marking. We are framing with the solid color that's kind of where
the term frame comes from because this white marking makes that brown color look like a frame
around it. Overo can also be very intricate you can have those more chunky expressions and you
can have more of a lacy expression and this is where you get a lot of really fine detailing
individual herring and really a lacy edge and this can be very dramatic. Here's another example
where this is just covering kind of the side of the body and you're getting that marking kind of
cross over the eye and you're getting a very intense pink muzzle and so this guy is a more
extreme version of the Overo where he's skipped the leg down here. He would have still like solid
color kind of across the top line here it's just like very minimal so you can't quite see it from
the side and the marking can cross the neck to like touch the mane and color the mane in some
cases but it is leaving the tail alone and it's leaving this top line alone and so that white
crossing over the eye is giving him a blue eye. Then we have splash so splash is a unique color
where the horse looks like it is splashed or dipped into white paint and that is where the
marking is predominantly on the underside of the horse so it originates at the leg it also
originates in the face so the facial marking is often an indicator of this color it'll often have
those white legs and then the varying degrees of intensity will differentiate how high this kind of
underbelly marking travels. You have your more minimal expression, your classic expression,
more of a full example and then extreme variations of this. In a minimal splash horse actually this
horse would be solid with a blue eye that could be considered as splash some of them just have
bald faces and carry the splash gene but a lot of the times they will have these really tall
white markings and these are taller than in say Tobiano. The face marking is also often a bald
face marking you won't really see kissy spots or anything crazy it'll just be a solid white head
and will make a blue eye. The markings on the legs will be very tall in a sense where they go past
the hocks and the knees and are very very dramatic and it will always be all four legs. Some splash
horses will also have a white tail either kind of on the bottom or like all the way up so it's like
the whole thing is being dipped in paint. This is your classic expression of that where we're seeing
this white marking just along the bottom of the horse and the top line is left solid, blue eye,
all four legs are white and this is just furthering that to the point where there's just a little bit
of color on the top line and if the splash goes too high up and over the ears they can be deaf.
This is like a known thing in other animals as well is that you don't want that white modifier
depigmenting the ears because they can have hearing issues. Then we have Sabino. Now Sabino
is its own really crazy color pattern that exists. I personally don't fully understand Sabino. I don't
think anybody does. Apparently there's a ton of genes that determine this as a pinto pattern and
there's a ton of variation with this and they can have multiple genes of the Sabino which intensifies
the Sabino so we don't need to get into all of that. We visually just have to understand what
this looks like and so these are horses where the underside and the legs and the face similarly to
splash are covered but this originates at the belly so the markings will start on the belly,
they'll start on the legs and they will have kind of a more dramatic face marking. The white will
cross the eye a lot of the time but the eye will remain brown. So here's some of those examples.
