Healing from a Toxic Relationship & Emotional Abuse (A Powerful Poetry Story)

Keeping it Real On Purpose
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126 Video Views·Jun 25, 2026
What does toxic love really look like—and why is it so hard to walk away?
In this episode of Keeping It Real on Purpose, Edna White sits down with Damaris Chanza, author of Breath of a Fallen Angel, a powerful debut poetry collection exploring love, pain, heartbreak, and the emotional reality of toxic relationships.
Inspired by the timeless tragedy of Romeo and Juliet and the lived experiences of women everywhere, this fictional poetic journey dives deep into the blurred lines between love and hate, attachment and destruction.
This is more than a conversation about poetry—this is about recognizing patterns, reclaiming your voice, and choosing yourself.
You heard the story. Now let’s talk about what to DO with it.
AI Generated·May contain errors
Some relationships don't break your heart.
They train you to stay in pain and call it love.
I'm your host, Edna White,
and this is Keeping It Real On Purpose,
where we break patterns, challenges,
challenge what we normalize
and help you build what actually works.
Today, I'm joined by Damaris Chanza,
author of Breathe Breath.
I'm getting tongue-tied today, guys.
Breath of a Fallen Angel,
a debut poetry collection that explores love,
pain, redemption, and the reality of toxic relationships.
Through her storytelling,
she's inspired by Romeo and Juliet, one of my favorites.
She brings it to life in the emotional complexities
so many women experience,
but don't always have the words to say or to express.
Welcome to the show.
Hello, thank you so much for having me.
You're welcome.
So let's get straight to it.
People romanticize toxic love all the time,
as we can see in reality shows, right?
But what are we actually seeing underneath it?
I think it's something that I discuss in the book
is the idea that the person that you fell in love with,
the person you have this toxic relationship with,
they were not always toxic.
We're not dumb.
We fall in love with people who are charming,
who are kind,
and then at a certain point, it can change.
And that's the idea of Fallen Angel,
like you were this angelic being,
whether that be the person,
how she sees herself or the person that she's with.
And then eventually it becomes something different
that you don't recognize.
Because what I see is this,
people aren't addicted to the person.
They're addicted to the emotional cycle of it.
Especially when I'm watching the reality shows,
I'm like, I don't even like that person.
They really are addicted to the rollercoaster of it, right?
Your book touches on love, pain, and those blurred lines.
How does someone even recognize
when love has turned to something unhealthy?
I know, that's such a deep question.
It's a loaded question.
Yeah, it is.
I think it's just a matter of knowing yourself.
Right.
Knowing who you are and in that relationship,
are you changing for the better?
For things that only enhance
what you already know about yourself
or are creating a better version of yourself?
Or are you shrinking?
Are you becoming something
that you no longer recognize as yourself?
Yeah.
I think that's the part we miss.
And the other part that you talked about,
that it didn't start toxic, right?
It didn't start out that way.
It becomes toxic through what you tolerate,
because you don't know yourself.
You make excuses for their bad behavior, maybe,
and the emotional attachment to it all.
Can you talk about that to our audience?
How you display that in the book?
Well, so my book, Breath of a Fallen Angel,
is a narrative poetry book.
So instead of most poetry books,
they follow kind of general themes.
And of course, this one does have some of the themes
that you mentioned earlier,
but it follows a linear story of this woman
who wanted a fairytale love story,
but ends up in a toxic relationship.
And so through each poem,
she has to navigate the different emotions
that she's going through
or the different situations that she's going through
while kind of discovering or creating the courage
to leave this relationship.
I'm sorry, I forgot the question.
Oh, no, I'm just saying,
just talk about your book around all of that.
You're doing that.
You're doing it.
You're doing exactly that.
So in the book, there's this woman,
and purposefully,
she doesn't have any sort of features,
any sort of like anything that's very specific,
because I want it to be very relatable to all women.
Right, okay.
So it doesn't say she has any sort of specific hair color
or skin color or ethnicity or anything,
because I do believe that this kind of toxic relationship,
toxic having to deal with men in general,
is something that all women have to go through.
Yeah.
So I wanted it to be very relatable in that sense.
Right.
Nice, that's nice.
So out of your own experience,
why do people stay in relationships
that are clearly hurting them?
So I don't personally have any experience
in a relationship like that.
The story in the book is fictional.
Yeah.
But from research that I've done for the book,
it can be, he's a dog.
That's my dog.
How did you know?
Don't worry, my ferret is here in the corner
scratching her cage, trying to ask it out.
In most inopportune times.
I know.
It depends on the situation
with how entangled are your lives.
Yeah.
There could be legal things to work through,
like marriage documents, children.
There could be things like housing.
If you got to the point where you were in this relationship
and you became isolated,
maybe you don't feel you have the support
from other people to make it.
And the other thing is,
is that there's a lot of manipulation
in these relationships.
So you start to build this narrative in your head
that this person that I'm with
is the only person who will accept me,
who will love me,
who will take care of me,
whether that be true or not.
So it's something that you have to think about
or the person would have to think about
before, or work through before trying to leave.
