🌹14 Most Beautiful Bond Girls of the Roger Moore's 007 Era |🍸 Which One Was Your Favourite?
All 14 Beautiful Bond Girls of Roger Moore's 007 Era – Which Was Your Favourite? Jane Seymour, Barbara Bach, Britt Ekland and every leading Bond girl from Live and Let Die to A View to a Kill, then and now.
From the moment Roger Moore first stepped into 007's shoes in 1973, the Bond girl kept evolving. Over seven films and twelve years, Roger Moore shared the screen with fourteen leading women – British, American, Swedish, French and Australian – and between them they carried the role through Bond's most playful, most glamorous decade.
Some became household names. Some made one film and walked away. Some are still with us in their sixties, seventies and eighties, and two we have lost. This is all of them, as they were and as they are now.
Video Index:
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00:00 Madeline Smith – Live and Let Die 1973
00:20 Barbara Bach – The Spy Who Loved Me 1977
00:40 Jane Seymour – Live and Let Die 1973
01:00 Britt Ekland – The Man with the Golden Gun 1974
01:20 Caroline Munro – The Spy Who Loved Me 1977
01:40 Carole Bouquet – For Your Eyes Only 1981
02:00 Tanya Roberts – A View to a Kill 1985
02:20 Maud Adams – The Man with the Golden Gun 1974 / Octopussy 1983
02:40 Fiona Fullerton – A View to a Kill 1985
03:00 Corinne Cléry – Moonraker 1979
03:20 Mary Stavin – A View to a Kill 1985
03:40 Kristina Wayborn – Octopussy 1983
04:00 Lois Chiles – Moonraker 1979
04:20 Cassandra Harris – For Your Eyes Only 1981
04:40 Outro
This video covers the fourteen leading Bond girls of the Roger Moore era. Several memorable one-scene players – Lynn-Holly Johnson's champion-skater Bibi Dahl in For Your Eyes Only, and Sue Vanner's parachuting Log Cabin Girl in The Spy Who Loved Me among them – deserve a moment of their own, and may yet get one.
Which one do you still remember best? Tell us in the comments.
Coming next in this series: the Bond girls of George Lazenby and Timothy Dalton, then Pierce Brosnan and Daniel Craig.
Music composed with Suno AI. Some images have been digitally restored or enhanced using AI tools.
A note on AI: The photographs in this video are genuine archive images. AI tools have been used to enhance them – restoring detail, sharpening and correcting colour that has faded over fifty years – and to add gentle motion, so the stills breathe rather than sit still. No faces have been generated, replaced or invented. Every image shows the person as they actually appeared. Music composed with Suno AI.
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