You have your minimal expression, a lacy pattern. You can have Sabinos with a bunch of body roning
and laciness happening. You can have extreme versions of this and then you can have a
solid white Sabino as well. So here is your minimal expression. So your leg markings are
going to be very tall. The markings will start on the belly. This could be confused with Overo
but the legs are your indicators in that case. Here's your more intense expression where those
markings are coming up the underbelly of the horse and kind of going across. They can be
really dramatic and intricate in what they look like. Here you start to see body roning as well
so these can have very dramatic roning patterns that leaves out portions of the dark solid color
and intermixes with the mane but once again your eye is brown. Even though the skin is pink and
these markings originate at the legs underneath the horse on the belly and create lots of lacy
crazy patterns. And then your solid white version can occur sometimes where the whole horse
is technically Sabino. You would have the brown eye with the pink skin and this is just a very
intense version of Sabino to the point where it's diluted down to white. And sometimes it can be
very hard to differentiate these colors. I personally use the term Tovero for these horses
where they are both Tobiano and Overo. You just aren't sure which one this would be. This is based
off of an image that I found online of a real horse where this was the exact pattern. So you
have the ears peeking out, you have a blue eye happening, the marking of the white crosses the
top line intensively and creates this big classic Tobiano marking but then on the legs we have two
solid legs which would indicate Overo. A lot of color geneticists will just say Overo. It gets a
little complicated and there are moments where things cross the top line when they're not
supposed to. This is a medicine hat. This is just a very extreme version of Pinto where only the tops
of the ears and the forelock as well as a flank spot or not occurs. And this is a specific kind
of Pinto that was very sought after. Due to the rarity of this color it was believed to have
supernatural protection by the indigenous people of the Native American culture. The healer of the
tribe such as the medicine man would often ride these horses into battle so they would not be
wounded. Well that's the term medicine hat. Rabicano originates kind of on the underside of the horse
and in the flank. So it actually starts in the flank and you can have just a couple hairs in
the flank here and then it will extend out and it can go across majority of the body but it kind of
remains at the belly here and sometimes it can create these almost lines of just clusters of
white hairs. You will often have white legs with this and some sort of facial marking and a skunk
tail which is where the white hairs congregate at the top of the tail and create almost like a
So this is following the hair growth pattern. This is congregating at the flank and the more white
that you see is just the amount of hairs that exist. So this is common in Arabian horses actually
and there's some quarter horse lines that carry this. Now your Manchato is an interesting pattern
where it is almost like a reverse frame. So this is a very rare pattern that exists in certain
South American horse breeds. It's still being understood and discovered. There's not very many
horses with it. It kind of looks like a mixture of Appaloosa and Pinto together kind of and it
doesn't follow any of the rules of our previous markings. So the best description of this is that
the white is on the top line and the underside. So it's framing the solid color. Generally these
markings originate on the belly and they can be kind of in the groin and underneath the tail
so the tail will be white and affected and then the white carries across the top line and will
affect the mane and the upper half of the horse. This can be also really lacy and intricate and
cover the whole body. You also kind of want to pay attention to the feel of the marking. So
Tobiano horses will often have this kind of round shape occurring where the marking is large circles
missing out of the edge of it. Whereas Overo is a little more random and jagged but then can get
super lacy in certain cases. Splash is a very defined edge that kind of doesn't have a ton of
form to it. And then something like a Manchato is weirdly shaped but then also has like Appaloosa
looking spots at the same time. So the feel of the marking can also identify the pattern. So
now if we go back to our pattern chart now that you understand your patterns a little bit better.
So your Tobiano is top over the top line shoulder patch over the top line hindquarter patch
originates at the legs, may or may not have a face marking, doesn't always have a blue eye.
Overo is over the body frame Overo of the solid color where the legs may or may not have white.
So the marking originates at the center line of the horse and under the belly. Usually the face
marking is more dramatic. Splash is your horse dipped in white paint where the marking originates
at the legs, at the head, and at the underside. Sabino is where it originates at the head,
the legs, and under the belly but creates this more lacy intricate patterning and does not have
a blue eye. Your Rabicano is where you originate at the flank and the belly at the top of the tail
and the legs. Tovero is where you have a mix of over the top line excluding the legs potentially
being confusing in terms of Overo versus Tobiano. Medicine Hat is where the marking covers the whole
horse leaving a portion of color around the ears, the forelock, and the flank. And Manchato is where
you frame that solid color with white so the marking originates on the top line and the
underbelly. If you'd like to see more of these patterns in the real horse world, I have the full
extended version of this video available on Patreon that further explains and dissects some
real reference images if you're interested. Those are all of the Pinto horse patterns. There are
definitely anomalies and there's variance. Of course I hope that this gave you at least a baseline
of understanding and you can further identify your own Pintos now out in the wild. Thank you so much
for watching. As always, it's an honor and a privilege to spend this time with you. If you'd
like this video, be sure to give it a like and leave a comment below. And if you'd like to see
more of this content, subscribe to my channel to let me know that you're enjoying all of the videos.
That is all for now. I will see you guys in the next one. Bye!