And it's not necessarily that people don't want to leave.
It's more so that there's-
Entangled.
Yeah.
And that's part of the reason why I wrote this book
because I feel like there's this very misconception
that says if you're in a toxic relationship
or you're dealing with domestic violence, just leave.
Yeah, yeah.
Why would you say, just leave?
And that is so easy to say.
And ultimately, sure, that is the goal.
Yeah.
But there's so much more to it.
You can't just leave sometimes.
Yeah, you sure can't.
So I wanted to write this book
as a way to create some understanding
and some empathy to say,
just because the woman didn't leave
doesn't mean she's necessarily choosing to stay.
Right, exactly.
Maybe she just doesn't have the option to leave you.
Right.
Well, that's good.
That's really good to hear.
Yeah.
At what point, let's flip it now,
at what point does that love turn into an emotional survival?
I don't know.
I guess it's a situation,
it's a case-by-case basis.
Within the story, the woman wants love
and she has this idea of her Prince Charming,
her fairy tale, her, she wants to be Aurora
dancing with Prince Philip through the forest.
That is what she wants.
Mm-hmm.
So she, whether that person that she's with,
the man that she's with actually showcases those attributes,
she kind of put it upon him and put him on this pedestal.
So I think in that sense, it becomes survival
when that pedestal is, they're taken off that pedestal.
Wow, yeah, that's cool.
You're starting to see the reality of who that person is
in the situation that you are now in.
Yeah, that makes, ooh, that was good.
And that brings me right to my next question,
is when do you recognize that you just,
because a lot of my clients that come to me,
they may experience the first time ever,
maybe them lashing out, hitting them once,
for the first time ever.
And they don't, they explain it away
instead of recognizing it as a warning, okay?
This may escalate.
And even in my own family,
this has happened to one of my siblings,
and they didn't see it coming.
I know it's probably, like you just said,
it's a very difficult thing to kind of say,
okay, let's do this, let me do that.
But when, we're taught to endure pain
versus doing something about it.
And I'm saying maybe it's a warning sign.
Would you say that, that initial first thing,
maybe it's even, maybe being like yelling,
or like calling your name the first time,
would you consider that as a warning?
I think anything that makes you feel uncomfortable
or unsafe can be a warning.
Anything that you can't discuss.
Like I've never experienced anything
to the degree of the woman in the book.
But I've definitely been in a relationship
where we got in an argument,
and I, there was no yelling, there was no nothing,
it was just kind of a heated argument.
I walked away, and then my arm was grabbed
in a way that I didn't feel comfortable with.
It felt a little bit like this was aggressive,
this was, I don't like this.
And so, but it didn't escalate past that.
That in that moment, when I was grabbed,
suddenly, oh, I know he's mad at me.
I know he's stronger than me.
So what am I to do now?
And that relationship obviously quickly ended.
But sometimes, like if you don't acknowledge
how you felt about it.
Right, exactly, yeah.
And you might not think to say that was a warning sign.
Yeah, right, exactly.
So it's all about knowing yourself
and being true to yourself,
and having that clarity around yourself.
And I love how you put that, is knowing,
like anything that doesn't make you feel safe
is just definitely a warning, and I like that totally.
So let's shift this a little bit.
If someone is listening and sees themself
in this story that you've written,
even in what we're talking about,
what do they need to understand first?
That they're not alone.
Well, that's great.
They're not alone.
There are many, practically every woman
I've ever spoken to has, in some form or another,
been in a situation where they've felt unsafe
or uncomfortable because of a man.
So not only are you not alone,
but unfortunately, it's very common.
So even though it feels very isolating,
you can create a support system
and you can find your way out.
Maybe it takes longer than others.
Maybe it's more complex.
Maybe it's more dangerous.
But there is a way out.
Yeah, that's good.
So audience, here's the truth
that our guest Damaris has said.
You don't heal by romanticizing the pain.
You heal by recognizing the pattern and deciding to end it,
just deciding that this is a danger.
I want you to, audience,
I want you to think about these questions.
And I'm ready to give you the questions, audience.
I want you to sit with this.
What am I calling love
that actually feels like emotional chaos?
Where did I learn to tolerate this kind of relationship?
And what would I choose for myself
actually requires me to let go of?
What would I choose?
And think about those questions as you always do.
And as we're going to go to the next part,
you may be answering them in your head, okay?
So Damaris, how does writing and poetry
help someone process something this heavy?
That's interesting, I haven't been asked that before.
So I think it's a matter of exposure.
Sometimes we just don't have the vocabulary
to express these feelings.
Or sometimes you're feeling something
and you're like, I don't know,
I don't know how this really feels.
I don't know.
And really, you just haven't gotten to the word mad.
You just haven't gotten to the word angry.
And you're just, you're so busy surviving
or so busy feeling your feelings
that you can't sit down and analyze them
and decide how you're going to act on them.
So, I mean, the book is mainly for entertainment, obviously,
but so it's not in any way a guide to help.
Yeah, absolutely, no.
I was asking your opinion on it.
Yeah, it's not in any way a guide or anything.
I'm not an expert on any of this.
