Pablo Mira est notre invité aujourd'hui pour nous parler de son deuxième one man show, « Passé simple » actuellement au Palais des glaces à Paris avant une tournée dans toute la France à partir du 6 janvier.
Présentée par Agathe Lecaron, La Maison des Maternelles est le rendez-vous quotidien consacré à la parentalité et petite enfance. Dans ce magazine, l’animatrice et les spécialistes qui l’entourent ont pour ambition de répondre aux interrogations des jeunes parents, proposant ainsi une émission de service. En toute liberté, de façon positive et décomplexée !
Hello Pablo!
He's annoying because he has all the qualities.
He does everything well, his body moves,
he has all the swords in his neck.
It's painful for normal people like Pablo.
You have to look at him from afar, Pablo.
Not at all.
I'm going to deny him for the rest of the interview.
He has a beautiful neck game.
The shoulder goes this way and the head goes that way.
Everything is in the...
He won Dance with the Stars
with our TF brothers.
He won.
Thank you.
I'm not supposed to say that.
Thank you for accepting our invitation
to talk about Laurent Mestret for an hour.
It's still a show.
And to talk about your second one-man show
called Passé Simple.
It's in Paris before a tour throughout France
starting January 6th.
I saw your show with my wife.
I had an exceptional time.
I want to say it from the bottom of my heart.
He said it even when you weren't there.
Of course.
And the show helped you rebuild the relationship.
It started everything.
You don't do that.
This show is going to talk about
all those who grew up in the 90s
because you propose a big step back
on this blessed period.
We knew how to have fun at the time.
Oh, you're dying.
We're among us.
I arrived with a leather sardou.
On the lakes of the Connemara.
We knew how to have fun.
When we see your show,
we think it was a nice time.
That's why I called it
Passé Simple.
There's one thing
we can agree on.
It was simpler,
but not necessarily for the best
or for the worst.
I wanted to avoid the
it was better before
which is obviously too cheap.
I also wanted to avoid
the good jokes.
There was a lot of work
to remember a lot of things.
In the room, everyone was like
yes!
We play with a canvas
and when we project elements
we have to remember
what we're talking about.
I discovered something
after 15-20 dates.
I thought it was TV or music
that would speak to people
in their sensory memory.
Mammoth balls, coconut balls...
We have a picture of mammoth balls.
When I saw it, I thought
it existed.
I don't know what mammoth balls are.
It's disgusting.
It took a week.
You could throw it in a window
and it would break the wall.
It was impressive.
It changed the taste.
We were waiting for the strawberry
after a week.
It's disgusting.
It's a tissue for those
who had an education.
We were licking a drooling candy.
It tasted like anise.
We were fed up with anise.
It always ended up
with a Daft necklace on the tongue.
Dentists didn't like it.
Sensory memory, people see it
and don't listen to me for 3 years.
It works.
You talk about the family of the time
where a member of the family
was called the TV.
We were in the nostalgia of the time
with Le Club Dorothée, Friends,
AB Productions.
We talked a lot about Friends
recently.
It's nice to talk about it again.
We didn't have the same relationship
with TV and content.
In the 90s,
there were 6 channels,
no streaming platforms,
no SVOD.
We watched the same shows
together.
We talked about the Saturday Trilogy.
We even talked about Sakartoon
that we watched the day before
on Canal with Philippe Dana.
Code Quantum.
It was in the 50s.
We don't know why.
It was with Al.
He had a cigar.
It was a trunk.
They made a table with it.
We had a bit more
of a common culture.
People watched different things
and shared more things.
It's more disparate.
Everyone has his own taste.
It's full of niches
but it's fragmented.
It's paradoxical
because people have things
that fit them better
but we share less in common.
It's a bit of both.
The 90s is also the advent
of video games.
Our generation played Sonic,
Zelda, Street Fighter.
Yes, I'm sorry.
I'm from the 80s.
I didn't want to talk about it.
What's good is that
the relationship to these games
was less aggressive.
We played a lot too.
They were more playful and simple.
There was no debate
about whether video games
were violent or not.
There was a debate
about Japanese animation.
I don't know if you remember
but in the 90s,
with the Dorothée Club,
the Knights of the Zodiac,
Dragon Ball,
there was a huge debate
about whether it was
violent or not.
Nowadays,
Japanese animation
has become a real pop culture.
We saw it with the pass culture
during the pandemic.
Kids only bought
One Piece volumes.
It's a real pop culture.
Music too.
Back in time.
I did a blind test
of your music.
You have too much quality.
It's painful.
It's easy but
we all look back
when we were on our list.
First clue.
Five Girls.
I said it before.
It's painful.
What was the title?
Wannabe.
Victoria.
What a lack of originality.
What a manager.
A man of shadow.
The most armored of the band.
Second clue.
Nirvana.
We're good.
Calm down.
No, no.
Stardust Spirit.
Do we have an ID for Agathe?
We're good.
Third clue.
It's easy but it's good.
Michael Jackson.
It's good to get it out.
Nonsense.
I said to get enough.
To get it out.
There's an axis of human quality.
Pablo, I noticed
a sentence from your show.
Michael Jackson, king of pop.
King of poppers at night.
Absolutely.
Because I try to be naughty.
People laugh but we're ashamed.
We don't have that.
On this sketch,
I go back to Michael Jackson
in the 90s.
King of pop with Dangerous.
I go back to that.
They're a bit indignant
but we manage to make them laugh
because we fought for the valves
to be good at that moment.
I love that taste.
It's Thursday to Saturday
at 9 p.m. at the Palais des Glaces.
For those in Paris,
tour all over France from January 2024.
We encourage you to go see Pablo Mira.
I'll go.
I'll give you two square seats.
She can come.
I didn't say they were guests.
That's exactly it.
You let her participate in the success.