But I think in terms of writing and poetry
or this book specifically,
it's more about creating understanding
and creating empathy.
So that if you were to go,
if there was somebody who was going through the situations
of the woman in the book dealing with domestic violence,
a toxic relationship,
any sort of mental health issues or isolation
coming from those situations,
not only do they have the vocabulary
to talk about these things,
but anybody else who read the book
who maybe hasn't experienced these things can say,
sure, I've never experienced it,
but I'm here to support you through it
because I can empathize with you.
As opposed to being like, then just leave.
If you're going to just leave,
like it's not always that simple
and there's a lot more to it.
Yeah, that's the same statement as like,
just get over it to someone who survived sexual abuse.
Just get over it, it's in the past.
Those statements are so irrelevant,
but I used to write and I didn't have the words
to say what I wanted to say,
but sure enough, my spirit would write.
I could write anything and it just came out in paper
and it'd be like, wow, this is what I really wanted to say
and I couldn't say it verbally.
But writing gives you that,
it's another way to be creative.
And to your comment, it's fictional.
Almost every story besides like little monsters
or anything, almost every story
has a little bit of truth in it for someone.
I may be reading it and like, this sounds like me,
this could help me.
And that's the beauty of writing,
poetry and anything else.
It's the beauty of writing
because you may intend it for something else
and someone else sees it and like, wow,
this really lifted my heart, I'm not alone.
And maybe that's a matchstick to somebody saying,
hey, I need to get support somewhere.
So it's amazing that you put it out
and it took a lot of courage to do that.
So thank you for writing and doing what you do.
So Damaris, a lot of people feel shame
after leaving and staying too long.
What would you say to them?
I don't know, I mean.
What would your story say to them?
There you go, what would your story say to them?
The woman in the story does leave and come back.
Okay.
Just because I've seen that as a pattern
in different like media and things
of like woman leaves and come back.
And I think that's just because of a comfort.
Right.
Just because you start to believe that like,
I deserved that and that's why I was in that situation.
Now I'm out and I'm free.
And what am I supposed to be doing with myself now?
So I think anybody who maybe makes it out
and leaves and feel shame.
I mean, that's really, they survived.
And that in itself is an achievement.
No matter like what you did to get there, they survived.
And I think that's really the main thing to focus on.
Right.
So this isn't just about relationships
and your book has opened the door
to a lot of things that people experience.
I think this is about identity, self-worth
and breaking cycles that were never meant to continue.
I would love for you to read an excerpt
from your book if that's possible.
Sure.
And I was in the spotlight, yeah.
Cover, it's a little backwards,
but it's so interesting that you mentioned ending cycles
because there's literally a poem
in the book called Ending the Cycle.
But I will read the first poem.
So the first poem is called To Begin.
And it's meant to be, you mentioned earlier
that the book is inspired by Romeo and Juliet.
And one of the main things was the narrator.
And I liked how the narrator in Romeo and Juliet
told you in the beginning, this is a tragedy.
And in that first kind of section of the play
tells you everything that's gonna happen in the play.
And then you go and you read the rest of the play
or watch the rest of the play.
And so To Begin was kind of that.
It's supposed to serve as the narrator
to tell you, kind of summarize the story of the book.
Here we go.
To begin, just a simple girl,
riddled with ambition, destined to conquer the world
until a man strips away her inhibitions.
She's been here before, time and time again,
charmed by the love war, only to be heartbroken.
But this time she stays, convinced something can change
until she too starts to play and the roles are rearranged.
Soon a hostage to her own brain,
strangled by the grasp of love and hate.
Stability and commitment she craved,
but immorality is all he could demonstrate.
Confused by truth, enamored by lies,
stifled by coups, too torn to say goodbye.
With wavering strength from fights past
will come a moment so tense she'll be aghast.
Okay, enough of that.
Let's rewind to when summer and autumn blend.
With the scene set, keep in mind,
if it's not okay, it's not the end.
That's good.
So ladies and gentlemen, you have heard the story
and I wanna thank you Damaris for sharing your story
and your wisdom on all of this
because we're sharing part of you
and these questions you answered from you.
So we thank you for that.
So audience, now let's talk about what to do
after you heard the story.
If you're recognizing your patterns
in this relationship or your choices
and you see them reflected in the story
that Damaris has written in poetry,
start to recognize, start to make new choices
and recognize your emotional cycles.
It's time to interrupt them
and locate her book.
I imagine your book is available everywhere, right?
Yep, you can find it on Amazon, on Goodreads,
on the publisher website, AOS Publishing,
on Barnes and Noble's online, everywhere.
Everywhere, just everywhere, even in the libraries.
Just go there and ask for it
and they have to buy it for you, okay?
Remember that.
Do that for me, yes.
They have to do that for you.
Well, this was great and thank you so much.
My name is Edna White
and my esteemed guest, Damaris Chanza.
We're gonna say goodbye for now
from Keeping It Real On Purpose
where real stories, real pain and real recovery.
And if this episode spoke to you, share it
because someone else is still calling pain love
and doesn't even realize it yet.
Bye for now.
